Quotes of All Topics . Occasions . Authors
I could never plan to have a career that went this well... you know, there were times when it didn't: when it went into the toilet, or ducked, or was difficult to get moving.
If you actually have to engage with somebody who's superior to you and actually battle with them, struggle with them, I think it's more interesting, and funnier for the audience.
I've lost count of the times I've been asked to 'be' Malcolm Tucker: to go on a political program on television, presumably in order to be the character and give opinions as him.
I'm creative. I can't relax unless I've got some project on the go. I'm somebody from art school, and art school during the punk era, when you just had a go at whatever came along.
I've been really terrible in a lot of things because I learned by making mistakes. That makes you a different kind of actor, because you have to figure out for yourself what you do.
I'd say, don't listen to what anyone says: you're good. Go put your anorak on. Get your thick bottle-top specs. Draw your little cartoons and your comics and keep writing to the BBC.
The only time I've tried to make plans, the cosmic sledgehammer has intervened and something else has happened. You just have to wait and see what comes your way, so that's what I do.
I don't remember 'Doctor Who' not being part of my life, and it became a part of growing up, along with The Beatles, National Health spectacles, and fog. And it runs deep. It's in my DNA.
Maybe it's because I've been an actor for such a long time, but I think, unless you're a big star, you don't really have much control over anything. I've never been able to make any plans.
What's now shocking is I can't say anything publicly without it having a life. Not because I have extraordinary views but because people are keen on conflict, so they'll make that the story.
I was initially rather charmed by David Cameron, but I think he's revealing himself to be a slightly darker and less charismatic figure than he first appeared. There's a brutality about him.
I found American actors quite scary because they're brilliant actors and brilliantly funny, and they never stopped once you wound them up... off they went and they just deliver fantastic stuff.
I'm a huge fan of The Sopranos, and suddenly, you find yourself going one-to-one with this guy who you've been watching for years, watching every flicker in his eye and every detail on his face.
When I was at school, you couldn't draw and be into football, too. If you were into art, then you were seen as an absolute pansy, and there was no way you'd be admitted to the guys' world of football.
I don't think I would have been great in the 17th century. I would have enjoyed the frocks, and certainly some of the food would have been appealing, but the disease and hygiene would have worried me.
I think the nice thing about 'Doctor Who' is whether people like it or don't like it, somewhere, someone loves you and will always love you - and the more everyone hates you, the more they'll love you.
I hated improvisation because in my early days as an actor, improvisation meant somebody had just come down from Oxford and they were doing a play above a pub in Kentish Town, and the biggest ego would win.
It seems to me that most things that are being made are designed for young people. There aren't that many depictions of melancholic older people, even though they form a growing proportion of the population.
My childhood growing up in that part of Glasgow always sounds like some kind of sub-Catherine Cookson novel of earthy working-class immigrant life, which to some extent it was, but it wasn't really as colourful that.
Drawing is the only thing I've found in which I can lose myself completely. I love it. It started as something that relaxed me, but now it's a struggle because I'm pushing myself. The day-to-day sketching is fraught.
I'm fascinated by fire. When I was four, I wore an American fireman's hat all the time, and I still have one in my office today. Glasgow used to be called 'Tinderbox City;' there were always fires, people getting killed.
I got into music, I was in a band, I was at art school. I was quite trendy, although I'd hate to meet myself. The over-preening, the pretentiousness, the arrogance of youth! I think, 'Oh, that guy was so full of himself.'
What I've learnt being an actor is that you've got to be lucky. I got less lucky, and nobody was interested. If a part came up, it would be for the main corpse's friend's brother who was having problems with his marriage.
The nurses' job is emotional and distressing. Their day-to-day work is dealing with people withering and falling to pieces. So black humour is essential for them cope with that. It's just a consequence of their environment.
Before 'Local Hero,' I'd been knocking about Glasgow in rock bands, drinking too much and generally being 21. My opinion of actors was that they were straight and boring, so you see, I was completely unprepared for being one.
I absolutely hate mowing the lawn. When I hear the mowers starting, I want to kill myself: it's the sound of death approaching. Hoovering's OK, but I never in my life wanted to have a lawn and certainly never wanted to mow one.
It's one thing getting the job of Doctor Who, which is wonderful. And then the next thing they say to you is, 'We're going to announce it live on television!' And you think, 'That's not exactly what I thought I was signing up for!'
The thing that runs through the British film industry even today is a lot of unsung movies are financially the bigger ones. Even though they weren't always the greatest of movies, something in them was very potent which people loved.
I love Hugh Laurie, but I don't want to be a guy who goes to work every day for nine months of the year in a corner of Burbank. I really don't. I like doing a bit here and a bit there and strange things, and I think that's held me back.
Personally, I have as little to do with politicians as possible. The ones that I've met I've found very boring. They're extremely egotistical, incredibly self-important. If I can help it, I try to stay as far away from them as possible.
I'm not saying that all politicians are awful. I don't know any of them well enough to say whether they're awful or not. But almost every day, you find out something about them that's appalling. Maybe we shouldn't be surprised any longer.
When I was a kid, I wrote to the BBC, and the producers sent me a huge package through the post with 'Doctor Who' scripts. I'd never even seen a script and couldn't believe that they actually wrote this stuff down. It sort of opened a door.
The biggest thing I have realized was that you have to choose your collaborators very carefully, and that not everybody can like you. The process of filmmaking is so difficult, there's no point in doing it unless you can do it the way you want.
The British film industry has always tried to sell itself as something rather sophisticated. It's almost as if it thinks it is by royal command. It has always tried to claim the high ground, not only over Hollywood but over the whole of humanity!
I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
Crime is interesting. It's huge and fascinating, and it's what my business, TV and film, is largely based on. But the realities are tragic, and in crime drama you rarely see the pain of bereavement or any consequences. It's reduced to a chess game.
The big reason that 'Doctor Who' is still with us is that every single viewer who ever turned in to watch this show, at any age, at any time in its history, took it into their heart - because 'Doctor Who' belongs to all of us. Everyone made 'Doctor Who.'
In Peter Ackroyd's book 'London: The Biography,' he describes the route of the medieval wall that enclosed the original city. Take the book and follow it from the Tower of London via the Barbican to Ludgate Hill. You experience the real history of London.
I was always admiring people who seemed to conduct themselves with ease in the world. Maybe that's a great gift to give your kids if you can do that. Because they can move through the world without neurosis, this anxiety about everything, which our own parents gave us.
There is no greater symbol of the artistic spirit of Scotland than the Mackintosh building. But more than that it is a symbol of where art belongs, rising as it does out of the heart of a great city. A mighty castle on a hill, it is a part of me, and of all Glaswegians.
The Hollywood image of the movie business is all about ambition and high achievers like James Cameron. But the British film industry is much more about men who wear cravats and work with model trains and hope another series of 'Thomas the Tank Engine' will be commissioned.
I think acting, oftentimes it's not about lines, it's about spaces in between lines and expressions on people's faces and their relationships. You can tell your own story, or a story that you're interested in, even if the lines don't necessarily point you in that direction.
At 17 years old, STG took me under its wing and shared its resources and wisdom with me, even allowing me to take part in a show at the Edinburgh Festival. Without STG and the Ramshorn Theatre, I would not have found access to the world of drama that I later made my profession.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
I love these sort of documentaries, which you might turn on late on a Saturday night - like, say, 'The Alma Cogan Story.' But they are ripe for spoofing, because the presenters are always so serious and anxious to make themselves look like rather attractive and interesting people.
Even if I hadn't been cast as Doctor Who, my acting would probably have been influenced by William Hartnell or Patrick Troughton, Jon Pertwee, Tom Baker, and all of the other guys. Because those were the actors that I really watched every moment of, as opposed to Laurence Olivier.
I think the most extraordinary thing about fans is the level of excellence that they show in the work that they do. I mean, if you go onto the internet and see some of the fan videos that have been put together, they're just extraordinary; they could be programmes in their own right.
My Italian granny and my mother made great spaghetti, but it wasn't a kind of southern Italian, Godfather-esque kind of thing - it was a wonderful, big mixing pot of all kinds of people - when you came home from school and your mum wasn't in, there were lots of people you could go to.
I destroyed all my geek stuff because I didn't want to be a geek, and I regret it to this day. Consumed in the geek bonfire of the vanities was a collection of autographs and letters from Peter Cushing, Spike Milligan and Frankie Howerd, the first Doctor Whos, actual astronauts, and many more.
Scottish men of a certain age have a black response to almost everything as a measure of how sophisticated they are. I have a very long fuse that eventually explodes after building up a nice head of steam, although it's only happened three times - usually at work when someone takes me for granted.