People get so attached to a position which they identify themselves with that they just spurt it out, but they can't really give you a viable reason why they feel that way.

People think our music's very aggressive or angry or whatever, and it's just the opposite, really... I like laughing. And I like being really calm before a show, and smiley.

We [americans] self-regulate ourselves, we self-censor ourselves a lot in this country instead of having someone else censor us so we can blame them. That's not good, either.

I think anytime that you go to the extreme of any mode of economics, be it capitalism or communism, you have these feedback mechanisms that make the system turn in on itself.

'Elect the Dead' is a rock record that takes you on a journey with different types of genres integrated, different lyrical themes digested, and many fun and colorful moments to enjoy.

I think I might write a book. I like writing. People have asked me if I would get into politics, but I think I feel a lot more effective being a representative of truth through the arts.

I've got my own studio, and I've got four- to five-hundred unreleased tracks. I've got stuff that's electronic, orchestral, jazz, I've got rock, I've got metal, you know, I don't have polka.

When I was younger, I was listening to a lot of Armenian music, you know, revolutionary music about freedom and protest. In the 70s I was listening to soul and the Bee Gees and ABBA, and funk.

It's important for all people, and not just people in bands, to speak out on social justice issues. That means journalists or plumbers have just as much of a responsibility to do that as artists.

We are the cause of a world that's gone wrong. Nature will survive us, we've been wrong after all. We are the cause of a world that's gone wrong. Wouldn't it be great to heal the world with only a song?

I believe very firmly that indigenous populations had a really good, intuitive understanding of why we're here. And we're trying to gain that same understanding through psychology and intellect in modern civilization.

Composing is what I love most from what I do. Each genre has a unique expression that you cannot supplant with another. All the records co-inspire each other though they are not tied conceptually in any way to another.

With rock music, the amount of power that you can generate, the intensity behind the intentions of your lyrics that you can really reflect through rock music - you can't do that in jazz. You can't do that with classical.

In America, there's more of the question, should music be political or should it just be for entertainment purposes, whereas around the world that's not even an issue. I think people just assume that music should be everything.

In terms of political things, I think it's important to be more direct in terms of political statements. I think in terms of philosophical and things that you plant things and see them grow lyrically or musically, it's okay to be subtle.

I think every artist should follow their vision; their hearts is what they need to reveal, not something that society is looking out for. That said though, I think also artists have, continuously good artists, have been good for their times.

My two interests are spirituality and politics. I would mesh them in some way; maybe try to figure out the politics of spirituality, or the spirituality of politics. Or maybe come up with this really crazy naive solution for the end of civilization.

With most of the songs and music that I've composed, irrespective of the myriad videos made, I was always careful not to overly define the experience, leaving room for people to internalize things for themselves, making their experience more integral.

I've always worked on all different types of music, some with specific project goals and deadlines and some not. Sometimes I would write a piece of music that is almost like a film score or weird electro pieces, wherever the muse took me, and I still do that.

We're addicted to this concept of civilization - we can't imagine living outside of it because we've had it for 10,000 years, all of what we call history. But according to archaeologists, humanity has been on this planet for millions of years in indigenous form.

If you allow for a purely capitalistic society, without any type of regulation at all, you will get one monopoly that will eat all of the smaller fish and own everything, and then you'll have zero capitalism, zero competition - it would just be one giant company.

I am more interested in how people interpret the phrase 'Elect The Dead' than what I may or may not have intended. I named the album after the track, which is a spiritual song about love, life and death and is the heaviest song on the album without having any heavy instruments.

I think music is an intuitive force. It's this beautiful wave that connects all of us and inspires us, and I think music has the ability - when you listen to a song, you're not immediately thinking about the lyrics or what's going on in the mind of the writer, you're feeling the song.

I don't find most people to be as politically engaged as I am. I do find people that appreciate eye-opening events and words, and who want to learn more about what's going on. I do find people with a lot of opinions. And I get a lot of people who come up to me and give us props for what we do.

The best way to do that is to pick up a new instrument or an instrument that you don't typically write on and see where it takes you. Whether it's using an acoustic guitar, or piano, or electronics as tools, all of these lead to creating different types of songs and I used all of these methods for this record.

You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.

You listen to Bob Dylan and you can't help but think of the 60s, it's very relational and if artists are true artists and not just mere musicians they need to be truthful because the music doesn't come from them, it comes from the universe and it's to be shared. At best, we're skilled presenters, and I say that at best.

The next song I wrote in Paris years ago in a dream. So I didn't really write it, the universe wrote it. And that's what I believe about music, I believe it belongs to the universe, it comes from there and it's this beautiful energy that we share that transcends normal flash existence and that we inspire each other through.

I really feel like civilisation's already over. It's not ending but it's already done. We're all addicted to the concept that humanity equals civilisation and that's not the case. We need a global conversation to be able to decipher how we can live from this point forward. We have to redefine our relationship with our environment.

I've always thought of the sky as, like, an open canvas. When I was a kid and I looked at the sky, I always remember being able to daydream, just looking at the sky, being creative, being able to design things. What would happen if we had no sky? Where would we be? Well, obviously, scientifically, without an atmosphere, we'd all be dead.

I think as consumers Europeans are a lot more artist loyal irrespective of the genre of music or the type of project or the collaborative effort, and Americans are more media-loyal, because they need to be fed that media to know what's going on, because we're so inundated with promotion and marketing and everything that's going on - advertising.

Making two possibilities a reality. Predicting the future of things we all know. Fighting off the diseased programming Of centuries, centuries, centuries, centuries. Science fails to recognise the single most Potent element of human existence. Letting the reigns go to the unfoldings faith, Science has failed our world. Science has failed our mother earth.

My personal relationship with music is an imperfect harmony because I never studied music, but here I am not just writing for bands but full orchestral sections and doing all this composition, and I never learned the right way of doing things so I have a lot of dissonant sounds and things that are brought to my attention, and generally I leave them that way because I like those imperfections.

Nations are like people. Once you understand the interactions between nations, it's easy to understand why things are done, in terms of foreign policy, in a certain way. But nations are not like people in the sense that we are cumulatively represented by others - and their interpretations of what our interests are may not be the same as what they really are. And that's what's dangerous, even in a democracy.

I think the gift of music is it's intuitive capability. I think music is a powerful medium because it co-inspires. It inspires the artist who then inspires the listener, and it's a back-and-forth process. Because it's intuitive, the truth has to be defined intuitively. It can't be preached, it can't be pushed. It's got to normally go across organically and make someone feel something, and that's the power of music.

I think that because of YouTube, because of MySpace, because of the digital domain that we have on the Internet, the younger generation is much more open to information. I think it's so much easier for them to gain information and trade information, and they have become more aware. In some cases, more aware than their own parents and adults, as to what's going on in the world. I find that really intriguing and interesting, and I think there is a brewing of a whole new generation of activists coming.

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