Quotes by Roy Conli - Page 1

The mind is the greatest weapon in the world.
Roy Conli / Film Producer
Mind
World
Greatest
Greatest Weapon
Weapon
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My first project was 'Hunchback of Notre Dame'. I co-produced that.
Roy Conli / Film Producer
Notre Dame
Dame
Project
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I honestly thought that 'Tangled' was going to be my Disney legacy.
Roy Conli / Film Producer
Legacy
Tangled
Disney
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When I was a kid, I loved history because history to me was a big story.
Roy Conli / Film Producer
Big Story
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Our biggest challenge is always story. The story is the ultimate thing you try to tackle.
Roy Conli / Film Producer
Ultimate
Biggest Challenge
Tackle
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I think that one of the things you have to do to become a storyteller is spend a lot of time reading stories.
Roy Conli / Film Producer
Time Reading
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That's what's great about animation: It's collegial, and it's all about collaboration. Any good animated film is good for animation.
Roy Conli / Film Producer
Animated
Collaboration
Film
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I think sequels are fine if there's a story, so I think when there is a property that is worthy of a sequel, it could very well happen!
Roy Conli / Film Producer
Worthy
Sequel
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You have to fall in love with the production, and then there's a certain mind-set that you develop where it does stay fresh in your mind.
Roy Conli / Film Producer
Mind Set
Love Mind Your
Fresh
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Every generation has a different ways of telling a story. We had a great run in the early '90s, into the mid-'90s, and we became a little more executive-driven as we got into the 2000s.
Roy Conli / Film Producer
Different Ways
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What I love about 'Big Hero 6', with Baymax himself - this sentient creature who's actually a learning robot - with each experience, this naive and gullible creature becomes more aware of issues.
Roy Conli / Film Producer
Gullible
Hero
Issues
Naive
Becomes
Creature
Himself
Robot
Sentient
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When you're telling a story, the best stories, every character has an arc. Every one. And that arc is usually about finding yourself, or about at least finding something about yourself that you didn't know.
Roy Conli / Film Producer
Finding Yourself
Stories
Arc
Finding
Least
Telling
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I have worked with several art directors and production designers who are just magnificent. Dave Getz, Paul Felix, Ian Gooding... just amazing artists, and I would say, if I had anything to do with it, I just pick good artists!
Roy Conli / Film Producer
Dave
Magnificent
Good Artists
Paul
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We are Disney, in a sense. When you've been there for 20 years, there's a certain heart and soul to one of those films, and you inhabit that to a certain degree. So if it feels true to you, then your audience will hopefully go for it.
Roy Conli / Film Producer
Heart And Soul
Heart Soul Your
Certain Degree
Disney
Go For It
Inhabit
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I remember telling the 'Tangled' crew about grimace moments: how when you watch a movie that you worked on and you think, 'Ah, I wish we could have done that scene better,' or, 'I wish that we'd had the time or the money to fix that particular story problem.'
Roy Conli / Film Producer
Crew
Tangled
Time Money Remember
Ah
Time Money Better
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I come from theater, originally, and I've worked in many theaters where you make no money, whatsoever. If you got 3,000 people to see your production, it was great. So, I'm always about the work and I always want to strive for making the best story possible. I don't get hung up on trying to compare myself.
Roy Conli / Film Producer
People
Strive
Trying
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I love hand-drawn animation, but I have to say I have fallen in love with CG animation. What you can do in terms of visuals is pretty stunning, and I think if I did go back and do a hand-drawn animation, I would want to make sure that, from a stylistic standpoint, it would be as beautiful as 'Hunchback of Notre Dame' at least!
Roy Conli / Film Producer
Animation
Fallen
Notre Dame
Standpoint
Stunning
Visuals
Dame
Stylistic
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I so love the animation process. Interesting, everything that I do in animation, the kind of crafting and skills of storytelling, totally work within the structure of the Disney nature films. In a weird way, I like to think that animation is like painting, and Disney nature is like sculpting. Animation you start with a blank canvas and you paint. With Disney nature, you start with a big block of imagery and you hone it down into your final story. Somewhere you end up with something kind of pretty to watch.
Roy Conli / Film Producer
Block
Interesting
Thinking
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Roy Conli Quotes - Page 1

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