My childhood beliefs became so much a part of me that even today I find myself automatically living by a personal standard of conduct which can only be explained as resulting from my religious training.

We shoot 'Hustle' for 12 to 16 weeks, so that's how long I'm here each year. I've always loved London. I lived here for three years back in the Seventies, when I did a TV series, 'The Protectors,' for Lew Grade.

When you go on a movie set, there used to be one woman: script supervisor. Now they were in all capacities in addition to heading studios. So that's the biggest change of all from the early '50s, when I first started.

It's just amazing how television permeates the entire world from people who are just listeners and viewers to people of considerable importance who find relaxation watching television. Somebody called it a talking lamp. Television, that is.

My goal was always to get better roles, and in my case, performing on stage really led to great opportunities. My breakthrough came when I did Calder Willingham's 'End as a Man' on stage and was spotted by Max Arnow, who'd been the casting chief for Columbia.

'Hustle' is wonderfully enjoyable because all my life, I've made an effort to be with people who can make me laugh. That original cast - Marc Warren, Jaime Murray, Robert Glenister and Adrian Lester - are all funny. So I know every day I'll have a few good laughs.

In our fervor to halt the potential spread of totalitarianism, what incredible precedent are we setting in Vietnam? By marching our legions through the countryside of foreign continents, burning homes, laying waste to the land, and indiscriminately killing friend and foe alike?

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