Our job is not to predict the future. Rather, it's to suggest all the possible futures - so that society can make informed decisions about where we want to go.

A writer needs to write, period. He or she can't wait for the muse, shouldn't need peace and quiet, and isn't entitled to perfect conditions or the perfect spot.

How do you define God? Like this. A God I could understand, at least potentially, was infinitely more interesting and relevant than one that defied comprehension.

One of the things that science fiction gets to do is thought experiments about the human condition that would be impractical or unethical to conduct in real life.

My personal mission statement is to combine the intimately human and the grandly cosmic. I like to think that science fiction works on these two different scales.

Writing is transmogrifying, not just for the reader but also for the author; an author becomes someone he or she isn't by living the lives of his or her characters.

I'm a very skeptical guy: my willing suspension of disbelief doesn't go very far when I'm reading other people's SF, and it goes even less far when I'm writing my own.

Whether it's created in a lab, written by a programmer, or lands on the White House lawn as a visitor from the stars, if it acts like a human being, it is a human being.

I'm a fiction writer, and fiction is telling the lives of unreal people. But the only way you can learn to do that well is by really understanding the lives of real people.

All the things that made us basically nasty, rapacious, competitive as a species are not necessarily hard-coded into whatever passes for the DNA of artificial intelligence.

The only shows that Americans watch in big numbers are shows about lawyers, doctors, or cops... People don't tune in to watch scientists unless they are forensic scientists.

A lot of people forget that the origin of science fiction in the U.S. was in the post-First World War period when there was a real interest to get people into technical careers.

When we have machines that are as intelligent - and then twice as intelligent - as we are, there is no reason why that relationship cannot be synergistic rather than antagonistic.

I was paid more for the serialization rights for each book than I got as an advance for my first novel. In other words, there is an economic value in serialization in and of itself.

The traditional route to success in science fiction is by making a name for yourself in short fiction, so people who read science fiction magazines will recognize your byline on a novel.

Science fiction has never been about the future; it's always been about the present day whether it's Victorian England that Wells was writing about or the post-9/11 era that I'm writing about.

What Bradbury had that most other science-fiction writers didn't have at that time was a love for beautiful language, evocative description, and haunting phrases that would stick with the reader.

There is no indisputable proof for the big bang," said Hollus. "And there is none for evolution. And yet you accept those. Why hold the question of whether there is a creator to a higher standard?

By serializing two novels in 'Analog,' the world's No. 1, best-selling science fiction magazine, I've had 200,000 words of fiction and three cover stories in that magazine. Quite an enviable record.

I think there's always been, to some degree, a misunderstanding about what science fiction is all about, in that it has been judged by the general public as being literature of prediction, and it isn't.

That natural selection can produce changes within a type is disputed by no one, not even the staunchest creationist. But that it can transform one species into another — that, in fact, has never been observed.

There's always been a quality to being a science-fiction reader. Usually, you're the only one in your class, or there are only one or two in your whole town. You're always the guy who reads that strange stuff.

When I started publishing - my first novel came out in 1990 - there were no options for publishing science fiction in Canada. There were no small presses, and the large presses simply would not touch it at all.

I'm often characterized as an optimistic writer, and certainly my 'Neanderthal Parallax' and 'WWW' trilogies shade toward the utopian. I like to think that's not simple naivete, but rather a reasonable approach.

George Orwell's science-fiction classic 'Nineteen Eighty-Four' wasn't a failure because the future it predicted failed to come to pass. Rather, it was a resounding success because it helped us prevent that future.

Many science-fiction writers, such as Gregory Benford, are working scientists. Many others, such as Joe Haldeman, have advanced degrees in science. Others, like me, have backgrounds in science and technology journalism.

It's possible that there is a guiding intelligence in our universe. I don't see a lot of personal evidence for an interventionist-on-an-individual-basis-deity. I have friends who very much do believe in that. But I don't.

If you like 'The Nature of Things,' or if you like 'Quirks and Quarks' you'll certainly like Lee Smolin's writing, and 'Time Reborn' is his latest nonfiction book, and it's an absolutely compelling read. It's worth the time.

I've long said that if Canada has a role on the world stage, it's principally as a role model, a demonstration that people of all types can get together and live in peace and harmony, which is something we really do most of the time here.

I started wondering why it is that people line up behind charismatic leaders. It's easy to understand the emergence of a figure who's narcissistic and compelling. But why people follow this person mindlessly - that was the hard question to me.

You can't be a 21st-century science fiction writer writing about Mars without doing tips of the hat to Edgar Rice Burroughs, to Ray Bradbury, to H.G. Wells, to the guys who first put it in the public imagination that Mars was an exciting place.

Social progress is a big thing for me. Although science fiction is traditionally concerned with the hard sciences, which is chemistry, physics, and, some might argue, biology, my father was and still is a social scientist at the University of Toronto.

We absolutely do some of the best science in the world in Canada, across a broad spectrum of disciplines: quantum computing in Waterloo, paleontology in Alberta, neuroscience at the Djavad Mowafaghian Centre for Brain Health in Vancouver, and many more.

Science fiction has always been a means for political comment. H.G. Wells' 'The War of the Worlds' wasn't about a Martian invasion - it was a critique of British colonialism, and... 'The Time Machine' is really an indictment of the British class system.

There were four major 20th-century science fiction writers: Arthur C. Clarke, Isaac Asimov, Robert A. Heinlein and Ray Bradbury. Of those four, the first three were all published principally in science-fiction magazines. They were preaching to the converted.

People are looking for a simplicity in their fictional worlds where good and evil are clearly delineated, that you can't find in the real world, and that provides an enormous comfort - and that, I think, has an awful lot to do with the reason fantasy is so popular.

Bradbury was the one guy who was published in places like the 'Saturday Evening Post.' He was the guy who brought science fiction to the masses. If he hadn't existed, science fiction would have been a well-kept secret in literature instead of a widely consumed phenomenon.

Regrettably, with '2001' having a title that had a year in it, science fiction essentially set itself up in the public's imagination as saying, 'Here's what you get if you wait to that year.' Well, we all waited till that year, and we didn't get anything at all like that.

Once we no longer have the intellectual upper hand, then we quite literally, by definition, cannot outwit our successors. So unless we are absolutely sure that the machines we are building right now are not going to eventually become our new robot overlords, prudence is called for.

Hard science fiction, which is what I write, often is rightly criticized for having either negligible or unbelievable characterization, but the science I've actually studied most post-secondarily is psychology, and characterization is the art of dramatizing psychological principles.

If theft is advantageous to everyone who succeeds at it, and adultery is a good strategy, at least for males, for increasing presence in the gene pool, why do we feel they are wrong? Shouldn't the only morality that evolution produces be the kind Bill Clinton had - being sorry you got caught?

The true God is not a form idealized; he/she/it is real and therefore, by definition, imperfect; only an abstraction can be free of flaws. And since God is imperfect, there will be suffering.... There is no perfect God. And your suffering requires no more explanation than that unavoidable imperfection.

The standard model of particle physics says that the universe consists of a very small number of particles, 12, and a very small number of forces, four. If we're correct about those 12 particles and those four forces and understand how they interact, properly, we have the recipe for baking up a universe.

The single best thing about Mars is the reduced gravity. It's 38 percent of Earth's gravity - about one third. Almost never have you seen that portrayed in film or television. Mars is just portrayed as a place that's got reddish sand but is otherwise pretty much identical to the Mojave Desert, and that's not the case.

Do you think it's possible that things that seem to be discrete in three dimensions might all be part of the same bigger object in four dimensions? ...What if humanity- that collective noun we so often employ- really is, at a higher level, a singular noun? What it what we perceive in three dimensions as seven billion individual human beings are really all just aspects of one giant being?

Since ancient times, the philosophers' secret has always been this: we know that God does not exist, or, at least, if he does, he's utterly indifferent to our individual affairs--but we can't let the rabble know that; it's the fear of God, the threat of divine punishment and the promise of divine reward, that keeps in line those too unsophisticated to work out questions of morality on their own.

With billions of years, who knows what science might make possible? Why, it might even make it possible for an intelligence, or data patterns representing it, to survive a big crunch and exist again in the next cycle of creation. Such an entity might even have science sufficient to allow it to influence the parameters for the next cycle, creating a designer universe into which that entity itself will be reborn already armed with billions of years worth of knowledge and wisdom.

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