And so I remember moving to LA, going to the Islamic center in Hollywood and feeling like the cultural element wasn't what we were operating from as much as the spiritual one, and that was really cool. That was really good for, you know, my growth and my development.

Representation is actually when the character doesn't have lines, but the camera is lingering on them in their thoughts after something happened, and then we get to see them walk to their car. You really need to follow a character in order to understand what they're going through.

And for me, I reached the point where I know the way I live my life is not conventional, and so I feel like whatever relationship I do end up in is also not going to be conventional. So I don't operate from feeling like I have to be with someone who is Muslim, or the other way around.

I didn't want 'Ramy' to be a commercial, like 'Hey, Muslims are good!' We're underrepresented, so the instinct when we get an opportunity like this is to show people that we're good, that we have the same shared values. What's more important to me is showing that we have the same flaws.

I actually want to hold on to where I came from, and also I want to be at this bar in Brooklyn, even if I'm not drinking at all. What does that tension look like? It's less an attack on the parents and more an interrogation of personal guilt, personal responsibility. That's my internal dialogue.

We talk a lot about our identities, and we talk a lot about working to clear misconceptions about those identities. But it'd be really cool to see someone like myself not even have to talk about being Muslim or Egyptian, because it's just understood. We can all just be weird and not have to explain everything.

My dad is an amazing human being. He - just a hard worker. Just that thing you think about with, like, just anyone who comes this country - that's my dad. He can do anything. Not just at work - comes home, he can cook, he can clean, fix the toilet, fix the car. He learned all these jobs just so he'd never have to pay another man.

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