Quotes of All Topics . Occasions . Authors
I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
I've been asked to write my autobiography and really they only want 8 years (1962-1970), and I keep saying it would be five volumes before I even got into the band!
A lot of the players I'm with, thank God, we're all still vertical. We've lost so many great players through the years, and we're still standing, as Elton John says.
Gaps can be very emotional. I mean, that's in my drumming. When I drum, you know, I don't need to drum all over the track. I play with the singer and I can back off.
I couldn't put my finger on one reason why we broke up. It was time, and we were spreading out. They were spreading out more than I was. I would've stayed with the band.
I'm warning you with peace and love I have too much to do. So no more fan mail. Thank you, thank you. And no objects to be signed, nothing. Peace and love, peace and love.
I've never really done anything to create what has happened. It creates itself. I'm here because it happened. But I didn't do anything to make it happen apart from saying 'Yes'
I don't collect any memorabilia. I wish I'd have kept everything I had. But who knew you had to keep it. Just gave it away. And we lost so much and we didn't look after a lot of it.
I know when I feel good when I play. There's a closeness with musicians you only get from playing live, even in the studio it's still playing live. For me, it's what expands my soul.
For me, I want to get across the stage to the people. I want to point at you, thirty, forty rows back, and you know I'm pointing at you, and we're having a laugh and getting it together.
And so we went away to play, and we'd come back to Liverpool. And while we were doing this - 'cuz we did it for two years. And then we'd go to Germany, and that's where I met the Beatles.
I never take it as any real pressure. It's like my son. I only gave him one lesson. When I went to give him the second one he said, 'Oh, I can do that dad.' I said, 'Now you're on your own.'
I met The Beatles while we were playing in Germany. We'd seen them in Liverpool, but they were a nothing little band then, just putting it together. In fact, they weren't really a band at all.
I think we should have understanding and love and peace. I mean, peace and love has been my situation. You hear that in the song. I'm trying to promote that now: peace and love and understanding.
When I'm ninety-five and it's 'This is Your Life' time, they'll still be referring to me as 'ex-Beatle'...it does have it's advantages. It's still the best way to get a good table at a resturant.
The kids are interested in the music of them. They're not interested in mop-tops and Beatle boots and crazy suits. It's all down to the music now - that's what they hear, and that's what they love.
John had Julian and I had Zak so we'd try to do the fatherly things. We'd try to do manly things too; we'd go to the pub and bring Maureen and Cynthia a Babycham or something- a real Liverpool attitude
There's a woman in the United States who predicted the plane we were traveling on would crash. Now, a lot of people would like to think we were scared into saying a prayer. What we did actually--we drank.
I don't like talking. It's how I'm built. Some people gab all day and some play it smogo. I don't mind talking or smiling, it's just I don't do it very much. I haven't got a smiling face or a talking mouth.
I am a big Beatles fan. And, you know, unbeknownst to anyone, I used to be one. But I have no problems of putting titles and lines from other songs in my songs, because they're great lines and great titles.
I'm left handed and I'm playing a right handed kit... That's why everyone thought, 'Wow, he's a genius,' but all I was doing was trying to play backwards... It's one of those mad accidents, you can't learn it.
I'm quite honored by it. They [people] tell me that , 'If it hadn't of been for you, I wouldn't have played drums.' Hey, don't blame me, I was just up there doing my stuff. So no, I never take it as any real pressure.
We've got the children so we have to deal with each other because we have to deal with children's problems, you know, and our own problems. But some days it's fine, and then some days we just are at each other's throat.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
George was getting alot of independence for himself in those days. He was writing more, and wanted things to go his way - where, when we first started things basically went John and Paul's way. You know, 'cuz they were the writers.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
I think the most exciting thing is that you expect people our age to know the music, but actually a lot of kids know the music, and if anything is left, we have left really good music, and that's the important part, not the mop-tops or whatever.
I mean, I was born the day war broke out, but I don't remember all the bombs though they did actually break up Liverpool, you know. I remember when I was a little older, there was big gaps in all the streets where houses used to be. We used to play over them.
That's when we decided to stop in '66. Everyone thought we toured for years, you know, but we didn't. I joined in '62, and we'd finished touring in '66 to go into the studio where we could hear each other... and create any fantasy that came out of anybody's brain.
In 1989 I sort of got back into the music business and one of the reasons I got back in is [that] I put the first All Stars band together. It's actually progressed from that every other year, or every two years, I've put that together...more and more realizing that's what I do.
I have a trainer who comes three times a week and just listens to me moan... and I keep fit and keep moving... and I do watch what I eat. I am a vegetarian... I can't eat crazy food. I'm highly allergic to onions and garlic and spices... I've never had a pizza, never had a curry.
I've never been able to sit round on my own and play drums, practice in the back room, never been able to. I've always played with other musicians. It's how I play, there's no joy for me in playing on my own, bashing away. I need a bass, a piano, guitar, whatever, and then I can play.
This was the point of our lives when we found pills, uppers. That's the only way we could continue playing for so long. They were called Preludin, and you could buy them over the counter. We never thought we were doing anything wrong, but we'd get really wired and go on for days. So with beer and Preludin, that's how we survived.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
I used to wish I could write songs like the others - and I've tried but I just can't. I get the words all right, but whenever I think of a tune and sing it to the others they always say 'Yeah, it always sounds like such a thing' and when they point it out I see what they mean. But I did get a part credit as a composer on one - it was called What Goes On.
I'm not the creative one. I know that. If Rory Storm hadn't come along... and then The Beatles... I would have continued running around in teddyboy gangs. Today, well... I'd probably be a laborer. I'm glad I'm not, of course. It'll be nice to be part of history... some sort of history anyway. What I'd like to be is in school history books and be read by kids.
Let's make my birthday, July the 7th at noon, Peace and Love Day. Everybody go, 'Peace and love.' In the office, on the bus, wherever. It's still peace and love for me, I'm a product of the 60s and it was a very influential period in my life, and you know, my head was turned around a bit, my eyes were opened as it were. In fact, I even have it on my arm, 'Peace and love'. I see nothing wrong with peace and love.
Ringo: 'I do get emotional when I think back about those times. My make-up is emotional. I'm an emotional human being. I'm very sensitive and it took me till I was forty-eight to realize that was the problem! We were honest with each other and we were honest about the music. The music was positive. It was positive in love. They did write - we all wrote - about other things, but the basic Beatles message was Love.
F irst and foremost I am a drummer. After that, I'm other things... But I didn't play drums to make money. I played drums because I loved them... My soul is that of a drummer... It came to where I had to make a decision - I was going to be a drummer. Everything else goes now. I play drums. It was a conscious moment in my life when I said the rest of things were getting in the way. I didn't do it to be come rich and famous, I did it because it was the love of my life.
With God's help, I've not had a drink in nine and a half years. That's my whole story right there. And because of that, I'm doing this. I'm making records, I'm touring. I was so involved in just getting brain damaged, I wasn't doing anything. I had great ideas, many notebooks filled with notes, some of them I can read and some of them I just can't read, but I really didn't do anything constructive, it was all just good ideas. Now I'm trying to lead a constructive life a day at a time.