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Just having the camera, being able to pull back from situations and be an observer, it saved my life... I realised I could find these intimate moments and that people trusted me. That, basically, my camera was magic.
When I was in art school, the photo kids were separated from the rest. If you did sculpture or painting or graphic design, you were all taking the same classes, but the photographers just went straight into photography.
My dad was in the Korean War. He got shot seven times. He had seven bullet holes in him. And out of his troop of 35 guys, he was one of nine guys that came back. And when he came back from that he had seven kids in seven years.
Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth its from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
Most of the e-mails I get nowadays are from students who ask me how I got my start. In truth it's from having a really supportive family but also having a good patron who will help you - like financing all those early trips I took.
All my work, really, is based on my brothers and sisters. I had so many adventures with them and a big part of the work is to recreate those. It's easy for me to be around a lot of people, because I can retreat. I can watch everything.
I have a really big family, and pretty much all my work is about my brothers and sisters. I'm the youngest of eight - my mom had seven kids in seven years, and then she had me 11 years later - so I was basically raised by all these teenagers.
I really don't want to be part of just one group. I'm interested in doing everything - making music videos, shooting campaigns, having -gallery and museum shows, making movies. Everyone wants to put you in a box, and I'm afraid I'm not that kind of person.
I slowly began making a few photos with animals over the years, and I liked how people reacted to them. When I would have the animals on set, I'd notice the way the models would interact with them and there was so much true emotion that you rarely see between two human beings.
I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
My mom had seven kids in seven years, and then she had me 11 years later. So when I was born, my oldest brother was 18. And my youngest brother was 11. By the time I was 7 or 8, everyone had moved out. I went from being with ten people all the time to being an only child. It really freaked me out.
I think that's an important lesson for young people who want to be artists: You have to find someone who believes in you and who will help you find that time where you don't have to think about a job but just making work. If I didn't have those people in my life, I wouldn't be in the position I'm in.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
I was studying graphic design at the time, when negative scanners and all that stuff was coming out, and you could do it all in your apartment. So I would shoot, make contact sheets, scan all the cool negatives, and make all these zines and books of my photos to give to my friends. I was really into zine- and bookmaking from skate culture.
You have to be able to observe life as if you were a camera all the time, constantly looking at light and the way that things are placed and the way people hold themselves. You need the ability to see something in someone or something that no one else really sees and be able to bring that to light. Basically, you have to be an obsessive crazy person.
I got a lot of attention when I was really young, and people have it in their minds that I'm still 24 years old. So I made the decision that I had photographed everything I was interested in in New York. New York is a town you have to embrace, but you also need to leave. I may revisit it one day, but for me it's a place to live rather than one to make work in.