Quotes of All Topics . Occasions . Authors
I just want to keep learning.
All I can say is, death is a part of life.
I'm Jewish, so I don't know much about easter eggs.
Every movie has its complexities and its challenges.
I'm more fascinated by anti-heroes, and Gambit is one of those.
Part of what I love about producing is to get to work with writers.
Nothing lives up to what you imagine. It changes, shifts, becomes something else.
There are too many good comic book writers out there. I'd rather remain a fanboy.
Usually, you just have a hero and a villain - in any movie, not just a superhero movie.
You've got to trust [that] your own compass will lead you away from whatever mistakes were made.
Should a story be readily told in a PG-13 fashion, it should be for creative, not business, reasons.
When I'm writing a first draft of a script, I can disappear into that for two, three months exclusively.
One movie I come back to time and again is 'The Hustler.' I don't think there's better dialogue in any film.
I felt film is art and there are people that constructed that art - and that made me want to be a filmmaker.
The biggest challenge is not the storytelling, it's to track every character's arc through the entire movie.
I'm like a geek that grew up playing with Star Wars toys and creating action sequences, essentially, with toys.
There is a religion around 'Star Wars' that is different than even the fanaticism around comic books and other media.
In the 'Days Of Future Past' comic, the aim is to go back in time to preserve peace for the lives of mutants in the future.
The thing that's interesting about science fiction is that it is always, when it is done well, a lens on our world. And yet it is a metaphor.
The success of 'Deadpool' and 'Logan' have bolstered our confidence to make edgy, more daring, provocative bold movies that audiences will embrace.
'Deadpool' feels like it exploded out of nowhere, but it was a ten-year development process on that movie. I think it was honed over those ten years.
We take the R-rating on a case by case basis when the story warrants it and necessitate that rating, and shouldn't be hemmed by the rules of PG or PG-13.
Make movies you love because it's miserable. Every movie I've worked on at one point or another is exhausting, and you feel like you're making a bad movie.
Part of what's interesting about the 'Star Wars' world is, villains are complex, obviously, and they occupy, as in life, different roles within different organizations.
I produce more movies than I write, but when I write, it is such an immersive, intense process that it probably takes as much or more time than producing multiple movies.
I love the 'Dark Knight' movies, and 'Dark Knight' and the last one are well over two hours, and I could've sat there for three and a half hours, so if it's good you have some leeway.
Last thing you want to do with a good movie is hold the audience hostage. As an entertainer myself, I just know it's better when you leave 'em wanting more than to stick around too long.
When you're a writer in Hollywood, you don't get to work with other writers. You barely get to meet other writers. We're interchangeable, disposable pieces that never really get to collaborate.
Quentin [Tarantino] is a filmmaker who really dives into things very seriously and deeply. And when he does interviews, he really wears his heart on his sleeve and he doesn't hold anything back.
As wild and anarchistic as 'Deadpool''s marketing was in using the Internet, its viral pieces and billboards, 'Logan' was the opposite. We went really analog and old-fashioned, much like the movie itself.
The biggest lesson learned from 'X-Men: The Last Stand' or 'X3' was that if you are going to tell a Phoenix story, tell the Phoenix story. Don't make it the subplot of the movie. Make it the plot of the movie.
The most important thing for me in an action sequence is, you understand the characters' intention and the challenges the characters are going to have to face: what the character story is within the action sequence.
I write every first draft - almost every draft, but certainly the first - by hand on blank white pieces of paper, so I don't know how long it is as I'm writing; it just piles up, and then I input it all in my computer, and I learn how long it is.
I think the best science fiction, especially literature, is political in nature and is often an allegory about something problematic in our world, and it's something that makes the 'X-Men' comics so relevant - they're about xenophobia and prejudice.
I thought working in other universes that had a lot of history - and I had personal affection for, like 'Sherlock Holmes' or the 'X-Men' movies - would prepare me for it. But the truth is, there is nothing and has never been anything like 'Star Wars.'
When you're actually inside the experience of writing something, in some ways, you're just writing. Ultimately, you fall in love with the characters, and you get excited about the story, and you're sitting there in your sweatpants or pajamas, and you do get a little lost in it.
I feel pressure as a fan. I don't really feel pressure from the fans, if that makes sense. I worked on other movies, like the X-Men movies, that have big fan followings. And if you start to get lost in those voices, you will be completely lost. I feel the pressure of the 6-year-old me.
I hope that 'Gambit' doesn't take ten years, but it takes a little honing to get that tone and that voice exactly right. The character has such a specific voice in the comic, in the same way that Deadpool has a specific voice in the comic, that we want to make sure that we capture that voice on the page.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
I think change is happening in ways we can't anticipate yet because the whole generation of viewers who are viewing films - film may not be the appropriate word in years to come. I'm excited about the possibility of new types of storytelling; that to me is less daunting. I'm excited by how we'll evolve with those formats thematically, tonally and in narrative.
I've always been curious what the negotiation is because obviously there's certain movies that every film wants a trailer on, like Star Wars, and I don't know how Disney makes the decisions as to what it does and doesn't put on there. I'm assuming that whatever movies are the same studio as the film get first priority, but then everybody else is fighting for the remaining spots.