Quotes of All Topics . Occasions . Authors
The time to hesitate is through.
Come on, baby, light my fire. Try to set the night on fire.
I really hate it when I see other bands selling their music to commercials.
When I play with my band around the U.S.A., the most requested song is 'Peace Frog.'
We were all kind of freaked out recording the first album because we didn't know what it would be like.
Most groups today aren't groups. In a true group all the members create the arrangements among themselves.
In The Doors we have both musicians and poets, and both know of each other's art, so we can effect a synthesis.
Scott Medlock. Some say he's a genius, some say he's a fool. I say he's the Jim Morrison of sports art, and proud to say, one of my closest friends.
When I first started playing guitar, everyone was playing Chuck Berry and B.B. King licks. I decided I was going to find other avenues of expression.
We made some mistakes. We had some managers we didn't like and had to get rid of, and that cost some money. Stuff like that. But overall, we did really well.
I didn't plan on rock-n-roll. I wanted to learn jazz; I got to know some people doing rock-n-roll with jazz, and I thought I could make some money playing music.
All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.
The fact that we represented freedom, you know. We talked about that in the songs and I think that the parents, like all parents, they want their kids to be in line and not go crazy or do anything too weird (laughs). And for some reason, I think, people identified The Doors as representing just being able to do whatever you wanted to do.
The chords in 'Light My Fire' are based on [John] Coltrane's version of this song. He just solos over A minor and B minor, which is exactly what we did. Coltrane had played with Miles on Kind of Blue and took the idea of modal soloing over one or two chords farther out than anybody. He was a real pioneer - he just kept evolving, going where no one had ever gone. He could always attain this state of ecstasy when he played. Live, there was so much energy, you couldn't believe it. He would play for hours. It was indescribable.