The first 90% of the job takes 90% of the time. The remaining 10% of the job requires another 90% of the time. The first condition of immortality is death.

Come, every frustum longs to be a cone, And every vector dreams of matrices. Hark to the gentle gradient of the breeze: It whispers of a more ergodic zone.

The number of one's possible fantasies is inversely proportional to the amount of one's liquid assets. For him who has everything dreams are no longer possible.

Cancel me not - for what then shall remain? Abscissas, some mantissas, modules, modes, A root or two, a torus and a node: The inverse of my verse, a null domain.

Come, let us hasten to a higher plane, Where dyads tread the fairy fields of Venn, Their indices bedecked from one to _ n, Commingled in an endless Markov chain!

Our ability to adapt and therefore to accept everything is one of our greatest dangers. Creatures that are completely flexible, changeable, can have no fixed morality.

In Riemann, Hilbert or in Banach space Let superscripts and subscripts go their ways. Our symptotes no longer out of phase, We shall encounter, counting, face to face.

We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is.

I'll grant the random access to my heart, Thoul't tell me all the constants of thy love; And so we two shall all love's lemmas prove And in our bound partition never part.

Seduced, shaggy Samson snored. She scissored short. Sorely shorn, Soon shackled slave, Samson sighed, Silently scheming, Sightlessly seeking Some savage, spectacular suicide.

That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox...

And yet we knew, for a certainty, that when first emissaries of Earth went walking among the planets, Earth's other sons would be dreaming not about such expeditions but about a piece of bread.

It has no meaning, what do you use to write, the only thing that is important is: what do you write. A machine to write a book instead of a writer is not invented yet, and probably will never be.

The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word.

Man does not create gods, in spite of appearances. The times, the age, impose them on him. Man can serve his age or rebel against it, but the target of his cooperation or rebellion comes to him from outside.

Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers, and without finding what lies behind doorways that he himself has sealed.

Skepticism is like a microscope whose magnification is constantly increased: the sharp image that one begins with finally dissolves, because it is not possible to see ultimate things: their existence is only to be inferred.

We didn't know each other well. I never had the time. Now I see that it doesn't make any difference. The ones who hurry and the ones who take their time all end up in the same place. Just don't have any regrets. No regrets.

Art gives man a reminder that he is not just a consumer but a creator as well. It awakens in him the urge to struggle and perform great deeds; it fills him with the craving to pass on the Promethean fire to generations to come.

My pessimism (which, by the way, is far from absolute) originated with my despair in the lack of perfection to be found in human nature. I was attempting in my successive books to show the inevitable handicap of the human condition.

It is not good for a man to be too cognizant of his physical and spiritual mechanisms. Complete knowledge reveals limits to human possibilities, and the less a man is by nature limited in his purposes, the less he can tolerate limits.

Either something is authentic or it is unauthentic, it is either false or true, make-believe or spontaneous life; yet here we are faced with a prevaricated truth and an authentic fake, hence a thing that is at once the truth and a lie.

The war of good and evil present in all religions does not always end, in every faith, with the victory of good, but in every one it establishes a clear order of existence. The sacred as well as the profane rests on that universal order.

Have it compose a poem -- a poem about a haircut! But lofty, noble, tragic, timeless, full of love, treachery, retribution, quiet heroism in the face of certain doom! Six lines, cleverly rhymed, and every word beginning with the letter s!

What gave you this idea of an imperfect god?' 'I don't know. It seems quite feasible to me. That is the only god I could imagine believing in, a god whose passion is not a redemption, who saves nothing, fulfills no purpose--a god who simply is.

Nothing, my dear and clever colleague, is not your run-of-the-mill nothing, the result of idleness and inactivity, but dynamic, aggressive Nothingness, that is to say, perfect, unique, ubiquitous, in other words Nonexistence, ultimate and supreme.

Solaristics, wrote Muntius, is a substitute for religion in the space age. It is faith wrapped in the cloak of science; contact, the goal for which we are striving, is as vague and obscure as communion with the saints or the coming of the Messiah.

There is only one positive role of the Nobel prize--it creates some common way to understand a writer. I cannot say, that I like this situation, but that's the way it goes. The books are being born and then walk around the world, just as children do.

I had no hope. Yet expectation lived on in me, the last thing she had left behind. What further consummations, mockeries, torments did I still anticipate? I had no idea as I abided in the unshaken belief that the time of cruel wonders was not yet over.

For what are myths if not the imposing of order on phenomena that do not possess order in themselves? And all myths, however they differ from philosophical systems and scientific theories, share this with them, that they negate the principle of randomness in the world.

Of the two powers, the two categories that take possession of us when we enter the world (from where?), space is by far the less mysterious. It, too, undergoes transformations. Time, on the other hand, is a hostile element, truly treacherous, I would even say against human nature.

Psychoanalytic doctrine reveals the pig in man, a pig saddled with a conscience; the disastrous result is that the pig is uncomfortable beneath that pious rider, and the rider fares no better in the situation, since his endeavor is not only to tame the pig, but also to render it invisible.

The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.

For moral reasons I am an atheist - for moral reasons. I am of the opinion that you would recognize a creator by his creation, and the world appears to me to be put together in such a painful way that I prefer to believe that it was not created by anyone than to think that somebody created this intentionally.

Science is turning into a monastery for the Order of Capitulant Friars. Logical calculus is supposed to supersede man as moralist. We submit to the blackmail of the 'superior knowledge' that has the temerity to assert that nuclear war can be, by derivation, a good thing, because this follows from simple arithmetic.

This is another lie. We are only seeking Man. We have no need of other worlds. A single world, our own, suffices us; but we can't accept it for what it is. We are searching for an ideal image of our own world: we go in quest of a planet, a civilization superior to our own but developed on the basis of a prototype of our primeval past.

Futurologists have been multiplying like flies since the day Herman Kahn made Cassandra's profession "scientific," yet somehow not one of them has come out with the clear statement that we have wholly abandoned ourselves to the mercy of technological progress. The roles are now reversed: humanity becomes, for technology, a means, an instrument for achieving a goal unknown and unknowable.

Really, one of us ought to have the courage to call the experiment off and shoulder the responsibility for the decision, but the majority reckons that that kind of courage would be a sign of cowardice, and the first step in a retreat. They think it would mean an undignified surrender for mankind as if there was any dignity in floundering and drowning in what we don't understand and never will.

Giese was an unemotional man, but then in the study of Solaris emotion is a hindrance to the explorer. Imagination and premature theorizing are positive disadvantages in approaching a planet where-as has become clear-anything is possible... The fact is that in spite of his cautious nature the scrupulous Giese more than once jumped to premature conclusions. Even when on their guard, human beings inevitably theorize.

For some time there was a widely held notion (zealously fostered by the daily press) to the effect that the 'thinking ocean' of Solaris was a gigantic brain, prodigiously well-developed and several million years in advance of our own civilization, a sort of 'cosmic yogi', a sage, a symbol of omniscience, which had long ago understood the vanity of all action and for this reason had retreated into an unbreakable silence.

The twentieth century had dispensed with the formal declaration of war and introduced the fifth column, sabotage, cold war, and war by proxy, but that was only the begining. Summit meetings for disarmament pursued mutual understanding and a balance of power but were also held to learn the strengths and weaknesses of the enemy. The world of the war-or-peace alternative became a world in which war was peace and peace war.

Each civilization may choose one of two roads to travel, that is, either fret itself to death, or pet itself to death. And in the course of doing one or the other, it eats its way into the Universe, turning cinders and flinders of stars into toilet seats, pegs, gears, cigarette holders and pillowcases, and it does this because, unable to fathom the Universe, it seeks to change that Fathomlessness into Something Fathomable.

Cripple God, who always desires more than he's able to have, and doesn't always realize this to begin with. Who has built clocks, but not the time that they measure. Has built systems or mechanisms that serve particular purposes, but they too have outgrown these purposes and betrayed them. And has created an infinity that, from being the measure of the power he was supposed to have, turned into the measure of his boundless failure.

Psychoanalysis provides truth in an infantile, that is, a schoolboy fashion: we learn from it, roughly and hurriedly, things that scandalize us and thereby command our attention. It sometimes happens, and such is the case here, that a simplification touching upon the truth, but cheaply, is of no more value than a lie. Once again we are shown the demon and the angel, the beast and the god locked in Manichean embrace, and once again man has been pronounced, by himself, not culpable.

Mathematics never reveals man to the degree, never expresses him in the way, that any other field of human endeavour does: the extent of the negation of man's corporeal self that mathematics achieves cannot be compared with anything. Whoever is interested in this subject I refer to my articles. Here I will say only that the world injected its patterns into human language at the very inception of that language; mathematics sleeps in every utterance, and can only be discovered, never invented.

So one must be resigned to being a clock that measures the passage of time, now out of order, now repaired, and whose mechanism generates despair and love as soon as its maker sets it going? Are we to grow used to the idea that every man relives ancient torments, which are all the more profound because they grow comic with repetition? That human existence should repeat itself, well and good, but that it should repeat itself like a hackneyed tune, or a record a drunkard keeps playing as he feeds coins into the jukebox.

Man's quest for knowledge is an expanding series whose limit is infinity, but philosophy seeks to attain that limit at one blow, by a short circuit providing the certainty of complete and inalterable truth. Science meanwhile advances at its gradual pace, often slowing to a crawl, and for periods it even walks in place, but eventually it reaches the various ultimate trenches dug by philosophical thought, and, quite heedless of the fact that it is not supposed to be able to cross those final barriers to the intellect, goes right on.

There are friends with whom we share neither interests nor any particular experiences, friends with whom we never correspond, whom we seldom meet and then only by chance, but whose existence nonetheless has for us a special if uncanny meaning. For me the Eiffel Tower is just such a friend, and not merely because it happens to be the symbol of a city, for Paris leaves me neither hot nor cold. I first became aware of this attachment of mine when reading in the paper about plans for its demolition, the mere thought of which filled me with alarm.

Not far from here, by a white sun, behind a green star, lived the Steelypips, illustrious, industrious, and they hadn't a care: no spats in their vats, no rules, no schools, no gloom, no evil influence of the moon, no trouble from matter or antimatter - for they had a machine, a dream of a machine, with springs and gears and perfect in every respect. And they lived with it, and on it, and under it, and inside it, for it was all they had - first they saved up all their atoms, then they put them all together, and if one didn't fit, why they chipped at it a bit, and everything was just fine.

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