Oh, I was some efficiency expert. On my first day, I couldn't find my own office in Hartford and wound up in the Post Office.

It became the joke of the neighbourhood. If the umpire ruled me out on a bad call, I'd take the fake eye out and hand it to him.

There were no artists in Ossining, which was the home of Sing Sing prison. Most of the parents of the guys I knew were guards there.

When I go see a basketball game, I'm always in the front row. I always have a table at a restaurant; I never have trouble getting a taxi.

Before we ever had a script or anything, I was attracted to the idea of playing a character that housed within himself two opposing traits.

Sure, I miss some things about the stage. The thing I like is the immediacy. But then I complain, 'I gotta do the same part for six months.'

I didn't become an actor until I was an old man of 28 or 29. I declared to the world that I was an actor. Nobody heard me, but I did declare it.

I used to have this idea that you can spend years in the movies and TV and then, at the drop of a hat, say 'Oh, I'll go back and do the theater.'

It depends how lenient you are with your definition of artist. If you're going to include those who tap dance at the high school recital, then maybe I am.

You thought the stage, you thought Broadway: that was the pot at the end of the rainbow. The idea of being in Hollywood was like going to the Moon or Mars.

I had no idea when I graduated from high school and then from graduate school what I wanted to do with my life. I had no idea that I was ever going to be an actor.

I remember being amazed that actors had a union. I thought only coal miners had unions, or guys that worked in automobile plants. That's an indication of how naive I was.

I used to take girls out on a date to Night Court. And I'll tell you, most girls, they got a kick out of going to Night Court. 'Cause you get a lot of laughs... and it's cheap.

I like stories that grow, that have unpredictable layers. As opposed to Hollywood movies that start out with a lot of shock and noise and peter out into an unconvincing cliche.

If your mind is at work, we're in danger of reproducing another cliche. If we can keep our minds out of it and our thoughts out of it, maybe we'll come up with something original.

If you were brought up in the '40s, a kid in Ossining, New York, hanging out at the poolroom and stealing, how can you think, 'Here I am in Ossining. I, too, can be a movie star!'

When I was growing up in Ossining, N.Y., playing pool with the guys, the thought that any one of us might become an actor was as far-fetched as being knighted by the queen of England.

Certainly, you envy the guys that have done all kinds of things, a variety of good scripts and good directors. Then again, having worked with Cassavetes has satisfied a big part of that.

I've been there a thousand years, and I never felt comfortable. Beverly Hills - when I first saw it, I thought they put it up this morning. You got to pack water to get to the drugstore.

If I'm a guy reading a newspaper, and I hear this actor who I know gets great seats at basketball games, and he's complaining about being typecast, I think, 'Hey man, count your blessings.'

I had two ambitions: One was to be in The Actors Studio, and the other was to walk into a bar where actors hung out, and everyone would know that I was a professional actor and I would be accepted.

It helps an actor an awful lot when he looks like the part. There's nothing more disconcerting, that makes you more anxious or more insecure, than when you don't look like who you're supposed to be.

In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.

I got a regret: That I started acting so late. I was 27, and guys who start at 18 or so, there's this kinda continuity of friendships they form in the profession by startin' young, I've never had that.

Children ran up to me shouting, 'Columbo!' At first, it gave me great pleasure, but later, I said to myself that those children should have had their own heroes instead of admiring a cop from Los Angeles.

You think you're in another civilization, another time, and then you see antennas coming out of these hovels, and your mouth falls open when you see the descendants of the Incas shouting 'Columbo! Columbo!'

In the theater, you didn't have any marks. Your instincts in rehearsal told you what the blocking was. On film, they reversed it. They decided ahead of time what your instincts were, before you even arrived.

I don't like getting up in the morning, getting in a car, driving on a freeway, and stopping at a gate where two guards are standing there, then walk into a studio that looks like a bunch of airplane hangars.

My father's whole life was work. He had a retail store in Ossining, New York, and I mean, he was down there at 6:15 every morning. The store didn't open until 9, but he hadda be down there. That's all he knew.

I'm makin' a lotta dough, everyone knows who you are, and who the hell cares whether you're typecast or not? Also, there's something wrong with complaining about being typecast in something you really enjoy doing.

I remember once in high school the umpire called me out at third base when I was sure I was safe. I got so mad I took out my glass eye, handed it to him and said, 'Try this.' I got such a laugh you wouldn't believe.

I'm old fashioned. I really think you should know how to draw before you start painting. I use charcoal and graphite; I put a skylight in. In my house, I turned the garage into an art studio. So I'm awash in art studios.

Good actors are always looking for props. They're looking for behavior. It makes it a lot easier. You're not solely dependent of what's coming out of your mouth. You're also less self-conscious, less aware of the camera.

I've worked with some terrific actors. The list of guys that came on the 'Columbo' show, I mean they were world-class actors from all over the world - Oskar Werner, Laurence Harvey, Donald Pleasence, you know... foreigners.

I love Chicago. It's one of the great cities. I'm crazy about the town. It reminds me of New York when it was at its best, the New York that used to be and is no more. I love the architecture, the old stuff and the new stuff.

My wife loves to get all dressed up and go out, and I'm this gloomy Virgo. It works because of the mutual recognition that we are two democratic narcissists. She does what she has to do, and I do what I have to do. We respect that.

I do share with the lieutenant (Columbo) one very pronounced part of his personality - he loves to talk about his wife. You can't shut him up. I have the same problem. I can tell Shera stories till three in the morning. Shera is my wife.

Hartford had the Mark Twain Masquers, which was fantastic. They had been in business I don't know how many years. They knew how to build sets and sell tickets and put on a play. My day started at night. When I left the office, that's when my day began.

In order to be totally spontaneous, you can't be too obsessed with accuracy, but if you're inaccurate in a drawing, it will look fake, and when you act, it will sound fake. You have to find miraculously some proper balance between the two, but there's no formula.

They wouldn't take me in the navy because of my glass eye. So I joined the merchant navy, who allowed monocular crew if you worked in the kitchens. You're not wanted on deck or in the engine room with one eye, but you're good to fire up the ovens and cook hundreds of chops.

The first time I ever spoke to John Cassavetes was at a Lakers game. I got up to go for a hot dog, and he was coming in the opposite direction. I don't know who said hello first, but we started talking, and it turned out that he went to high school with my first wife, Alice.

When I was a kid, the idea of gettin' paid to paint your face... listen, I grew up in Ossining, New York, a nice little town by the Hudson, and nothin' ever interested me except being your usual high school big shot, which I was an' loved it, played all the sports and goofed around, always out on the street with the guys, everything was funny t'me.

Share This Page