I like playing really super-intense, live-in-the-moment characters. It asks me to not phone it in. It's impossible to phone it in. Every American boy has spent his childhood pretending to get shot.

I'm a complete egomaniac. It makes me feel terrible to say [being interviewed] is hard. It's taxing in a way. Just 'cause it's a lot of mental energy just to keep focused. I actually think it's harder for journalists.

My job was basically to look at a good friend completely naked and rub lotion on her back. I was naked too, but I got to put a towel on almost immediately. So I was like, "Well, this is going to be embarrassing, but it's also going to be kinda awesome."

I'd played a lot of best friends, and/or bad guys, which seems to be my lot in life. In romantic comedies there's always a best friend and the woman has a best friend and they always antagonise each other and then they end up together at the end of the movie.

Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.

I am a man who used to wear the tights. We traveled the country doing two Shakespeare plays for bored college students for about a year. I think I'd probably still be doing it now if I hadn't just randomly decided to go to a sketch group audition. That led to doing improv, which led to the Daily Show. But it was fun while it lasted.

I peed in my wife's boot once. On honeymoon, in Madrid, we were drinking absinthe and somehow made it back to our hotel. I don't remember a second of this, but my wife woke up to this noise. Two of her boots were in the corner, one had fallen down and the other was standing up and I was peeing into it! It was a hole, and it looked like a toilet. She said: "Rob, wake up, you're peeing into my shoe!"

It started off for me as just wanting to be an actor and sort of resenting in a weird way being expected to write as well as be a comedian and an improviser. And then you think about it for a minute, and I smartened up and realized that the only way to sustain a career is to generate your own material. Or to be in control of your career as best you can. And in allowing yourself to do that it opens up a whole new world of possibilities. And then you're like "Oh, producing is a thing."

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