Collect all the facts that can be collected about the life of Racine and you will never learn from them the art of his verse. All criticism is dominated by the outworn theory that the man is the cause of the work as in the eyes of the law the criminal is the cause of the crime. Far rather are they both the effects.

...in song the words tend to lose their significance, do often lose it, while at the other extreme, in current prose it is the musical value that tends to disappear - so that verse stands symmetrically, as it were, between song, on the one hand, and prose on the other - and is thus admirably and delicately balanced between the sensual and the intellectual power of language.

In the eyes of those lovers of perfection, a work is never finished - a word that for them has no sense - but abandoned; and this abandonment, whether to the flames or to the public (and which is the result of weariness or an obligation to deliver) is a kind of an accident to them, like the breaking off of a reflection, which fatigue, irritation, or something similar has made worthless.

Interruption, incoherence, surprise are the ordinary conditions of our life. They have even become real needs for many people, whose minds are no longer fed by anything but sudden changes and constantly renewed stimuli. We can no longer bear anything that lasts. We no longer know how to make boredom bear fruit. So the whole question comes down to this: can the human mind master what the human mind has made?

History is the most dangerous product which the chemistry of the mind has concocted. Its properties are well known. It produces dreams and drunkenness. It fills people with false memories, exaggerates their reactions, exacerbates old grievances, torments them in their repose, and encourages either a delirium of grandeur or a delusion of persecution. It makes whole nations bitter, arrogant, insufferable and vainglorious.

Latent in every man is a venom of amazing bitterness, a black resentment; something that curses and loathes life, a feeling of being trapped, of having trusted and been fooled, of being helpless prey to impotent rage, blind surrender, the victim of a savage, ruthless power that gives and takes away, enlists a man, drops him, promises and betrays, and -crowning injury- inflicts on him the humiliation of feeling sorry for himself.

His heart is a desert island.... The whole scope, the whole energy of his mind surround and protect him; his depths isolate him and guard him against the truth. He flatters himself that he is entirely alone there.... Patience, dear lady. Perhaps, one day, he will discover some footprint on the sand.... What holy and happy terror, what salutary fright, once he recognizes in that pure sign of grace that his island is mysteriously inhabited!

You have certainly observed the curious fact that a given word which is perfectly clear when you hear it or use it in everyday language, and which does not give rise to any difficulty when it is engaged in the rapid movement of an ordinary sentence becomes magically embarrassing, introduces a strange resistance, frustrates any effort at definition as soon as you take it out of circulation to examine it separately and look for its meaning after taking away its instantaneous function.

Ignorance is a treasure of infinite price that most men squander, when they should cherish its least fragments; some ruin it by educating themselves, others, unable to so much as conceive of making use of it, let it waste away. Quite on the contrary, we should search for it assiduously in what we think we know best. Leaf through a dictionary or try to make one, and you will find that every word covers and masks a well so bottomless that the questions you toss into it arouse no more than an echo.

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