Quotes of All Topics . Occasions . Authors
The best scene is the last great scene I did.
I really do the conventions now for two reasons.
I'm never going to retire. I'll die with my boots on.
It always takes awhile to find out who the characters are.
The highest happiness is a by-product of worthy work well done.
I did a voice for Odo, but people don't recognize you by your voice.
I just wait for something to present itself, and then I consider it.
I don't really think of Odo as a heroic lead, but that's nice if you do.
If you do your job properly you usually learn a lot from any role you do.
How many times can you put together 26 different stories without running out?
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with a team.
I came out of repertory theater, where I worked 50 weeks a year, and I loved working with the people.
I love the fact that it's not only about Star Trek, but about science fiction in general, and science.
The writers and producers always have an idea, then they cast the role and the instrument starts to tell them how to play the music.
Well, I'm a character actor, and actually throughout my life I've... I have relatively speaking played few heroic leads, but I've done it.
For me, as I began to see the light at the end of the tunnel, I became aware of how on an instinctive level I made choices to cover myself.
So, yes, the five years that we've been working on Star Trek: Deep Space Nine has evidenced a real deepening of all the characters, not only mine.
The only other series I worked on a regular basis was Benson, and that was a sitcom, so there really wasn't a chance to go deeply into the characters.
The mask of the character was already written into the show, but I actually lobbied for a denser and more complete mask than they initially considered.
My daughter is here in town doing a play, and her dog is staying with us. We live up in the hills, so he has access to thousands of acres of wilderness.
And so I've always been fascinated by the technical end of theater, and a lot of my closest friends are not actors, but in the other end of the business.
I would hardly call myself an artist in that sense; I doodle, I draw, I'm not a trained artist, I couldn't sit down and do an accurate portrait of anyone.
And my father, being a good Swiss puritan, always really insisted that if I was going to be an actor, I shouldn't just be an actor, I should know about the whole process.
They've got to deliver twenty-six episodes a season and they're not going to beat their heads up against a wall if they feel something didn't, like, pan out the way they had hoped.
I worked with my son when he was much younger; we did L.A. Law together, where I played his father and he played a kid who was suing his father for alienation of affection or something. It was great.
At this point we've answered about every question you could possibly imagine about Deep Space Nine, so we do this thing called Theatrical Jazz, where we do a show of bits and pieces of things from plays and literature, poetry... stuff that we like. It's fun.