But once a culture develops sufficiently to become skeptical, the idea of censorship becomes less attractive. To suppress a book or a picture or a sculpture or a play or a film is a terrible act of aggression against the artist who created it. This is a miming of capital punishment; it destroys the life that has been emanated by a life.

... when the Spaniards persecuted heretics they may have been crude, but they were not being unreasonable or unpractical. They were at least wiser than the people of to-day who pretend that it does not matter what a man believes, as who should say that the flavour and digestibility of a pudding will have nothing to do with its ingredients.

Margaret Thatcher has one great advantage - she is a daughter of the people and looks trim, as the daughter of the people desire to be. Shirley Williams has such an advantage over her because she's a member of the upper-middle class and can achieve the kitchen-sink revolutionary look that one cannot get unless one has been to a really good school.

We think in youth that our bodies are identical to ourselves and have the same interests, but discover later in life that they are heartless companions who have been accidentally yoked with us, and who are as likely as not, in our extreme sickness or old age, to treat us with less mercy than we would have received at the hands of the worst bandits.

There are acacias, a graceful species amusingly devitalized by sentimentality, this kind drooping its leaves with the grace of a young widow bowed in controllable grief, this one obscuring them with a smooth silver as of placid tears. They please, like the minor French novelists of the eighteenth century, by suggesting a universe in which nothing cuts deep.

Neurotics, who cause less distress to themselves and their neighbours than those in the other category, are at war with their own natures. Their right hands are in conflict with their left. Psychotics, and it is those who commit purposeless crimes and prefer death to life, are at war with their environment. Right and left hands strike against the womb that carries them.

Charity is an ugly trick. It is a virtue grown by the rich on the graves of the poor. Unless it is accompanied by sincere revolt against the present social system, it is a cheap moral swagger. In former times it was used as fire insurance by the rich, but now that the fear of Hell has gone along with the rest of revealed religion, it is used either to gild mean lives with nobility or as a political instrument.

No one can write a best-seller by taking thought. The slightest touch of insincerity blurs its appeal. The writer who keeps his tongue in his cheek, who knows that he is writing for fools and that, therefore, he had better write like a fool, makes a respectable living out of serials and novelettes; but he will never make the vast, the blaring, half a million success. That comes of blended sincerity and vitality.

For some reason a nation feels as shy about admitting that it ever went forth to war for the sake of more wealth as a man would about admitting that he had accepted an invitation just for the sake of the food. This is one of humanity's most profound imbecilities, as perhaps the only justification for asking one's fellowmen to endure the horrors of war would be the knowledge that if they did not fight they would starve.

works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.

The word 'idiot' comes from a Greek root meaning private person. Idiocy is the female defect: intent on their private lives, women follow their fate through a darkness deep as that cast by malformed cells in the brain. It is no worse than the male defect, which is lunacy: men are so obsessed by public affairs that they see the world as by moonlight, which shows the outlines of every object but not the details indicative of their nature.

Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.

Writers on the subject of August Strindberg have hitherto omitted to mention that he could not write. ... Strindberg, who was neither a good nor a wise man, had a stroke of luck. He went mad. He lost the power of inhibition. Everything down to the pettiest suspicion that the dog had been given the leanest mutton chop, poured out of his lips. Men of his weakness and sensuality are usually, from their sheer brutishness, unable to express themselves. But Strindberg was mad and articulate. That is what makes him immortal.

But just as it sometimes happens that the most temperate people, who have never acquired the habit of drinking alcohol, or even a taste for it, are tormented by the fear that somehow or other they will one day find themselves drunk, so Isabelle perpetually feared that she might be betrayed into an impulsive act that was destructive to such order as reason had imposed on life. Therefore she was forever running her faculty of analysis over in her mind with the preposterous zeal of an adolescent running a razor over his beardless chin.

One was kind, out of a bounty that could hardly be exhausted, to old governesses and gardeners, who could be relied upon to give thanks with proper abjection; one performed public duties, for which one was paid in full by deference; one was chaste, refusing to run away from one's husband with other men who for the most part did not ask one to do so, and who in any case had nothing better to offer than one's own home. Knowing no difficulties one was without fortitude; knowing no criteria but one's own achievements one was without taste.

Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.

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