Quotes of All Topics . Occasions . Authors
When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about.
I had no choice. It was just something that happened. I was always looking for ways to act out, and I got a camera and it acted out for me.
The animal has no intellectual capacity to justify or to find reasons to exist. An animal just exists because it's the natural thing to do.
One of my daughters is a competitive jumper, we live with horses, we have stables on our property. But I don't ride. I observe, and I worry.
My dad took me to my first movie. It was 'The Greatest Show on Earth' in 1952, a movie of such scale it was actually a traumatic experience.
'The Color Purple' is the kind of character piece that a director like Sidney Lumet could do brilliantly with one hand tied behind his back.
The making of the movie and the routine of making the movie is a lot like being in a Spanish prison for five years on a marijuana breakdown.
A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.
Whatever affect any of my films have on audiences, I just kind of stop at the door. I make them and I just don't go outside after they're over.
I basically took something that was extremely erotic and very intentional, and I reduced it to a simple kiss. I got a lot of criticism for that.
From the day I started to think politically and to develop my own moral values, from my earliest youth, I have been an ardent defender of Israel.
I love history. It was the only thing I did well at in school. I'm not ashamed to admit that I was not a good student but I was great at history.
I still have pretty much the same fears I had as a kid. I'm not sure I'd want to give them up; a lot of these insecurities fuel the movies I make.
The person I enjoy working for more than anyone else is George Lucas. He's the best boss I ever had because he's the most talented boss I ever had.
People have forgotten how to tell a story. Stories don't have a middle or an end any more. They usually have a beginning that never stops beginning.
I think that a movie can only be an adjunct or only a supplement to books, to different points of view, to scholars, historians and your own teachers.
The best time of my life has been the three instances where I have been there for the birth of my children. That is, nothing [else] has ever come close.
In '83, not only was there no such thing as performance motion capture technology, there was no such thing as digital animation. This was the analog era.
You know, I don't really do that much looking inside me when I'm working on a project. Whatever I am becomes what that film is. But I change; you change.
When you listen, you learn, You absorb like a sponge - and your life becomes so much better than when you are just trying to be listened to all the time.
Social media has taken over in America to such an extreme that to get my own kids to look back a week in their history is a miracle, let alone 100 years.
The Japanese had a very strong belief in Bushido, death before dishonour. They were fighting for their country; they were the aggressors in World War II.
I usually do about five cuts as a director. I haven't ever directed a film where I haven't made five passes through the movie, and that takes a long time.
I have never before, in my long and eclectic career, been gifted with such an abundance of natural beauty as I experienced filming 'War Horse' on Dartmoor.
I've been shooting movies and television shows for now 47 years and I've worked with the best of them and [Kirk Douglas] is the only movie star I ever met.
Not every movie, in my opinion, should be in 3D. There are a lot of stories I wouldn't shoot in 3D. But, you know, there are movies that are perfect in 3D.
I go out and look for a good story to tell and if I like it enough and I decide to direct it, I become dangerously involved in becoming a part of that story.
I'd love to build a company that will continue to make movies well beyond me someday. And I'd like to help start something great, even investing in it myself.
I don't do the running commentary as the movie's playing. I think you should be able to watch the movie without listening to me talk while the movies playing.
The baby boomers owe a big debt of gratitude to the parents and grandparents - who we haven't given enough credit to anyway - for giving us another generation.
Before I go off and direct a movie, I always look at four films. They tend to be The Seven Samurai, Lawrence Of Arabia, It's A Wonderful Life and The Searchers.
Making a movie is like a stagecoach ride through the Old West: at first you wish for a pleasant trip, and after a while you just hope you reach your destination.
I don't drink coffee. I've never had a cup of coffee in my entire life. That's something you probably don't know about me. I've hated the taste since I was a kid.
There's no better way to test a person than to put them in the middle of a war. That's clearly going to show what kind of a character you're telling a story about.
I get that same queasy, nervous, thrilling feeling every time I go to work. That's never worn off since I was 12 years-old with my dad's 8-millimeter movie camera.
I've always wanted to tell a story about Lincoln. I saw a paternal father figure; I saw someone who was completely, stubbornly committed to his ideals, to his vision.
3D is not a fire and forget tool. It takes a lot of very careful consideration and it will change your approach to where you put the camera so 3D isn't for everybody.
I never felt comfortable with myself, because I was never part of the majority. I always felt awkward and shy and on the outside of the momentum of my friends' lives.
Because television doesn't offer the kind of budget that a movie offers, you've got to be a little more careful where you spend the money to put the fiction in science.
The essence of what it is to be American is the deep moral urge to be free, to freely express yourself and have the right to do so, and to look at all people as equals.
I always like to play with my kids. I always have the time to do that. That's my priority, always has been, so just interacting with my kids, and being with them is great.
If Bush, as I believe, has reliable information on the fact that Saddam Hussein is making weapons of mass destruction, I cannot not support the policies of his government.
My filmmaking really began with technology. It began through technology, not through telling stories, because my 8mm movie camera was the way into whatever I decided to do.
My first reaction every time I delve into an episode of history that I don't know very much about is... my first reaction is anger that my teachers never taught me about it.
I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.
I love to go to a regular movie theater, especially when the movie is a big crowd-pleaser. It's much better watching a movie with 500 people making noise than with just a dozen.
You can't start a movie by having the attitude that the script is finished, because if you think the script is finished, your movie is finished before the first day of shooting.
Once scouting fully opens its doors to all who desire the same experience that so fully enriched me as a young person, I will be happy to reconsider a role on the advisory board.
I was afraid of small spaces and I was afraid of the tree outside my window, and I had all these phobias. I think many kids have those phobias, but I probably had more than most.
I'm as guilty as anyone, because I helped to herald the digital era with Jurassic Park. But the danger is that it can be abused to the point where nothing is eye-popping any more.