I became a director by accident. M.S. Raju garu asked me to direct a movie, and I said OK. It all happened in 5 minutes.

In my films, they say the action sequences are very local and not international. But why should I copy from English films?

'Rowdy Rathore' is a full-length commercial movie but with a difference. The Hindi version comes with some value additions.

I would cringe when asked to dance. I still remember having to wake up early from Class VI to learn Bharatanatyam. I hated it.

When I am in Mumbai, I am called a director. In Chennai, I am called a hero. In the Telugu States, I am called a dance master.

It isn't easy to create a dance show, and it's different from choreographing for films... You need a lot of stamina and practice.

'Que Sera Sera' had a very unusual rhythm. It was a challenge for me to pick up Rahman's beats and translate them into dance steps.

I'm not avoiding the Tamil film industry because I'm making Hindi films. It's just that I'm extremely busy with Bollywood commitments.

I want to develop women-oriented films because, in most of the films, 70 per cent of the focus is on heroes and the rest on the heroine.

Before, there was a culture that said Mumbai is separate, Telugu films should be separate. Now, everyone is working together. It's cool.

Wanted' and 'Rowdy Rathore', which I directed in Hindi, were remakes of Telugu hits. Telugu films have contributed to my growth in a big way.

Once you begin shooting, Bollywood actors get totally involved in their roles, and that gives you an edge in getting what you want out of them.

As an actor, I felt nervous only during the release of my film. When I became a director, the anxious moments started once the editing work began.

I never planned to become a choreographer. I never planned to become an actor. I never planned to be a director. It's all good will. I did nothing.

Everything changes when I dance... I am a taskmaster there. I am the creator. I am high on dance - my expression, body language... I am like a fire.

I am very excited because 'ABCD' is India's first dance film. I am also thrilled because the film is in 3D. People will be able to see my dance in 3D.

If I could put in 100 per cent effort to make a film, then a dance film would require that I put in 200 per cent. Making a regular film is much easier.

I watched the Telugu version of 'Pokkiri' several times. Of course, I wielded the megaphone for the Tamil version. The script is very close to my heart.

Nayanthara stopped signing films when she was at the pinnacle of her career for our love, and we wanted to get married with the blessings of our parents.

I am very straightforward. If I have something to communicate about dance steps, I just go up to the actor and tell them my thoughts. Language is never a problem.

I would like to do all kind of movies, but it all depends on the producer. The director, the actor, and the producer must like it, and they must be clear about it.

We work hard on every film, and then it's up to the audience whether they like it or not. At the end of the day, it is the audience wish what to accept and what not.

'ABCD' is an out-and-out dance film. I also dance in the film. I must say you would see better dancers than me in this film. It was very tough for me to match their steps.

It is very difficult to come up with new things in action genre. I try what all I can change and give something different; I try my best to do whatever I can in the same space.

'Ramaiya Vastavaiya' means, 'Ram, will you come?' The movie is a remake of the Telegu film 'Nuvvostanante Nenoddantana,' which was my first film as a director. So, it's close to my heart.

There have been so many 'James Bond' movies, 'Spiderman' films, 'Mission Impossible' series, etc. Is there any difference in the basic story? Yet, each time there's a release, people are excited.

I've heard life starts at 40. I wouldn't know until I get there... I suspect 40 would just be another number. I have never allowed myself to stop and consider my age. I've always been on the move.

As a parent, I tell my boys to keep away their smartphones and go outdoors and play. I take them to our farm where my father does a bit of farming, where they get their hands dirty. It is their digital detox.

If anyone is calling me to choreograph a dance, they know my style, and they know I am a taskmaster. They want to present themselves as a good dancer before their fans, and that is why they want me to choreograph.

I had been choreographing and dancing for a good 12 years before I did 'Que Sera Sera' for Boney Kapoor. I did it for two reasons - one, I shared a good rapport with Boney, and the more important reason, Madhuri Dixit.

We named the film 'Action Jackson' because our hero, Ajay Devgn, is known as 'AJ,' and we thought it would be a good idea to use the initials and extend it into the title 'Action Jackson,' as Ajay is doing both action and dancing in the film.

Looking back, the most challenging thing for me was actually directing. It's very tough. Being in front of the camera is easy since the director can tell me what to do. But being the director and giving people directions is the toughest thing for me.

Of course I'd like someone in my life. And of course, when I go home in the evening, I wish there was someone waiting for me. But very honestly, I don't have time to be lonely. My work fills up most of my day, and when I get home, I just want to sleep.

I never planned to become a dancer, but I became one. The same thing happened with acting and direction. I remember I was doing the choreography of a film, and the producer came and offered me to direct the film. It was in Telugu, and that is how it started.

In 'ABCD1,' it was only me. The character I play has his own charisma. But In 'ABCD2,' the film has gotten bigger with stars like Shraddha Kapoor and Varun Dhawan teaming up with me. The story is also completely different, so viewers can expect something totally new.

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