Quotes of All Topics . Occasions . Authors
I usually feel like the role comes to you to sort of illuminate some piece of where you are in your life. I feel like I myself am a single woman and I'm childless - by choice - at this point, and I don't know what will happen.
I'd love to be in the '70s. I'd love to have a big, long wig parted down the middle with flat-ironed hair and bell-bottoms. They're actually very flattering for my figure. The wider the leg, the better for a person with a booty.
The idea of being on a show where each season stands alone, and you can come back the next year and show an entirely different aspect of your personality or your talent or your anything is an enormous gift that you rarely get in television.
I like that feeling in your brain when you've got seven things that you're holding in one moment-you heard that person cough, you heard that person laugh, you're also saying your line, you're also listening to the person who's talking to you.
It's OK to sit in the Golden Globe room and look around and think, 'Oh, Helen Mirren's a loser tonight, so is Nicole Kidman. Meryl Streep lost tonight. Jessica Lange didn't win.' If you're gonna be in the company of losers, that's the company to be in.
If you get on a TV show that's successful, odds are that you're playing the same character for as many years as the show is running, which can be its own blessing, but it can also be a curse because you're playing the same thing and that can be tiresome.
We're constantly, as human beings, trying to understand why we do what we do and how we got to wherever we find ourselves today. Sometimes it takes a lot of time to look back and go, 'I can't believe I spent one day with that person, much less two years.'
I had a complicated home life, and my teachers, predominantly my theater teachers and my English teachers, were very dedicated to taking care of me in a particular way. And in doing so, I think I developed a very easy rapport with people older than myself.
I have been sitting around waiting for an opportunity to get to do something that matters for so long. Not just that matters in the world, which I think that season, in particular, had a very important meaning for a lot of people, but for me, as an actress.
I personally think it would be a very liberating thing for women to allow themselves to understand that having it all incorporates sacrifice. It does mean that you can't be everywhere all the time. It does mean that your friends are not going to get all of you.
I don't have children, but my work life is as important to me as anything could be. I've dedicated a lot of time and energy and years to it. Some might say some of my childbearing years to it. In and of itself, my work is like a child to me. That is my reality.
Looking back is a way to sharpen the focus on the things you want to change in your life. I think there's something about nostalgia that really puts a fine point on the here-and-now, and that can be incredibly fascinating and interesting and engaging for the mind.
When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.
I had gone away from Twitter because before people had been so mean to me. Talking about my lisp and my enormous forehead and all these things. I do have a lisp, I do have a forehead I know you could land a plane on, it's no mystery to me. I just didn't have the skin for it.
There's a poignancy to being with someone older. I think there's a greater appreciation of time and what you have together and what's important, and it can make the little things seem very small. It puts a kind of sharp light mixed with a sort of diffused light on something.
I don't feel like a very nostalgic person. I think about the past much more clinically. When I look back and wonder, 'Why was I doing that? Was it a waste of time?' I don't beat myself up. Instead, I say, 'I'm so glad I did that, because now I really know what matters to me.'
Your mind knows your pretending, but, in terms of the adrenaline and the fact that you are actually crying, and that you are that upset, and you are screaming, and you are simulating terror, your body does not know that it is not real. Your body feels really wrecked afterwards.
I'm one of those actors who's just standing there, waiting and ready for something to come my way. I don't really try to think about, "Oh, I feel the next thing I should do should be a feature. Now, I think I should do a play." I just hope someone wants to cast me in something.
I could feel my body temperature - I knew I was bright red. It was so humiliating, I was so upset, and it was nothing I had planned to do. It was just one of those beautiful moments, the alchemy of acting that is so mysterious, where you sort of go, "How did that come out of me?"
I think sometimes when you can feel the velocity of change, like nowadays, you really need a seat belt. It's almost like having a growth spurt that you can feel, like a 16-year-old who woke up one day and grew four inches literally overnight. That can be a painful thing sometimes.
My great love is the stage because I do feel like it's the place where, if you're lucky and everything is firing in the right way, you have the greatest shot at being successful. I don't mean by getting great reviews, but I mean by finding the core fo the person that you're playing.
All of my friends went to college and I got a job at Circle Pizza, where I worked for 24 hours. I had to call my mother four times to ask her how to spell Parmesan. I'm not kidding. I was a terrible speller. I think I was really nervous that I somehow didn't feel right out in the world in that way.
Playing Sally McKenna was a wonderful, freeing thing because we all in life have so many responsibilities to ourselves, to other people, that we rarely get to explore a very selfish side of ourselves in doing what we want, when we want, how we want, without answering to or being responsible for anyone else.
I played a lesbian reporter in 1964, who was incarcerated, and ended the series as a 75-year-old woman. And then, I was a witch blinded by acid who became the Supreme, and took my mother's energy and life, so that I could live and she would die. And then, I was conjoined twins. And then, I played a heroin addict.
I learned, having played Marcia Clark, what the value of that is in your life because it can affect everything, every choice you make, the way you deal with a stranger on the street, or your best friend or lover. It's a powerful thing to know yourself and to have the commitment and the courage to let that be your guide.
That is my reality. It's that important to nurture and foster my own creativity. There are plenty of birthday parties I haven't been able to go to, weddings I haven't been able to go to because I've been working. Those are things that have not been easy to give up, but at the same time, it is my reality. It's my responsibility.
I've never been very comfortable as an actor looking out into the audience; I always like to keep my focus on the other person. When you start playing out to the audience, it takes me out of it, because people don't do that when you're in life behaving with another person - you don't often look out, around you, in a presentational manner.
I will do plays as long as they're interested in having me do them. It's the biggest opportunity to learn the most about how to act. Something I discover every time I'm doing one is how little I know about acting - how important the art of listening is, and how important it is to listen with your entire body. You can tell so much of a story with stillness, and a lot of that can be from really actively listening to your scene partner.
I just don't feel that we've traveled very far in the realm of social equality. There just seems to be a little bit of unrest. And sometimes I think that happens when you really feel like something's about to change. Right before the moment of lift off, sometimes things feel a little bit unhinged, and that's what it feels like to me right now, both as a woman and just as a human on the planet as an American woman in America. I feel like we're on the precipice of change. I feel a little nervous.
I have friends say, "Don't you want to have a little you?" The jury's still out on that for me. I don't have a definitive answer, but I do know that I can look back on some of the things I've worked on and some of the things that have literally come out of my imagination and be just as proud of it as if I had created a person. I feel like that shouldn't be of any less value. It can't be because it's what my life is, and I don't want to make it smaller or more palatable just because society tells you to. If you can get comfortable with sacrifice, then you are having it all.