When times are bad, people like to lose themselves in the sheer glamour of another period: beautiful wardrobes, magnificent meals served in elegant settings.

Sometimes people who have their lives played out in public don't feel they have the privacy to continually journey within. I did, and that's why I have longevity.

I mean, I'm just speaking of my own experiences and my own desires, and it's a kind of a childlike wonder that could really possibly speculate on other dimensions.

We've had so many lifetimes of different cultures and different religions and different points of view and different wars and different loves and different children.

I loved the idea of doing a love story with people over the age of 60 and a film that will hopefully give so many of the audience a chance to see themselves on the screen.

The spirit is something to be enjoyed. It is not a harsh discipline. And I think people should take some time everyday for some kind of moving meditation, like Qigong or Tai Chi.

I can't advise any of the young ones, because I don't know what their background was, but I would suggest that anyone who wants to be famous more than anything - there's a problem.

...One individual is his or her own best teacher, and no other idol or false image should be worshiped or adored because the God we are all seeking lies inside oneself, not outside.

Remember, I come from such an excessively overdone, red-carpet place called Hollywood. So I'm used to people blowing up their success in ways that are far above and beyond the truth.

no one ever really leaves Hollywood. No one really leaves unless they are called away by God. Even then, the impulse would be to come back again and make a movie about the experience.

I can't advise any of the young ones, because I don't know what their background was, but I would suggest that anyone who wants to be famous more than anything - there's a real problem.

For if the talent or individuality is there, it should be expressed. If it doesn't find its way out into the air, it can be turned inward and gnaw like the fox at the Spartan boy's belly.

Sometimes I feel an impingement of something I went through in another lifetime. But I like to concentrate on the absolute present. That's why I love my animals. They live in the present.

You think you have a handle on God, the Universe, and the Great White Light until you go home for Thanksgiving. In an hour, you realize how far you've got to go and who is the real turkey.

Fear is concealed in smiles and flashing teeth. 'Please say you still love me,' the kings and queens are really saying. And, when they fare badly, they return to their palaces and sleep fitfully.

There's no journey worth taking except the journey through one's self. That's the most important journey you take. I found that out as I went around the world many times: I was learning about me.

We cannot divorce what we are producing from what we are. We create technology out of the vision we have of ourselves. If we are blind in our conception of ourselves we will create a blind technology.

I'd like to introduce someone who has just come into my life. I've admired him for 35 years. He's someone who represents integrity, honesty, art, and on top of that stuff I'm actually sleeping with him.

I'd like to go to another planet, which I might live long enough to accomplish. Just get on a spaceship and go. But not the moon. I don't see any flowers there. The moon is too close. I want to go further.

The secret is to let the audience feel through the actress, rather than having the actress feel for the audience. When you can do that, you involved the audience almost without their knowledge or awareness.

I would say the biggest risk I always take is going in front of a live audience. There's nothing more risky to do. You have to really leave yourself open to your own authenticity, and you find that out pretty quick.

The pickings are pretty slim when you have to play the part of a housewife who doesn't go out of her apartment because she's afraid she's going to get mugged, or a woman who turns into her brother, who is a murderer.

Crystals are amplifying minerals. You have a crystal in a radio - it amplifies the sound waves. You have a crystal in a television set - it amplifies the light waves. When you hold crystals, they amplify thought waves.

I think when I was in my early twenties and middle twenties I didn't even know I wasn't living up to my potential. A couple of friends told me I wasn't and told me to get my act together, and it made a huge impact on me.

On things she had to pack before leaving her home in advance of a forest fire, 1996. Childhood pictures and pictures of my life. Do you know how many pictures that is? Not just this life; I have pictures from 13,000 lives.

I'm an expert in hookers. I'm an expert in doormats. I'm an expert in victims. They were the best parts. And when I woke up--sociologically, politically, and creatively--I could no longer take those parts and look in the mirror.

Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance.

In terms of my life, I guess I want to share whatever I've learned really, which is basically one thing: know yourself, look for yourself, know what to look for, cherish it, be honest, be authentic, even if it hurts your feelings. That's not bad.

I have a lot of friends who are around. I'm having a wonderful time in my life now with my platonic relationships with men and women, because when that sexual tension is off the requirement of the interplay, then you get to who the people really are, and to yourself.

Audrey was the kind of person who when she saw someone else suffering tried to take their pain on herself. She was a healer. She knew how to love. You didn't have to be in constant contact with her to feel you had a friend. We always picked up right where we left off.

New York was the only city I knew in the world where you could be desperately lonely at nine in the morning, crossing the street for a bagel at Gristede's, and find that seven hours later you were drinking Irish coffee at P.J. Clarke's with all the friends you had inherited along the way.

Ballet is the repetitive training of the body for the purpose of executing steps in traditional fashion. It is tied to and bound by the past. It is a disciplined beauty consciously preserved in the image of the old days in societies that were class-conscious and appreciative of elitist physical expertise.

Films and life are like clay, waiting for us to mold it. And when you trust your own insides and that becomes achievement, it's a kind of principle that seems to me is at work with everyone. God bless that principle. God bless that potential that we all have for making anything possible if we think we deserve it.

Hollywood always had a streak of the totalitarian in just about everything it did. The old moguls were essentially hard-fisted authoritarians who had created a system of linked dictatorships to control the creative people. We were supposed to be the children; mad, tempestuous, brilliant, talented, not terribly smart children.

When a child comes in, I believe that it's a 'multipersonhood,' and it knows it, its consciousness knows it, and it has a nuclei in the center of its consciousness that is the repository of all experience and all knowledge. And when you look in the eyes of your baby and you feel this sense that they are an old soul, I believe indeed they are.

I'm very aware, but I'm very naïve. When you are really naïve and expecting safety and expecting the best, you don't feel you're taking risks. You can get smacked a little, but usually it works out pretty well. I would say that, as much as you can instill your open-minded naivety, if you're basically open minded, then you can do damn near anything.

We feel the urge to tell the truth as we see it. But we should try to accomplish this without judgemental condemnations that hurt others. Again, when we remember that what we perceive in another is a reflection of ourselves, we become less judgemental. So when we freely express harsh judgement of another, we are in effect talking about those aspects of ourselves that trouble us the most.

I do miss the stage. There's nothing like it, nothing. When I did my one-woman show and played the Palace and played the Gershwin and all that, I did - what? - eight shows or maybe more a week. Of course you can't do anything else, and you can't run quickly for a cab in the rain, and you can't have a drunken love affair. You can't do any of that. Because you've got to be perfectly healthy. And I guess I value enjoying my life a little bit more than the discipline these days.

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