Quotes of All Topics . Occasions . Authors
Rhythm and blues used to be called race music. ... This music was going on for years, but nobody paid any attention to it.
Many times during auditions, I was told that I couldn't carry a note with a bucket, and that I sure couldn't play the piano.
There's nothing written in the Bible, Old or New testament, that says, 'If you believe in Me, you ain't going to have no troubles.'
I did it to myself. It wasn't society... it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
You never can overwhelm an instrument. You will never get out all that's in an instrument. An instrument will bring you to your limits.
My mom taught me a lot. A lot about minding your own business and leaving other people's business alone. And let them think what they want.
Women anchor me. They're there when I need them. They're sensitive to me, and I'm sensitive to them. I'm not saying I've loved that many women.
What makes my approach special is that I do different things. I do jazz, blues, country music and so forth. I do them all, like a good utility man.
I never said I was a genius. I never said I was a cornerstone. I've never said I'm a legend in my own time. You never heard me say nothing like that.
Any artist, when he goes in to record, should have the feeling that any song he records can be a hit. This may sound egotistical, but it makes sense.
I think that most great artists who are extremely known, as I am, would intimidate a lot of people. I don't want to do that to people, but I know I do.
I cant retire from music any more than I can retire from my liver. Youd have to remove the music from me surgically—like you were taking out my appendix.
Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human.
[On his heroin addiction:] I did it to myself. It wasn't society...it wasn't a pusher, it wasn't being blind or being black or being poor. It was all my doing.
Nowadays they say you need a special chip to put in the TV so kids can't watch this and that. In my day, we didn't need a chip. My mom was the chip. End of story.
People couldn't understand why my mama would have this blind kid out doing things like cutting wood for the fire. But her thing was: He may be blind, but he ain't stupid.
Now Listen You know I work so hard, all day long Everything I try to do, Seem to always turn out wrong That's why I wanna stop by on my way home and say Let's go get stoned
I always stay out of the rehearsal room you know when they first come in. Then once they had chance to play a little bit, then I walk in. Because I've seen guys fall apart.
Affluence separates people. Poverty knits 'em together. You got some sugar and I don't; I borrow some of yours. Next month you might not have any flour; well, I'll give you some of mine.
Before I begin, let me say right here and now that I'm a country boy. And, man, I mean the real backwoods! That's at the start of the start of the thing, and that's at the heart of the thing.
I know it sounds strange - a blind teenager buzzin' round on a motorcycle - but I liked that; that was me. I had always been nervy, and I always had a lot of faith in my ability not to break my neck.
When I'm having a rehearsal and there are new guys who come in to try out for the job, I always let my conductor rehearse them. Because I don't want the guy to get bent out of shape, because I walk in.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
You got to set your mind right and the rest will come to you naturally. No restrictions, no hang-ups, no stupid rules, no formalities, no forbidden fruit - just everyone getting and giving as much as he and she can.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.
I'd like to think that when I sing a song, I can let you know all about the heartbreak, struggle, lies and kicks in the ass I've gotten over the years for being black and everything else, without actually saying a word about it.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me - like food or water.
I'm a firm believer in God himself, but that's as far as I can go. I'm not any denomination. I'm not Catholic or Presbyterian or Baptist or Methodist or Jewish or Muslim. I'm none of those things. And I'm sure that's just fine with God.
I met Quincy Jones in Seattle. We were kids together... liked each other when we met and have been close ever since. He wasn't writing when we met - in fact, I more or less started him off to write; voicing, harmony, and stuff like that.
My version of 'Georgia' became the state song of Georgia. That was a big thing for me, man. It really touched me. Here is a state that used to lynch people like me suddenly declaring my version of a song as its state song. That is touching.
I don't know about other writers, but for myself, to write I must be relatively quiet - it's very difficult to write with the telephone and the doorbell ringing and conversation going on; I'm not that good a writer to write through all that!
Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.
Mama was a country woman with a whole lot of common sense. She understood what most of our neighbors didn't - that I shouldn't grow dependent on anyone except myself. 'One of these days, I ain't gonna be here,' she kept hammering inside my head.
When I was going blind, I didn't turn to God. It didn't seem to me then - and it doesn't seem to me now - that those items were His concern. Early on, I figured I better begin to learn how to count on myself, instead of counting on supernatural forces.
Do it right or don't do it at all. That comes from my mom. If there's something I want to do, I'm one of those people that won't be satisfied until I get it done. If I'm trying to sing something and I can't get it, I'm going to keep at it until I get where I want it.
You ask me what I'd like to do that I haven't done and I say 'Nothin'!' I haven't any mountains to climb or oceans to swim. I've been an extremely blessed individual. ... I'm not clamorin' for more trinkets. If I were to die tomorrow, I could say I've had a good life.
I am very into lyrics. I start with what the words are saying, what the storyline is saying, like a good script. It should really capture me, do something for me. If I don't get it, it's not going to move people, and if it's not going to move people, it's not going to happen.
With singing, the name of the game is to make yourself believable. When somebody hears you sing a song, and they say, 'Oh, that must have happened to him,' that's when you know you're transmitting. It's like being a good actor. You make people feel things, emotions and what not.
I'm not into the money thing. You can only sleep in one bed at a time. You can only eat one meal at a time, or be in one car at a time. So I don't have to have millions of dollars to be happy. All I need are clothes on my back, a decent meal, and a little loving when I feel like it. That's the bottom line.
When I started to sing like myself - as opposed to imitating Nat Cole, which I had done for a while - when I started singing like Ray Charles, it had this spiritual and churchy, this religious or gospel sound. It had this holiness and preachy tone to it. It was very controversial. I got a lot of criticism for it.
I suppose I've always done my share of crying, especially when there's no other way to contain my feelings. I know that men ain't supposed to cry, but I think that's wrong. Crying's always been a way for me to get things out which are buried deep, deep down. When I sing, I often cry. Crying is feeling, and feeling is being human. Oh yes, I cry.
I never considered myself part of rock 'n' roll. My stuff was more adult. It was more difficult for teenagers to relate to; my stuff was filled with more despair than anything you'd associate with rock 'n' roll. Since I couldn't see people dancing, I didn't write jitterbugs or twists. I wrote rhythms that moved me. My style requires pure heart singing.
I used to sing like Nat King Cole. I mean he was the guy when I was comin' up, and you know, man, people used to say of me, "Damn, he sure do sound like Nat King Cole." But there was a day, and luckily for me it was early, when I woke up and asked myself, "Well, when are the ask me to sing because I sound like me?" So my advice is, never do anything that you don't like.
The words to country songs are very earthy like the blues. They're not as dressed up and the people are very honest and say, 'Look, I miss you darlin', so I went out and got drunk in this bar.' That's the way you say it. Where in Tin Pan Alley they would say, 'Oh I missed you darling, so I went to this restaurant and I sat down and had a dinner for one.' That's cleaned up now, you see? But country and blues tells it like it is.