My own introduction to music came quite early. My father didn't have much of an education, but he was keen for me to get some qualifications, and I ended up winning a choral scholarship to a cathedral school.

One Christmas, when Freddie and I were flatmates in Kensington, we were trying to cook Christmas dinner, but all we had was a packet of bread sauce that you make with water. We used to dream of a can of beans.

The only thing I've got is that the ring fingers on both my hands have a little arthritis in each. It's a worn out joint because of too much exertion and stress. But it doesn't affect my playing, which is good.

We really put on a very high energy rock n' roll show. We don't go around with our noses in the air. We're very crazy. But I think when we did 'Bohemian Rhapsody,' people thought we take ourselves very seriously.

When hearing aids were first mentioned, I pictured myself as that old geezer at the back of the church with the whistling ear trumpet, but you can't see these Phonak hearing aids, and people don't realise you've got them in.

I understand people who say, 'There is no Queen without Freddie. Just leave it be.' Because that's what we felt, following his death. All three of us said, 'Right, that's the end of the band.' But the band just didn't seem to die.

The sound levels on stage were so loud with all that constant banging and smash, smash, smash; it did untold damage to the fine nerve endings in the inner ear, though it is worse in the left, which is the side of my snare drum and the monitor.

Freddie obviously knew he was ill long before we did. We knew there was something wrong, but we didn't know what it was. He told us eventually. We didnt want to believe it was true. But we all stuck round him, formed a circle, and gave him support.

What was Freddie like then? Alongside the showman, he was a rather shy introvert. But if the attention was focused on him, he was a natural star, as we all saw after we put Queen together. Week by week, we saw him grow into this character, Freddie Mercury.

'We Are the Champions' is meant to be 'we,' as in 'all of us,' collectively, not us the band. It's a shame that some people understandably had the wrong take on that. 'No time for losers' is not the kindest line, but it's really more of a 'we all of us.' It's a celebration.

I played with a few local bands in the West Country, where I grew up, but when I was 18, I moved to London, which at that time was probably the most exciting musical city in the world. I was supposed to be studying dentistry, but all the time I was looking for a band to join.

Freddie was very much able to ride the neutral wave. We all respected his views because he was such a great songwriter. It was his idea that we share all the credits. It was decided all the songs would be attributed equally to Queen. That immediately got rid of the arguments. That was a fantastic, democratic notion.

I'm not a musical theatre person, and I never will be, especially after seeing the way it operates. It's so incredibly inefficient. It takes three weeks to effect a change. It can be a lighting change, a script change, a musical change - you have to meet with six different departments, and about a month later, it may happen.

Of the Queen tributes, some of them are very funny, and some of them are really not funny at all. The terrible ones are cheesy and pantolike, more about dressing up in a Brian May wig and a Freddie Mercury moustache, and what they're missing out is the fact that the music is quite complicated and actually not easy to perform.

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