Why is it," he said, one time, at the subway entrance, "I feel I've known you so many years?" "Because I like you," she said, "and I don't want anything from you.

Don't think. Thinking is the enemy of creativity. It's self-conscious, and anything self-conscious is lousy. You can't try to do things. You simply must do things.

When I was born in 1920, the auto was only 20 years old. Radio didn't exist. TV didn't exist. I was born at just the right time to write about all of these things.

I love writing, it's the center of my life. If you don't love what you do, you'd better find something else to love. Otherwise, you don't have a reason for living.

Friendship is an island that you retreat to and you all fall on the floor and laugh at all the other ninnies that don't have enough brains to have your good taste.

I don't like the kind of writer who's out to change the world and beat up on people for their own good. Stalin did that and Hitler did that, and to hell with them.

My personal telephone book is a book of the dead now. I'm so old. Almost all of my friends have died, and I don't have the guts to take their names out of the book.

And some day well remember so much that well build the biggest goddam steamshovel in history and dig the biggest grave of all time and shove war in and cover it up.

There's a lot of crap out there. Most of the science fiction films alone are abominations, you know. They're mindless. So you can't learn from those kinds of films.

The major networks, the cable networks, they're being prosecutors. They're judges and jurors and executioners. Well, c'mon, that's ridiculous. But they're doing it.

There are a lot of wonderful women writers who would be good influences on writers. You've got to spread yourself out and educate yourself with all kinds of stories.

The only science fiction I have written is Fahrenheit 451. It's the art of the possible. Science fiction is the art of the possible. It could happen. It has happened.

I discovered very early on that if you wanted a thing, you went for it - and you got it. Most people never go anywhere, or want anything - so they never get anything.

If you have moved over vast territories and dared to love silly things, you will have learned even from the most primitive items collected and put aside in your life.

A story should be like a river, flowing and never stopping, your readers passengers on a boat, whirling downstream through constantly refreshing and changing scemery.

The purpose of fiction is not to nail you to the ground as facts do, but to take you to the edge of the cliff and kick you off so you build your wings on the way down.

It doesn't matter what you do...so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.

Any carefully planned thing destroys the creativity. You can't think your way through a story; you have to live it. So, you don't build a story; you allow it to explode.

A science fiction story is just an attempt to solve a problem that exists in the world, sometimes a moral problem, sometimes a physical or social or theological problem.

You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do-and they don’t. They have prejudices.

Work is the only answer. I have three rules to live by. One, get your work done. If that doesn't work, shut up and drink your gin. And when all else fails, run like hell!

I’m ALIVE. Thinking about it, noticing it, is new. You do things and don’t watch. Then all of a sudden you look and see what you’re doing and it’s the first time, really.

If you did not write every day, the poisons would accumulate and you would begin to die, or act crazy or both-you must stay drunk on writing so reality cannot destroy you.

We need not to be let alone. We need to be really bothered once in a while. How long is it since you were really bothered? About something important, about something real?

Americans are far more remarkable than we give ourselves credit for. We've been so busy damning ourselves for years. We've done it all, and yet we don't take credit for it.

You can't learn to write that way - by writing directly for the screen. Wait until you're 30. But in the meantime write 200 short stories. You've got to learn how to write!

Really knowing is good. Not knowing, or refusing to know, is bad, or amoral, at least. You can't act if you don't know. Acting without knowing takes you right off the cliff.

If teachers and grammar school editors find my jawbreaker sentences shatter their mushmilk teeth, let them eat stale cake dunked in weak tea of their own ungodly manufacture.

Most of my stories are ideas in action. In other words, I get a concept, and I let it run away. I find a character to act out the idea. And then the story takes care of itself.

He felt his smile slide away, melt, fold over and down on itself like a tallow skin, like the stuff of a fantastic candle burning too long and now collapsing and now blown out.

Writing is like sex. You have to save your love for the love object. If you go around spouting about your idea, there'll be no "charge" left. You can't father children that way.

Love what you do and do what you love. Don't listen to anyone else who tells you not to do it. You do what you want, what you love. Imagination should be the center of your life.

Chock them so ... full of "facts" they feel stuffed, but absolutely "brilliant" with information. Then they'll feel they're thinking, they'll get a sense of motion without moving.

I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going.

I love the musical form of books. It's a different way of doing things, it's very beautiful. You're able to sing things instead of saying them. So what the heck - why not do them?

You grow ravenous. You run fevers. You know exhilarations. You can't sleep at night, because your beast-creature ideas want out and turn you in your bed. It is a grand way to live.

Everything is generated through your own will power. You don't have to do anything you don't want to do. This is a democracy. You go where you want to go and do what you want to do.

I did what most writers do at their beginnings: emulated my elders, imitated my peers, thus turning away from any possibility of discovering truths beneath my skin and behind my eye.

Do you know that books smell like nutmeg or some spice from a foreign land? I loved to smell them when I was a boy. Lord, there were a lot of lovely books once, before we let them go.

I prefer to see myself as the Janus, the two-faced god who is half Pollyanna and half Cassandra, warning of the future and perhaps living too much in the past - a combination of both.

My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3:00 A.M. So as not to be dead.

There was her face, like a summer peach, beautiful and warm, and the light of the candles reflected in her dark eyes. [He] held his breath. The entire world waited and held its breath.

The years go by. The time, it does fly. Every single second is a moment in time that passes. And it seems like nothing - but when you're looking back ... well, it amounts to everything.

When I was a young writer if you went to a party and told somebody you were a science-fiction writer you would be insulted. They would call you Flash Gordon all evening, or Buck Rogers.

That's the wonderful thing about man; he never gets so discouraged or disgusted that he gives up doing it all over again, because he knows very well it is important and WORTH the doing.

The average TV commercial of sixty seconds has one hundred and twenty half-second clips in it, or one-third of a second. We bombard people with sensation. That substitutes for thinking.

Why then you're as mad as me. No, madder. For I distrust 'reality' and its moron mother, the universe, while you fasten your innocence to fallible devices which pretend at happy endings.

I'm numb and I'm tired. Too much has happened today. I feel as if I'd been out in a pounding rain for forty-eight hours without an umbrella or a coat. I'm soaked to the skin with emotion.

Each person was himself one alone. One oneness, a unit in a society, but always afraid, always alone. If I should scream, if I should call for help, would anyone hear would it even matter?

A Witch is born out of the true hungers of her time,” she said. “I was born out of New York. The things that are most wrong here summoned me. ("Drink Entire: Against The Madness Of Crowds")

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