Quotes of All Topics . Occasions . Authors
The film 'The Queen' came about with a producer saying to me that he wanted me to write about the circumstances behind Diana's death. I think he was hoping that I would come up with some journalistic scoop that would identify an MI5 covert plot.
I make a point of not reading reviews because of the old adage, if you read the good ones then you have to read the bad ones, and if you read the bad ones, you have to, you know... And also because it's a very, very bewildering and exposing thing.
Some of the things I have written about are a way of connecting with my father - I know he knew who Idi Amin was, and I know he knew who Longford was. And I know he knew who Nixon was, because shortly before he died, I talked to him about Watergate.
There are so many projects that I've written and had to abort because either I felt too distressed by what I was doing to the people who I was writing about, or they couldn't cope with it because their view of themselves was so far removed from reality.
We give each other a wide berth even if we have the flu, let alone... So, I think that's part of the stigma that people who have diseases suffer. It's almost infectious... if somebody is closer to death, they're almost a bad omen and I think that's terrible.
For 'Frost/Nixon,' I had eight people who were present at those interviews - they were all in the room - and when I interviewed each of them, they had a totally different narrative of events, to the degree where you thought, 'Were you all really in the same room?'
For 'Frost/Nixon,' everyone I spoke to told the story their way. Even people in the room tell different versions. There's no one truth about what happened in those interviews, so I feel very relaxed about bringing my imagination to the piece. God knows everyone else has.
Every dramatist will tell you that they know deep down what happened in the course of making that film and to what degree they took steps that were convenient and to what degree they took steps in telling their story that were dishonest. You know in your heart of hearts.
There are so many other people involved in the making of a play or a television series or whatever... even if you're a novelist there's so much in just the marketing of a book, or even the time... the zeitgeist, the moment at which it comes out. There's a lot you can't control.
Sometimes you are lucky enough to get offered things, and there is no rhyme or reason. I am very lucky because I come from England, and you have a whole range of things offered to you, from television plays and shows and theatre, so much more to explore, so it's never really money.
I quite like the idea - just as an abstract idea - of 12 people's collective life experience and wisdom being this formidable thing. People say juries can be led - I think 12 people from different backgrounds, different races, different genders, different ages, it's hard to hoodwink.
I'm not an artist, and I want to take risks, and when the possibility of failure occurs, it's because the idea is all exciting or interesting as a high wire act, and sometimes you've got to fall off, just by virtue of the fact that you're constantly trying to evolve and do new things.
As a dramatist, you have 200 choices at every fork in the road. But the audience will reject it if you make the wrong choice, if they feel you are trying to shape the character in a way that suits you. It rings false immediately. People can sense when you're being cynical or schematic.
I insist to this day that if you read the screenplay to 'The Queen,' it leaves you in no doubt that we considered her an isolated, out-of-touch, cold, emotionally inaccessible, overprivileged, deluded woman, heading an institution that should immediately be dismantled in any free and fair society.
I had no intention of providing any answers or solutions, because you'd only look a fool, but I did want to talk about what it's like to be in a state where you're wondering. And perhaps I was also receptive to the fact I was entering middle age and those thoughts come - to pretend that they don't come is just crazy.
Barack Obama winning the election had an instant impact on everything - race relations, national self-esteem, tolerance. It also had an instant affect on 'Frost/Nixon.' At a stroke, instead of being a piece that reminded people of the agony they were in, it became an uplifting message about the agony they had escaped.
For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns.
In a way, I think of the press as my colleagues. I don't want to throw hand grenades at people who do something that's pretty similar to what I do. But at the same time, we all need to take ourselves seriously and be responsible as professionals. And there was a collective failure in the treatment of Christopher Jefferies.