Quotes of All Topics . Occasions . Authors
I think if there's some kind of crisis in news journalism... a crisis of credibility, then it's been created by journalists. I'm empathetic, I understand it and I see it, but I'm not sympathetic about it. If you want people to think of journalism with higher regard then do better work.
If you grow up ... in the suburbs of anywhere, a dream like this seems kind of vaguely ludicrous and completely unattainable, this moment is directly connected to those childhood imaginings. And for anybody who's on the downside of advantage, and relying purely on courage, it's possible.
I lost my front tooth in rugby league when a fat guy from Bellevue Hill kicked me in the face as I got up from a tackle to mark him. I made this decision not to cap the tooth because I thought it was false. But I didn't make any movies as a teenager, and I had a very hard time with girls and stuff.
If you actually read the Bible, you can see there's a whole lot more information in there than the way we interpret the Bible. Because there are single lines in the Bible where if you just take them at face-value, they don't make any sense whatsoever in the world we see, we know, and we understand.
Directing is like looking at the stars on a cloudless night. You get away from all light sources, and you look up, and you see 50 points of light. And a minute later 100 and another minute later 1,000 and then 10,000. And then this swirling gigantic carpet above you, and somehow it all seems to connect.
I've never, ever in my life touched a photographer. Some of the cruellest things I've ever said have been to photographers who are chasing me down the street, some of the sharpest, most efficient emotional barbs. And they know that in that moment, in that one-to-one wit competition, they just got smashed.
I have a passion for music, and I enjoy the process of expressing myself within the parameters of a pop song, and I don't do it to seek anybody's approval, necessarily. Obviously, you go on stage, and you enjoy it when people respond to a particular song, but the overall concept of playing music I do for myself.
When I was a young fellow, I used to learn the dialogue backwards. The point is that in a conversation between two people, you can't have already made the decisions about what you're gonna do. You gotta be very light on your feet. That leads you into areas where conversations can have a much bigger, grander meaning.
In my life there were times when dreams have nothing to do with reality, but obviously they were prophetic dreams. And I know that if we look closely and listen carefully, we can see the supernatural signs that determine our future. We all meet with various everyday difficulties and overcoming them, we grow and develop.
I always say I've given 24 insufficient performances and I'm looking forward to the time in my life when I'll do something that I think is good. There's always stuff you can do better, stuff that maybe you didn't uncover enough. But if you do something that you truly believe is perfect, then that's got to be the last movie you do.
For filmmakers who've made multiple movies, they have experience, but they only have experience of themselves as a filmmaker. Whereas I'm bouncing around from different skill sets: the organizational ability of Ridley Scott to the precision of a Ron Howard to the artistic sensibilities of a Peter Weir... to the scope of a Tom Hooper.
I do occasionally wonder, if you were to bring to life one of those young men who sacrificed themselves in what was advertised to them as the Great War, and the war to end all war, and show them that we're still engaged in armed conflict in the same area, I'm not sure that they would be pleased about what their sacrifices amounted to.
Every building you come out of, there is a parasite there exercising his constitutional right to make money out of being a parasite, trying to take your photo. Frankly, folks, I go to work, I do my job. I really concentrate, and if you go to the cinema, pay your money and have a good time. That's the end of it, as far as I'm concerned.
My definition [of genius] would be about being completely involved in your art form. So that's outside of sciences. Within the arts it's about taking people on a journey, being able to involve me completely-whether you're singing a song, whether it's in the theater, whether you're dancing-if you can make me forget I'm sitting in a seat, that's my definition of genius.
Anyway, I'm doing my rave and this spittle comes out of my mouth and it winds its way very delicately through the wire fence that separates us and lands clear and bright on Denzel's lip. And we're at the beginning of the scene and I've got to do the rest of the scene, and the camera isn't on him, it's on me - and I'm fully aware that I've just spat on Denzel Washington!
I never looked at Noah as an animal collector. I always thought of him as an apocalyptic character. I read everything I found about it and was surprised to find that in all religions there is the story of the flood, and that one "hero" saved the world. This proved that Noah and his Ark - were not a religious myth, and is evidence that humanity really went through the flood.
Australians and New Zealanders don't talk about Gallipoli in terms of invasion. I started talking about it and using that word and at first there were a few people who were getting upset in the same way that in any country, if you work for a newspaper you know exactly the dude you can go and talk to get a knee-jerk reaction when it comes to something to do with the military.
On Sharon Stone (Quick and the Dead): 'She was instrumental about me getting my first American job. Absolutely, without her support, it would not have happened. At the same time, however, was it really about me or her wanting to flex her producerial muscles? I don't want to sound ungallant about the situation. But I didn't find that in working with her, that we clicked on any other level.
Whenever I hear an American say Aussies drive on the 'wrong side of the road,' I just lose it. You ever think about how those people grew up driving on the 'wrong side of the road,' watched a lot of people get hurt on the 'wrong side of the road,' die on the 'wrong side of the road,' while other people cheered from the 'right side of the road'? Australia has a thing called Highway Fights, so it's touchy.
To be honest, when you're younger and cooler, you say those sort of things don't mean anything, but then on the day when they pat you on the back and they say, "Look, mate, we're noticing what you're doing-thanks very much;' you think of the people who spent a life in the cinema and didn't receive that kind of accolade, and it's sort of a humbling experience. And it's very nice and all that. But it doesn't change the way I do things.
If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.