Quotes of All Topics . Occasions . Authors
There were always moments where I'd say, 'What else can I do with my life?' But when I was 30 years old and discovered I could write - I wrote 'Black Cloud' in six weeks - it opened up a whole new world for me.
There are always moments of despair when you get close to jobs and lose them at the last second. It feels like getting punched in the stomach. You feel like, 'Why do I do this?' Then you go to bed, get up the next day and forget about it.
I don't have an iPod. I mean, I have a couple. Doesn't everyone? But I don't use it. I need to because I go to the gym now, and I'm tired of listening to morning radio. I want some music! I do have a video iPod, but I don't use it either.
If the Indian people want stories written about themselves, how they want them told, they are going to have to make them, they're going to have to finance them. If you let Hollywood do it, Hollywood is going to get it wrong most of the time.
I didn't choose 'Silver Spoons'. I think my mom and agent chose it because at that time there was a lack of patience on some of the people that were in charge of my career. I think there was a big offer on the table, and I think they took it.
Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.
My sympathies go out to the young performers today because they are under a microscope in a way I wasn't. Now everybody's got a camera phone and can record at will or take pictures of you. It's just a different world. I don't know how I would have fared back then.
I'm really into sci-fi. The reason I'm an actor is because of Star Wars - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.
I'm really into sci-fi. The reason I'm an actor is because of 'Star Wars' - I saw that and I knew that's what I wanted to do. But most of the projects I'm offered as an actor are straightforward dramas, so I haven't really been given a chance to do that kind of role.
I don't wilt easily, and a director can't either. He's the captain of the ship and he's got to be in total control. He also has to have respect for the people he's working for. From being an actor and being on a set my whole life, I'm very comfortable there. And I'm not afraid.
I asked Michael Jackson once. I said to him, 'How were you able to go from the Jackson Five to the biggest star in the world? What was your secret, Michael?' He said, 'Ricky, stay inspired. That's the hardest thing to do. If you can figure out a way to stay inspired, you can make it.'
I think my family's watched me over the years in my career, in my pursuit of my career, and they've seen the challenges and the struggles that come with being an actor, with being a writer and a director, and the challenges of morphing my career in from just being an actor into a writer/director.
Working on 'NYPD Blue' and '24', those two series, I did full runs on those. It's great work, but everything has to align. The producers have to want you; the network has to want you; there has to be great writing; and it's not as easy as it may appear to the outsiders to make all those things align.
When I turned 18, my agent was like, 'You should change from Ricky to Rick.' So I thought it was a good idea. Rick never really fit. I tried for 18 years to make it work, and no one wanted to call me Rick. It should always have been Ricky. That's what it always should have been, so I'm going back to it.
I think that if there's some innovative entrepreneurs out there who can help teach people how they can cost-effectively help themselves and their planet, I think everybody would be for it. That's going to be the challenge - figuring a way to get the marketplace and commerce to teach us consumers another way.
I love horror. I love 'The Shining,' 'Friday the 13th,' 'Halloween,' all those kinds of things. I love zombies, especially '28 Days Later' and '28 Weeks Later,' where the zombies are going faster than the George Romero ones. I love being scared; there's something that's awesome about your heart rate going up like that.
I always had a separate life than just my work. I built my own family. I have my own hobbies and interests. I have a ranch with livestock and horses. I didn't always get my self-esteem and identity from acting. I never worked unless I wanted to. I never did anything just to do it, just for the paycheck. I always did things that I liked.
I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.
Finding the discipline, the motivation, the focus, the passion to sit down in front of a blank piece of paper or a blank computer screen every day and then to make it come alive with characters and with plot is incredibly exciting and at the same time terrifying and frustrating, and sometimes it comes easy and sometimes it comes really hard.
As a young actor, there's a very small group of kids, just a handful. As you get older, all of a sudden, there's a bunch of guys your age that work. It's a very different experience when you used to be on the short list because you were young and there's only so many kids that can do the work and then all of a sudden you're in your twenties and thirties and there's a whole bunch of guys that can do your work.