Quotes of All Topics . Occasions . Authors
Anyplace of work where you have a cross section of work, you have mini-ecosystem. A little representation of what the planet is. You have the Alpha Dog. You have the young ones, the old ones. The pissed off one. The quiet one.
But if you do, then it's a high class problem to have. And if you do, you're the architect of that problem. There's no one else to blame but yourself. You've kept doing the same kinds of movies and that's what they want to see.
That was my earliest maladaptive coping mechanism I forged when I was a kid. I found that my fists weren't going to do any significant protective work for me, so my mouth was it. Making my father laugh was a way to control him.
I remember being upset because I was finally legal to drink in Canada, and I decided to throw that all away and move to America, where I had to wait another two years. I came here to do improv and to try to join the Groundlings.
Michael Keaton had a great, great career. I do remember when I was a young guy thinking about him, about how he'd had the chance to do it all, so yeah. But, there's nobody where I've said, "Man, I really want that guy's career."
I think we know too much about actors as it is and their personal lives and it's this information age where we're stimulated constantly by the celebrity buzz effect or whatever it is, these web sites and blogs and different things.
Fragrance is a very personal gift, and I think that's why it makes a great Christmas gift. There's a very distinct signature to it, so if you give it as a gift, I like to think that it's from a person that thinks very highly of you.
I think some of the best movie stars in the world are guys who stay in their lane. You can lose an audience if you start saying, "Now I really want to do something that is just for me, but on a massive scale." That's a dangerous mix.
Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'
Acting has given me a way to channel my angst. I feel like an overweight, pimply faced kid a lot of the time - and finding a way to access that insecurity, and put it toward something creative is incredibly rewarding. I feel very lucky.
The best directors I've worked with, they all have the same thing in common. They're the first to say, 'I don't know.' If you ask them, 'How are we actually pulling off this movie?', they'll just shrug and go, 'I have absolutely no idea.'
I think the reason that people fall in love with Sandra Bullock is that she doesn't seem to know it in the same way. She doesn't seem to know it in a way that other gorgeous people maybe would. I think that's what makes her so accessible.
Hollywood is so strange because a lot of times the battlefield is just a meeting. It's not necessarily like an audition. They've seen clips of you and they know that you can perform and it's a matter of "what is your take on a character"?
I just want to finish what I'm doing and go home. I want to have a weekend. I want to have breakfast, a stack of pancakes. I don't want to not enjoy where I am at this very moment. So, every time I plan something the exact opposite happens.
Everybody thinks it's glamorous and this spy versus spy stuff is so exciting, but working in that industry and being a CIA operative, like a field officer, is tough. That's a difficult job that usually dismantles their lives in some capacity.
I played rugby for years, and I had a rugby jacket that I lost when I was 14. Somehow, my brother found it in storage 15 years later, and he gave it back to me for my 30th birthday. That was amazing and probably one of the best gifts I've ever received.
When I was 21 I think I thought I was 31. I was always kind of doing the right thing, and it wasn't until my late twenties that I became just a completely wild asshole. So I should've had that out of my system already and I was too busy being a grown-up.
I believe in energy like dark energies. I believe that when a family moves into a house where six murders took place, there's going to be some bad juju in that house. But then again what the hell is wrong with you to be moving in that house to begin with?
I know people that have blacked out that I party with that dont do anything irresponsible. They just act drunk, ... I dont think people should ever drink by themselves because they need to have friends around that can keep them in line in case they do blackout.
My tattoo is of a cannon in Vancouver that I got in a fleeting moment of stupidity maybe 14 years ago. A lot of people have really beautiful tattoos, and I get real tattoo envy. But then other people basically just treat them like bumper stickers for their bodies.
It's funny, because there are so many stereotypes out there about actors and movie stars in general, but I've had a great opportunity to meet a lot of them, and maybe it's just because they don't behave that way around me, but I rarely see that kind of abuse of power.
I have a discipline that has served me very well in my career and in my personal life... and that's gotten stronger as I've gotten older. I've always felt if I don't just have a natural knack for it, I will just out-discipline the competition if I have to - work harder than anybody else.
I have a discipline that has served me very well in my career and in my personal life... and that's gotten stronger as I've gotten older. I've always felt if I don't just have a natural knack for it, I will just out-discipline the competition if I have to -- work harder than anybody else.
You have to really make sure that every moment means something, and that every moment, there's a purpose for it. And then you have to blend it all together without it looking like you're really focusing on it. That, to me, was the magic trick that was most difficult for the film [Buried].
There's a very real possibility in this industry of going out and leading your life and then going home and being a voyeur of your own life. You can literally go watch yourself - where you went last night, what you did, what the things that people presuppose about you. It's kind of crazy.
I had a lot of different jobs between fifteen and nineteen. I'd moved out of my house way, way younger than I should have. So I was living out on my own with my brother when I'd just turned sixteen. I did busboy stuff, and worked in warehouses, and did odd jobs, and stuff. I earned me some Pesos.
When I first moved to Los Angeles I came down there on a wing and a prayer in a way. I had about six weeks worth of money to make it there and that was just from doing a couple of episodes of the X-Files just to finance that trip. I got there and it is either you got to hit it or you got to go and, thankfully, I found a job.
Honestly, I think it's dumb luck that I'm able to kind of get away doing different types of films in different genres. There's always a tendency to kind of stick with what works, or stick with one particular kind of brand or movie. But so far I've been getting away with it, so I'm going to continue to do that for as long as I can.
Buried is the strangest film I've ever done. I'll be the only person in the movie. So, I'm still trying to figure that out. I have a short but impactful amount of time to figure that out and that's all I'm doing when I get home. I won't bury myself, of course... that would be a sad end! And then the plan is to do Deadpool after that.
This movie [ Buried] is strange, because it's such an extraordinary situation, both as a character and as an actor. Both of us are going through an extraordinary situation at the same time, and it was odd. It was weird not having a co-star to cut away to for the most part. It just forces you to never have a deficit in the performance.
It's just that... working on Green Lantern, I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
It's just that... working on 'Green Lantern,' I saw how difficult it is to make that concept palatable, and how confused it all can be when you don't really know exactly where you're going with it or you don't really know how to access that world properly - that world comic book fans have been accessing for decades and falling in love with.
I remember exiting the birth canal and suddenly I was in a film. But you are never really in charge of that. The movie came out about five or six months ago in America. It was Miramax in the States and Disney here [fakes falling asleep]. What happened. I love working for Disney, not Walt specifically because he couldn't be more dead, but the company is fantastic.
There are guys I admire. Like Jimmy Stewart and - a more modern example - Tom Hanks. They managed to do it and have a really high standard for their work, but at the same time they remained incredibly classy and well-regarded personally throughout the process, which I thought was rare and kind of cool. And I'm trying. I try. I haven't thrown any TVs out the hotel window yet.
The woman is skin covered prozac I like to call her. Half the trick to a film like this is keeping a sort of emotional level going and keeping an attitude that induces creativity on the set. You have to be in a good mood for that. You have to be happy to make a comedy I think and Anne sort of ensured that every time by expressing most of her feelings through the exciting medium of dance.
I do have someone that I work with and she is amazing and I definitely don't have unmitigated abusive tendencies towards her. She is very sweet. I also know what that is like. I have heard my agent thinking he has hit mute on the phone before he, you know, physically unleashes broken glass and cellphones at his poor assistant. It is a tough job under the best of circumstances. I understand that.
I don't think it's necessarily 100-percent true. But comic books have infiltrated the mainstream Hollywood in ways that I don't think I ever would have seen or thought imaginable a while ago. But it's also cyclical. You saw it in the '80s when it became kind of huge again. And then it disappears for a while, then it comes back again, then it disappears for a while. So yeah, there's something about that.
Each time I take a role, I'm always nervous about it at the beginning and I'm always afraid what if that, what if this. Every time I take a role and I'm somewhat terrified at the beginning and I get into it and I start working, that's a big win for me. So, really it is stepping forward in the face of whatever fears that I've created for myself and going forward anyway and those are always big moments for me.
Doing a film with your friend is probably the best way to end that friendship but we worked together really well. We just have that thing. Chemistry is something that... I just think it is the last thing in Hollywood, the last magical thing they haven't computerised. There's nothing you can do about it - it's either there or it's not and it doesn't matter if you're friends or not. It was just a bonus that we were.
Well, I came down to LA initially to join The Groundlings, which is an improv comedy group. I didn't get in, of course, becaue I'm not a part of The Groundlings. I just assumed that I could walk in and take over. So they said: "Hit the road Jack." And I ended up getting an agent instead. They sent me out on a couple of leads and I ended up on a sitcom and Van Wilder thereafter and then pantsless with Sandra Bullock.
I've always relied on discipline to achieve goals great and small. At a young age, my father instilled a real work ethic in me - and a fear of men. I always felt like if I didn't have a natural knack for something, I could kind of out-discipline the competition as it were. So I would always work as hard as I possibly could, sometimes to my own detriment and my personal life. For me, I think will power and discipline are very synonymous.
If you want a film and they don't want you, sometimes you have to go fight for it. Sometimes that ends up just being a meeting really, just sitting down with them and just saying here is my vision for it and here is why I really love it. But for the most part, I think filmmakers gravitate towards people that are excited - as excited as they are about the film and as passionate about it. So sometimes going after it isn't so much a function of auditioning as it is just sitting down with the filmmaker.