Quotes of All Topics . Occasions . Authors
I want to do an 'Extreme Makeover' show. You know that MTV show 'I Want To Have A Famous Face'? Well, I want to do a new show. I want to have a different famous face.
The best comedy to me - and again, I grew up with comedy since I was a baby, so I've seen it all - is when you exaggerate the truth, like Richard Pryor did, you understand?
I want to have my face look like Brad Pitt. Then I'll be with Jennifer Aniston and then Angelina Jolie. Then the real Brad Pitt will come in, and we'll have a Brad Pitt face-off.
My life's like a big tour. It's cool, I'm still semi-young. I'm not too old yet where it's like, "I hate the road!" As long as I'm not anywhere for too long. I like to keep moving.
People in bigger towns are very aware of their surroundings. The people in the smaller markets, they will show up with flip-flops and shorts and just kind of already have a buzz on.
The MTV thing is the thing that I will always tip my hat to because that was like my acting class and how I got comfortable in front of a camera and how I kind of created my own thing.
Few if any teenagers can relate to getting up for school and finding famous comics like Pryor and Williams hanging out in your living room after a hard night of partying. But that's Hollywood.
There's nothing wrong with being a pretty girl, because you want to be, desirable. There's nothing wrong with that, but you should have a plan B even if that is getting pregnant by a rich dude.
My mom is two people to me. She's my mom number one, and then she's this lady most comedians know as being a legendary owner of a nightclub that's responsible for starting a lot of heavy careers.
I become friends with people in each city who can show me around. Like if someone came to Los Angeles they wouldn't really know where to go, so they'd have to call me up and then I'd show them around.
All these kids in Hollywood, the people born and raised out here, their parents are all in show business, and that's why I think we're good. That's why we're on top of the game now because we were born in it.
When you deal with a comedian who has a specific act, you can't hold 'em back. You got to work with 'em, dude. What you think, I'm just gonna do what's on the page, say 'yes sir, no sir'? I'm creatively beyond that.
I don't think any of us would be who we are if our parents weren't who they were. People that are in show business, and their parents are not in show business, their parents probably motivated them to get in show business.
Well, the best part about stand-up is that you control everything. Period. When you work in movies, or on TV shows, there are 50 other people involved. And it's hard, man. They brainwash you to think you're doing the right thing.
Physically, my character is stronger than him which is totally unrealistic, ... Because in reality he can ... kill me. I think it has a lot to do with (him being) the youngest of all of his brothers, and I think he got beat up a lot.
I just want to kind of tackle every kind of form that exists in the comedy world; whether it be stand-up or hidden camera or parody. Kind of slap it in a movie with hip-hop artists and actors, comedians and girls. I just want to do something fun.
I never made the movies for the critics; I've done the best I could with the material and the directors and the actors I had. But the thing that's really exciting is that once I do that one project that's different, that stands out, everyone's gonna be watching.
Find something that you want to do when you're 60. Find your passion. Your passion, your work, whatever it is that you want to do. Find something that you would do, even if you didn't get paid. Whether it's an art or whether is something that you're passionate about.
As an artist, what you do is you put out material constantly. Whether it's films, or TV shows, music... and you know, you hope people respond to it. You always have to know, as well, that not everybody's gonna like it. And that's okay. It's not for everyone. It's just for the crusty nugs.
I miss that process of getting the script and reading it and working on it. Every actor has their own way of memorizing their lines, and the whole process of starting to work with the other actors and the director, and doing rehearsals, and going to the location, and going through wardrobe.
When you're onstage, it's important to try and feel some type of therapy in getting the material out, because then you don't leave the stage so tired. If you're onstage and you're doing the same routine over and over, then it gets monotonous. You want to be able to try to get to the truth constantly, and I think the more you do that, the easier it is.
Hollywood people don't want to be embarrassed by being involved with someone who isn't happening and cool at the time. But I never made the movies for the critics; I've done the best I could with the material and the directors and the actors I had. But the thing that's really exciting is that once I do that one project that's different, that stands out, everyone's gonna be watching.