Quotes of All Topics . Occasions . Authors
I wouldn't say 'Avatar' changed my life, but it definitely changed my career.
When Steven Spielberg comes calling, it behooves you to seriously consider it.
My favorite show from the '60s was 'Combat.' And maybe 'The Man From U.N.C.L.E.'
I loved Laurel and Hardy and TV shows like 'Robin Hood' and 'Rama of the Jungle'.
I don't think there is a role that I did twenty years ago that I couldn't do better now.
Whether I appear in 'Avatar 2' or 'Avatar 3', I always feel I'm a part of the 'Avatar' team.
Fortitude, determination... in a way they're things that I idealize myself and am curious about.
When you want to learn about something, what is the first thing you do... you go to the internet.
I don't believe that being against the war can be equated with being non-supportive of our troops.
I'm always reading plays, and when I find something that I really want to do, then I'll make the time to do it.
Theater, because of the commitment, it has to be a great role and a great play to me. It takes a lot out of you.
I have a penchant for playing God's clowns. Actually, I played Nijinsky once, and he used to call himself God's clown.
Hamlet, that's the only role there is, finally. The only role. After that, you settle down and only do the fun things on stage.
I've become more empathetic, and my capacity to understand and be patient - to give people a break - has enlarged over the years.
What has emerged as I've gotten older is simplifying the characters I play, unless the role calls for something that is arcane or ornate.
I've been into weight training for many, many years and you add to that a good dose of cardio, don't overindulge, and you can do all right.
You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
I always have a contract with a character. Even when he's unappealing. The contract is to give him his due. To tell his story. And to keep his secrets.
My job, professionally, is tapping into stuff. We've all got it. But, I just am fortunate enough that, beyond the age of 11, it's what I do professionally.
My Hamlet was about as alienated as you can get. Mine was a bitter and lonely prince. Valid, I think, but maybe tough to root for. I think that romance was missing.
My philosophy is, 'Show up, shut up, and do your job,' and if you do it to the satisfaction of your director and the public, you're likely to be able to do it again.
I watched the Tyson-Holyfield fight with Stallone. I remember when Tyson bit him, Sly looked at me and said, 'I think he bit him'. I said, 'I think you're right, Rock.'
Your primary tools, as an actor, are observation and imagination. You can pretty much get everything you need from that, and you do. It brings back that element of pretend.
There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.
With correction, and given the chance, 'Terra Nova' can and will deliver seasons of transcendent images and story-telling. 'Terra Nova' is the Hubble Telescope of television.
The truth is, I'm a character guy. That's how I see myself. I always see the role as being far more interesting and important than I am... not all actors approach it that way.
I can't imagine a more profoundly exciting experience than I had working on 'Avatar.' And whether I'm ever part of it again, I'll always be very proud that I was a part of it.
I think that war is diplomacy. There have been wars that have been fought for righteous reasons and there are wars that have had to be fought. Indeed, there will continue to be.
I am very fond of the people, landscape, poetry, music, history and the Guinness. Being there makes me think of my mother and my grandmother - always sentimental and warm thoughts.
I love the stage. It's terrifying in a way that film and television is not. When you're about to go out, and you're adrenaline just gets out of control, and that can be really daunting.
Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it and in so doing took responsibility for my own life.
Acting can be a very reactive profession. Acting is a fantastic thing, and it's my life, but writing is also part of me too, so I did it, and in so doing, took responsibility for my own life.
I've played the clarinet since I was a kid. I love to sing, but I'm not much of a singer. Let's say that when it comes to vocalizing, I have the soul of Billy Bigelow but the voice of Jigger Cragan.
My favourite dish is pollo ajillo; my favourite drink is a good Rioja with it. And as for my favourite music, oh God - there's so many things I like. Well, I'd say it's 'Walk of Life' by Dire Straits.
I think that war is diplomacy by other means, for sure, and there have been wars that have been fought for righteous reasons. There are wars that have had to be fought, and there will probably continue to be.
'Beyond Glory' is responsible for this wave that I've been fortunate enough to ride for the last few years. And that I did primarily because I didn't know what else to do. You might say I did it out of desperation.
I've always been curious about why one man jumps out of a foxhole with a grenade and charges a machine gun nest, and his buddy next to him sits there cowering. And my feeling is that the difference is tiny between the two.
I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.
I don't want to, in any way, characterize a race or a people or get accused of racial profiling, but the Irish, as lyrical and romantic as they can be in their poetry, they can be every bit as repressed in their personal relations.
In a rehearsal room, your real resource as an actor aren't the things around you; your resources are your imagination and your director and the other actors. In those close quarters, your imagination and your skills are what you turn to.
I've always been curious as to why one man jumps out of a fox-hole with a grenade and charges a machine gun nest and his buddy, who sits right there next to him, sits there cowering. My feeling is that the different is tiny between the two.
I love scenes that are just emotional give and take. By the same token action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes and hopefully you can get a good balance of all of that stuff.
I love the role I'm playing in 'Conan.' I'm enjoying making the film tremendously. It's very physically demanding. You know, Conan is 28 years younger than me and a big dude, so I have to depend upon my wolf-like wiles to defeat this young bull.
I love scenes that are just emotional give and take. By the same token, action sequences are great to do. They have their own unique demands and requirements. So I take it as it comes, and hopefully you can get a good balance of all of that stuff.
My criteria for doing theater has always been slightly different than my criteria with movies, in that there are a lot of reasons to do films, having to do with location, money, and first and foremost having to do with script and role and director.
I like to understand, very specifically, what it is I'm seeing, and where it is and where it's going, and a lot of that is just hitting the mark and following the dotted line. But that's good, too because there's concentration and focus that's involved in that.
I like to understand, very specifically, what it is I'm seeing, and where it is and where it's going, and a lot of that is just hitting the mark and following the dotted line. But, that's good too because there's concentration and focus that's involved in that.
I get a lot of people coming up to me and saying, "I really hate you." And they say it in the nicest possible way and I accept it. It's the people who come up to you and say, "I really liked your character. Man, he was right!" Those are the ones you worry about.
I get a lot of people coming up to me and saying, 'I really hate you.' And they say it in the nicest possible way, and I accept it. It's the people who come up to you and say, 'I really liked your character. Man, he was right!' Those are the ones you worry about.
You can play anyone if you're open enough. It's a form of possession. Each time you work on something, you allow yourself to be possessed by creating the environment for it. Then you allow the possession to happen - but not at the expense of your sanity or of your identity.