I look after those who look after me." He smacks his lips, stares at me, and adds, "I also look after those who don't." - Sara Gruen (Water for Elephants)

It seems natural to surround my fictional world with animals because my reality is full of them. When I'm sitting there conceiving a story, they just pop up.

I just don't think I've had the desire yet to write a vicious animal - like a dog-gone-bad or anything - where I do feel that I need a balance of all types of humans.

I roll onto my side and stare out the venetian blinds at the blue sky beyond. After a few minutes I'm lulled into a sort of peace. The sky, the sky--same as it always was.

I'm truly grateful for my microwave, which allows me to easily clarify butter, steam vegetables, and - when I am really lazy - feed my three kids in less than five minutes.

At this moment, the story in his head was perfect. He also knew from experience that it would degenerate the second he started typing, because such was the nature of writing.

What else do I have to offer? Nothing happens to me anymore. That’s the reality of getting old, and I guess that’s really the crux of the matter. I’m not ready to be old yet.

When I first submerged my feet into frigid water, they hurt so badly I yanked them out again. I persisted, dunking them for longer and longer periods, until the cold finally blistered.

I scan the room. Catherine is writing quickly, her light brown hair falling over her face. She is left-handed, and because she writes in pencil her left arm is silver from wrist to elbow.

So what if I'm ninety-three? So what if I'm ancient and cranky and my body's a wreck? If they're willing to accept me and my guilty conscience, why the hell shouldn't I run away with the circus?

How is it that everyone on this train has so much alcohol?" "We always head to Canada at the beginning of the season," she says taking her seat again. "Their laws are much more civilized. Cheers.

But it all zipped by. One minute Marlena and I were up to our eyeballs, and the next thing we knew the kids were borrowing the car and fleeing the coop for college. And now, here I am. In my nineties and alone.

Age is a terrible thief. Just when you're getting the hang of life, it knocks your legs out from under you and stoops your back. It makes you ache and muddies your head and silently spreads cancer throughout your spouse.

Although there are times I'd give anything to have her back, I'm glad she went first. Losing her was like being cleft down the middle. It was the moment it all ended for me, and I wouldn't have wanted her to go through that.

Gorillas are in danger of being wiped out by the Ebola virus. I feel like we have limited time to get to know them and understand them and they're going to disappear - that's terrifically sad. Wouldn't it be great if we could stop that?

I am further back, surrounded on all sides by wailing men, their faces shiny with tears. Uncle Al promised three dollars and a bottle of Canadian whiskey to the man who puts on the best show. You've never seen such grief-- even the dogs were howling.

He stares at me, and then leans back in his chair. "He's ill, Jacob." I say nothing. "He's a paragon schnitzophonic." "He's what?!" "Paragon schnitzophonic," repeats Uncle Al. "You mean paranoid schizophrenic?" "Sure. Whatever. But the bottom line is he's mad as a hatter.

Juliet is one of those rare novels that has it all: lush prose, tightly intertwined parallel narratives, intrigue, and historical detail all set against a backdrop of looming danger. Anne Fortier casts a new light on one of history's greatest stories of passion. I was swept away.

I was always searching, always seeking the next big thing, because that was the thing that was going to make everything all right again. And while I was working toward it, it gave me something to think about other than that thing I couldn't put my finger on. But it always came back.

I stroke her lightly, memorizing her body. I want her to melt into me, like butter on toast. I want to absorb her and walk around for the rest of my days with her encased in my skin. I lie motionless, savoring the feeling of her body against mine. I'm afraid to breathe in case I break the spell.

I used to think I preferred getting old to the alternative, but now I'm not sure. Sometimes the momotony of bingo and sing-alongs and ancient dusty people parked in the hallway in wheelchairs makes me long for death. Particularly when I rememver that I'm one of the ancient dusty people, filed away like some worthless tchotchke.

All right. Let's give you something to tell your grandkids about. Or great-grandkids. Or great-great-grandkids." I snort with glee, delirious with excitement. Charlie winks and pours me another finger's worth of whiskey. Then, on second thought, he tips the bottle again. I reach out and grab its neck. "Better not," I say. "Don't want to get tipsy and break a hip.

... a gaggle of old ladies is glued to the window at the end of the hall like children or jailbirds. They're spidery and frail, their hair as fine as mist. Most of them are a good decade younger than me, and this astounds me. Even as your body betrays you, your mind denies it.--There are five of them now, white headed old things huddled together and pointing crooked fingers at the glass.

Sometimes when you get older — and I’m not talking about you, I’m talking generally, because everyone ages differently — things you think on and wish on start to seem real. And then you believe them, and before you know it they’re part of your history, and if someone challenges you on them and says they’re not true — why, then you get offended because you can’t remember the first part. All you know is that you’ve been called a liar.

My platitudes don't hold their interest and I can hardly blame them for that. My real stories are all out of date. So what if I can speak firsthand about the Spanish flu, the advent of the automobile, world wars, cold wars, guerrilla wars, and Sputnik — that's all ancient history now. But what else do I have to offer? Nothing happens to me anymore. That's the reality of getting old, and I guess that's really the crux of the matter. I'm not ready to be old yet.

I cling to my anger with every ounce of humanity left in my ruined body, but it's no use. It slips away, like a wave from shore. I am pondering this sad fact when I realize the blackness of sleep is circling my head. It's been there awhile, biding it's time and growing closer with each revolution. I give up on rage, which at this point has become a formality, and make a mental note to get angry again in the morning. Then I let myself drift, because there's really no fighting it.

When you are five, you know your age down to the month. Even in your twenties, you know how old you are. I'm twenty-three you say, or maybe twenty-seven. But then in your thirties, something strange starts to happen. It is a mere hiccup at first, an instant of hesitation. How old are you? Oh, I'm--you start confidently, but then you stop. You were going to say thirty-three, but you are not. You're thirty-five. And then you're bothered, because you wonder if this is the beginning of the end. It is, of course, but it's decades before you admit it.

Sometimes I think that if I had to choose between an ear of corn or making love to a woman, I'd choose the corn. Not that I wouldn't love to have a final roll in the hay - I am a man yet, and something never die - but the thought of those sweet kernels bursting between my teeth sure sets my mouth to watering. It's fantasy, I know that. Neither will happen. I just like to weight the options, as though I were standing in front of Solomon: a final roll in the hay or an ear of corn. What a wonderful dilemma. Sometimes I substitute an apple for the corn.

Afterward, I curl around her. We lie in silence until darkness falls, and then, haltingly, she begins to talk...She speaks without need or even room for response, so I simply hold her and stroke her hair. She talks of the pain, grief, and horror of the past four years; of learning to cope with being the wife of a man so violent and unpredictable his touch made her skin crawl and of thinking, until quite recently, that she'd finally managed to do that. And then, finally, of how my appearance had forced her to realize she hadn't learned to cope at all.

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