I don't believe my house was haunted. I think I had an overactive imagination, and I was so convinced that those around me became convinced, too.

If I have any particular appeal to women, maybe it's because I listen more than other guys do and appreciate how they think and feel about things.

When you drive, you can kind of put your identity aside in the passenger's seat because you're not being watched, and you can just be the watcher.

I'm not very good at knowing what people want. I don't have that talent. The best I can do is make films that resonate with me and see what happens.

I had a lot of romanticised ideas of what Detroit was like, but I didn't get there until I was 30, and it was very different than I had imagined it.

My uncle was an Elvis impersonator - his name was Perry, and he went by 'Elvis Perry' - and my work as a wedding singer landed me a spot in his act.

We should get a Roomba for our Roomba. I feel bad for it because it works tirelessly, and at night I can hear it cleaning, and I just feel bad for it.

Hollywood usually doesn't have strong woman in films like that, and it's stupid, so for the most part they're usually being directed and written by men.

I did put on weight for the last half of the film, but the Ferris wheel scene was shot with a harness on me so that if I fell I wouldn't fall all the way.

I just have my own taste, and I just try and stick with that. I'm just trying to play as many characters as I can for as long as I have an opportunity to.

Women aren't interested in being sexy any more and men are. All the guys have objectified themselves and sexualised themselves into being just matinee idols.

It's not good just to have life experience of film-making and that's all. It's hard to play a real person when you've been in jets and town cars for three years.

When my mother and I walked to the grocery store, men would circle the block in cars. It was very, very scary, especially as a young boy. Very predatory - a hunt.

It's sad, because he just doesn't have any ambition outside of loving his wife and his daughter — which should be enough but doesn't seem to be enough in this case.

It's not easy to leave your hometown and your family and your support system and come out to Los Angeles to - to pursue a dream where the odds are not in your favor.

My first exposure to what Hollywood was like, behind the scenes, was when Joel Silver started screaming at Roger Rabbit at the beginning of 'Who Framed Roger Rabbit.'

I really believe my films are going to be successful, that I'm making 'The Blair Witch Project' - something that will transcend expectations and resonate with people.

The theme for me is love and the lack of it. We all want that and we don't know how to get it, and everything we do is some kind of attempt to capture it for ourselves.

I sometimes forget to have breakfast in the morning, but when I actually buy a box of cereal, I will probably eat it not only for breakfast but also as a snack later on.

When you meet your kids, you realize that they deserve great parents. And then you have your marching orders, and you have to try and become the person that they deserve.

I'm from Canada, and I think, like everyone growing up anywhere else in the world, you are very aware of America - it sort of looms large in its legend, and so did Detroit.

I'm attracted to films that have strong female characters because there are strong female characters in my life. That's my own reality, so it's a doorway into a world for me.

The '70s just seemed dirty, honestly, and not in an interesting way. It's not the '80s. In fact, it's 10 less. I grew up in the '80s, so that's more of an interesting time to me.

I always wanted to do a comedy, but I wanted to pick the right one. But it came down to working with Steve Carell. I've wanted to work with him since I met him years ago as a kid.

[Mannerism is when] you think you have all these great ideas, and none of them are good at the end of the day. But while you are pursuing those other things subconsciously happen.

When I was a kid, I saw 'Rambo First Blood', and the next day, I took knives to school and threw them at everybody. So I was definitely influenced by violent films before 'Drive.'

The Internet is just an abstract place. Sure, I've become part of that in some way, but it's hard for me to wrap my head around a lot of it. I prefer just to kind of stay out of it.

Talking about muscles. They're like pets basically. They're not worth it. You have to feed them all the time and take care of them, and if you don't, they just go away. They run away.

I loved growing up in Canada. It's a great place to grow up because - well, at least where I grew up - it's very multicultural. There's also good health care and a good education system.

As a kid I decided that a Canadian accent doesn't sound tough. I thought guys should sound like Marlon Brando. So now I have a phony accent that I can't shake, so it's not phony anymore.

I loved growing up in Canada. It’s a great place to grow up, because - well, at least where I grew up -it’s very multicultural. There’s also good health care and a good education system.

I feel it's important to show that one thing that you do doesn't define you as a human being. It doesn't mean there aren't ramifications or you shouldn't pay for that but its not who you are.

I always wanted to entertain. When I was six, a scrawny, scrawny kid, Id get in my red speedo and do muscle moves. I actually thought I was muscular. I didnt know everyone was laughing at me.

I feel it's important to show that one thing that you do doesn't define you as a human being. It doesn't mean there aren't ramifications or you shouldn't pay for that but, its not who you are.

If you do one good thing, that doesn't define you either. Being around the kids in the juvenile center, they were engaging, they made us laugh but they were there for doing something terrible.

When I was a kid, I was kind of obsessed with that movie 'Dick Tracy.' Burger King had all this 'Dick Tracy' stuff, and I collected all of it, and I had the posters, and I watched it on a loop.

I danced a little as a kid here in Canada: in Ottawa at the Elite Dance Studio and at the Top Hat Dance School in Cornwall where I grew up. So I had some experience of having to learn routines.

All my characters are me. I'm not a good enough actor to become a character. I hear about actors who become the role and I think 'I wonder what that feels like.' Because for me, they're all me.

I always wanted to entertain. When I was six, a scrawny, scrawny kid, I'd get in my red speedo and do muscle moves. I actually thought I was muscular. I didn't know everyone was laughing at me.

For me, I sort of felt like it was kind of a fairytale... but an interesting one. I don't know of anybody who has had a romance quite like this, but I certainly know people who have stuck it out.

I feel like one of the things that I watched that I felt was really helpful in some way but, more than anything, is worth mentioning was this film 'Boogie Man.' It's a documentary about Lee Atwater.

I’ve been lucky, so lucky, working with [...] Rachel (McAdams) on The Notebook. A big draw for me, when I do a film, is who am I going to be opposite, because there’s only so much I can do on my own.

I am pretty sick with myself! It seemed a pretty good idea at the time. Around the time I turned 30, I started to feel very creative, more creative than I had been before which is good and I like that.

I did this scene in 'Lars and the Real Girl' where I was in a room full of old ladies who were knitting, and it was an all-day scene, so they showed me how. It was one of the most relaxing days of my life.

A lot of people when they make movies, the actors act like it's their journey and that everyone is on the set to facilitate their journey and the whole thing is set up that way - they ask if you want anything.

If Russell Crowe says that he's Noah, he's Noah. You never doubt it. If he says that he's the Gladiator, he's the Gladiator. He's every character that he says he is. I've never doubted anything that he's done.

I have a friend that is a WWII buff, and we sat and talked a lot about stuff like the war and the reasons behind it, and you now it's all in the uniform. Once you're in it, it usually does all the work for you.

I started reading all these men's magazines, trying to follow all the tips: what you're supposed to wear, what you're supposed to have, things you're supposed to say, and all the exercises you're supposed to do.

I just sort of take it from a character perspective, and I don't know if he was necessarily spiritual, but I do think he had hope. He was a character that was comfortable having hope in his life, and hope is faith.

I think about death a lot, like I think we all do. I don't think of suicide as an option, but as fun. It's an interesting idea that you can control how you go. It's this thing that's looming, and you can control it.

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