Quotes of All Topics . Occasions . Authors
I want to be a soul singer.
I should have my own publishing companies.
If one of us is chained, none of us are free...
Apollo Records signed me for my gospel ability.
I don't need to make a fortune, I need to survive.
Im still amazed people remembered and didnt give up on me.
I'm still amazed people remembered and didn't give up on me.
As you grow older, you learn to understand life a little better.
I didn't need to depend on the record company to publish my records.
Sometimes its controversy, but we all have our choices that we make.
The secret was to just be cool, stay in God's graces, and work it out.
I was signed to MGM. I was in Vegas for sixteen weeks at the Sands Hotel.
Girls were coming from every angle. I couldn't love them all. But I tried.
Leonard Chess passed, and that was the end of the Chess label for that time.
You gotta do it with class and integrity. If not, you're gonna drag yourself through the mud.
I walked out of the Chinese restaurant with a fat check, a record deal, and a box of shrimp egg foo yung!
The deals that were made for Black artists at that time were not the deals that were made for white artists.
That was my choice at that time, and I still say Nixon was a great president. A very beautiful and wise man.
I didn't do the marching down the streets, jumping in front of the lines and holding hands... that wasn't me.
We were using the record as a tool to invest money into real estate all through the South, because we were living in an era where the South was changing.
We were grooving, at that point, in the same direction, but remember, Roy Hamilton and myself were going into a path and a direction that had no programming.
We had some problems - my children were kidnapped during that time, and it just changed my whole way of thinking, from being in show business and everything else.
If we could buy these properties and then invest in the Black community, with our own McDonald's, with our own Kentucky Fried Chickens, it was gonna be a great move.
I didn't need to borrow money from the record company, because if I had my own publishing company, and I had my own writers, I'd have enough to get and do whatever I wanted to do.
But we didn't have the financial structure, like the right attorneys, the right managers, the right accountants, and we were going against the grain of what black entertainers is supposed to do.
My manager was Buddy Glee, who put me together with Mike Curb, and was basically the idea to bring some soul to the label and bring something different to the label besides the Hank Williams situation.