Quotes of All Topics . Occasions . Authors
As for me, I rarely write a song. But when I do write a song, like "Ain't No Chimneys in the Projects," which came to me at three a.m. one morning, on a whim - I get a percentage.
I remember my sister and I - my big sister would get up on her chair in the kitchen and sing Mary Wells' "What's Easy for Two Is So Hard for One." It was 1966, and I was 10 years old.
I'm not planning on singing too late. Maybe another eight or 10 years is enough before I retire. It would also be great to revisit all these stunning places around the world where I have toured.
I feel like this: When you call me in to do something with you, you must want me to do soul-singing. Because you know I'm a soul singer. Don't ask me to come in and rap. And don't ask me to come in and sing pop.
Youth. The fact that, in the mid-'90s, guys like Lee Fields gave me and all these young people the chance to do backup. I was in my 30s, but some of those guys were still teenagers. Others were 22 and 23 - babies, all of them.
I think I bring the songs that aren't about me or related to me to life. It's like the song 'How Do I Let A Good Man Down?' Let me tell you, I didn't write that song - because if I have a good man, I ain't going to let him down.
I never got to meet Michael Jackson, and he's gone - so to be on stage with Prince was like if Michael... you know what I'm saying? And Prince, he's just such a warmhearted guy. He's so humble. He's such a spiritual man. I like his style.
This album [Give the People What They Want] has almost been in the making for almost three years now. When we first began on it, my mother was sick. When she passed away, I got on stage and played that night. The music helped take me away.
As for meat, I'm not going to become vegetarian. I'm telling you that right now. I want me a steak. I want me a pork chop. I want me a lamb chop, even a piece of duck every once in awhile. We used to have ham and salami, all that crazy stuff.
Everything on my body turned real dark. My toes, under my feet, inside my mouth, under my tongue - I just turned really dark. I'm still here, but it's gonna take a while to get back to normal. Chemo kills all the good cells along with the bad.
The only thing I wanted to accomplish was to finally get recognized by the music industry. If you know the awards, answer me this question: Do you see an award for soul music? No. They have R&B, funk, hip-hop and all sorts of contemporary things.
I sing this song in church - 'I don't believe He brought me this far to leave me.' I got a feeling that all these shows, all this everything, is part of my blessing. And in my heart, I know I'm going to do every show, and everything is going to be OK.
Sometimes people look at our covers and say, "That looks just like that other cover." I say, "And?" It reminds them of a cover from way back when. If you know the cover, then pull it out and compare it. I don't care. It's supposed to bring back memories.
I tell the songwriter's story. When I read people's lyrics, I'm so amazed. I want to tell this story and make it part of my life. I usually can't write lyrics down, but I can sure tell that story. You've got to make people feel the hurt and love in each song.
I don't know why I keep saying this, and I don't know why I keep using their names... And I'm not dogging them. I'm not slandering them. I'm not saying they are bad musicians. But how can Taylor Swift or Justin Timberlake win for R&B and funk? They are pop singers.
Until the '90s, major labels were looking for a certain look. This Sony guy told me I was 'too black, too fat, too short, and too old.' Told me to go and bleach my skin. Told me to step in the background and just stay back. I had the voice, but I didn't have the looks.
If God watches over a little sparrow, you know, if he takes care of the birds, a little sparrow. Here I am, one of his children, you know, he got so many of us down here. Human beings that send our faith up and believe. And if he watch over a sparrow, I know he watches over me.
I'm telling the story, and if I can't tell the story, I'm not going to sing it. And if I don't agree with the story, and if I got to sing something that portrays me as something I'm not, then I'm not going to sing it either. I didn't even want to sing Aretha Franklin's 'Chain of Fools.'
At first, they told me it was just bile-duct cancer, but once they went in, they removed the gallbladder, the head of my pancreas, and a foot-and-a-half of my small intestine, and built me another bile duct and connected it to my stomach. It turned out to be pancreatic cancer, stage two, so, very aggressive.
I was onstage one night and was singing. I hit one note, and I just doubled over. It was like being punched hard in the back. I couldn't put my back up on the plane seat because of the pain. I got massages, thinking it was muscle spasms. The doctor told me at the time that it was my pancreas. I didn't even know.
I chose not to put a wig on. The reason why I chose to come out with the cancer thing is because there's somebody out there who can see that all sickness isn't unto death. That it's something you can't change at that point in time, so you just got to go with it. Don't be ashamed. Don't be ashamed of looking at yourself.
In Rikers, you had the Italians over here, the Spanish over here, the Blacks here, then there would be your Christians here and your Muslim brotherhood here. It's just like the outside, but in very closed quarters where you have to get along or else. The sense of claustrophobia in 'Orange is the New Black' - that's real.
As for meat, I'm not going to become vegetarian. I'm telling you that right now. I want me a steak. I want me a pork chop. I want me a lamb chop, even a piece of duck every once in awhile. We used to have ham and salami, all that crazy stuff. I can't eat processed food. I've got to find local farmers and get natural foods.
I'm sitting at home every time there's a Grammy. It's like, 'What is Sharon doing tonight?' I'm sitting home watching it. But it's OK. But if you go to Europe, there are a lot of young, independent labels that's doing soul music. You might call them retro because they're young and they're trying to imitate somebody. But I ain't retro.
I've got these five-pound weights and a treadmill in the living room. I work out the other parts that have affected my voice: my diaphragm - doctors took mine out in surgery - and my lungs. I've got to build back my legs, too, so I can run across that stage. I've got a lot to do, but I'm going to get out, sing songs and tell the stories.
I often call Daptone the Motown and Stax of today. But in some ways it's different. At Motown, a lot of the musicians didn't get recognized, music got stolen, and people didn't get paid. Or the label would just throw them a pinch of money for their songs. That is one thing we're not doing. Anything anyone writes here, we get a percentage.
To be honest, I didn't think I would be here for this album [Give the People What They Want]. I thought I was going to die. When the doctor came in by himself and told me I had cancer, it was frightening. He told me he got it and there would be six months of chemo. I really thought people would be promoting my record without me here to enjoy it. But I'm here.
I remember going into a raggedy studio, still with my work uniform on. At the time, I was driving money trucks for Wells Fargo, so I had my gun and hat, which weighed me down in the heat. It was 97 degrees here in New York, and they had to turn the air conditioner off because it was too loud. So, I say, "Damn, it's hot in here!" That's how we came up with the song, "Damn, It's Hot." It was from our soul. We just got together, sang and made our own lyrics.