Quotes of All Topics . Occasions . Authors
I'm not one of those people who's so blinded by my own work and my sweat. It's kind of risky writing a memoir when you're really part of a larger universe.
I really appreciate when people use their fame and their voice for more than just self-promotion, starting a dialogue about a topic or an issue much bigger than themselves.
How do you plan a rebirth? I'm not sure you do. You just stand in the darkness until you can't endure it any long, and then you move forward until you're standing in the light.
I believe that the only people who really, truly benefit from any of the policies of Republicans are the wealthy. I'm in that 1 percent tax bracket, but I'm not a man of wealth.
And even though people like to furrow their brow like they suspect you're not being honest about yourself, the truth is that they worry that you're not serving their idea of you.
The president is just the coach of a football team. You need the right support, the right stadium, the right players, the right staff. An excellent coach is not going to win games.
In terms of being a 'sneakerhead,' there was one point where I was obsessively following every sneaker blog. That's the beauty of Twitter: To get the heads up on what's coming out.
I would love to have some sort of 'Back To The Future' Delorean time machine travel device so I could go back to 1981 to see that very first Jackson 5 concert I went to, back when I was a kid.
My life's goal is to find a happy medium for sampling to be not only legal but for the right parties to benefit from it. There have to be sampling laws. The survival of hiphop is based on that.
I hear a lot of cries of socialism and certainly real disguises of "Why should I share my money with these people?" We have to get back to "we." It's important to get back to "we" not just "I."
I'm a 24-hour tweet machine, I'm a 24-hour blogger. When there's no pressure on me, I can talk and write and lecture with the best of them. But put a deadline on me and I start getting writer's block.
Every time a new record started, people exhaled with pleasure, or their bodies moved automatically. I really started getting high off of the euphoric exclamations. Every record I put on was like a baptism.
I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
I think the music comes first, then comes the fashion, and thus, the lifestyle. I believe it starts with music, and then the person delivering it delivers the lifestyle, the fashion. Madonna is a great example of that.
My theory is that nine times out of ten, if there's a depression, more a social depression than anything, it brings out the best art in black people. The best example is, Reagan and Bush gave us the best years of hiphop.
According to my parents, I just started drumming when I was two. I traveled with them from five to seven on the road, playing percussion. Between 8 and 12, my dad sort of prepared me by teaching me every aspect of road life.
Reagan's neglect of the inner city is responsible for hiphop. Hiphop is created thanks to the conditions that crack set: easy money but a lot of work, the violence involved, the stories it produced. Crack helped birth hiphop.
Crack offered a lot of money to the inner-city youth who didn't go to college. Which enabled them to become businessmen. I know about maybe five people in the entertainment industry who did their peak work as a result of crack usage.
I've always been a lover of hoodies. I'm a guy that travels a lot. I'm a guy that spends a lot of time on a cold air-conditioned tour bus. I'm a guy that likes to watch movies in peace. I'm a guy that likes to travel in the airport in peace.
I grew up in somewhat of a war zone in West Philadelphia in 1985, '86. It wasn't as extreme as someone coming in the classroom and just unloading on a class, but I knew to take the scenic route to go to the grocery store to avoid certain elements.
Highlight reels are about that one person. After a barrage of highlight reels, you get the sense that you can do it without a team. But music thrived the most when groups were involved. People lose sight of that - that community makes the world run.
Part of me would just like to relax and have one job that pays me the amount I need to survive. And another part of me wants the creativity that comes out of struggle and frustration and fear. It's a never-ending cycle, which must be how I want it, on some level.
I keep moving through time and time keeps moving through me. And through that process, life takes shape. The question is what shape it is. I'm not the first person to ask that question, or to see how absurd it is to think there's a real answer. Maybe life's a circle.
I was born at a very crucial time. I consider 1968 to be the Mason Dixon line between pre- and post-civil rights generation ideas, whereas a lot of people born before '68 they kind of went into that Moses mentality. Like, I'm not going to make it, you know, I don't have any hope.
I don't believe in good music and bad music anymore. I'm through with that phase of my life. Sometimes I just wanna feel good, so I put on a good record. But mostly I'm more of a businessman than a music fan, so I'm listening to music in terms of, is this effective or not effective?
At 25, my idea of success may have been more vain, like, "I'll be good the day that there's $20 million in my account and I have this particular house and the wife and 2.5 kids." But at 40 - and I know it's kind of silly telling you guys this - but as long as my Metacritic rating stays above 80, that's all I care about.
I feel like the downfall of any person is the second an artist starts celebrating their work themselves, that becomes problematic. And you know, I don't sit there, I don't bask in the awards I've won, you know, read my bank statements, I refuse. To me, that's how you start losing the hunger. So for me personally, I just don't celebrate it. I'm happy, right now.
It was absolutely killing me that I've spent the first 25 years of my life tryin' to avoid bullets. That was always the main concern. Don't go out late. Don't go to any shady neighborhoods. Don't hang in bars alone. Why? Because you wanna avoid bullets. So once I get to 35 then I was like "Woo, okay. Made it." And now there's a new warning. Now it's like strokes; I gotta watch my health.
I was one of those skeptics that thought that yoga was for kooks. Now I'm on a very strict regimen. You know, I work out. That's another thing I've learned relaxin', sleep, yoga. I didn't know that that's as crucial as going hard, as workin' hard, as exercising hard. I never knew. I thought that, "Okay, I gotta be at the gym like five hours everyday going balls to the wall." And what my yoga instructor, what my trainer, what they're trying to teach me is that, "No, it's sleep." That's important. That's just as important as workin' out.
What I'm slowly realizing is that I believe that most of us felt that we could relax a little bit after November 2, 2008, because of the progress and the spirit that it took to get Barack Obama in The White House. And what we didn't realize, is that was really the beginning. That was really the beginning of the struggle and not the end of a struggle, to come from colonial times through slavery, through the Jim Crowe Laws, through the civil rights period to The White House as, like a point A/point B journey. Point B of course being the end.
Resistance here doesn't mean revolution. It doesn't mean storming the barricades. Resistance means using art for the things that it does best, which is to create human portraits and communicate ideas and forge a climate where people of different races or classes are known to you because they make themselves known. In the simplest terms, art humanizes. It opens the circuit of empathy. And once that process happens, it's that much harder to think of people as part of a policy or a statistic. Art reverses the alienation that can creep into society.