If they won't come to worship God in a church, something must be done. We have to instigate a nationwide search for a way to make it fun.

I got my first guitar when I was 15, and I just used to fool about with it, more or less, as time went by, though, I got more interested.

This was one of the best things about Lennon and McCartney, the competitive element within the team. It was great. But hard to live with.

At the office where the paper grows, she takes a break, drinks another coffee, and she finds it hard to stay awake. It's just another day.

Late at night when the wind is still I'll come flying through your door, And you'll know what love is for. I am a bluebird, I'm a bluebird...

Drugs had shown me little bits here and there-they had rolled across the carpet once or twice, but I had been able to get them out of my mind.

Criticism didn't really stop us and it shouldn't ever stop anyone, because critics are only the people who can't get a record deal themselves.

I think a domestic situation can change you and your attitudes. I suppose if you did get a bit content, then you might not write savage lyrics.

I never look forward, because I have no idea about how any of it happened to getting here. I've no idea how the next five years are going to be.

I think people who create and write, it actually does flow-just flows from into their head, into their hand, and they write it down. It's simple.

I was impossible. I don't know how anyone could have lived with me. For the first time in my life, I was on the scrap heap, an unemployed worker.

I think the idea of getting out of a traffic jam and getting out of work each week and going and doing all this stuff would be really exhausting.

I definitely did look up to John. We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest.

I think when you're making an album, as the songs are piling up, one of the good things about it is that you will often write the song that you need.

I think I always had a musicality, and I think I could tell a good song from a bad song. And I would appreciate hearing something that was new to me.

I'm only 49 years old. I'm still in the middle of this whole thing. I don't feel like it's finished at all. I'm still planning to write better songs.

I'm not into, Hey, what's your sign? or any of that. But I don't know how I got here, and I don't know how I write songs. I don't know why I breathe.

I'm often reading a magazine and hearing about someone's new record, and I think: "Oh, boy, that's gonna be better than me". It's a very common thing.

I'm often reading a magazine and hearing about someone's new record, and I think, 'Oh, boy, that's gonna be better than me.' It's a very common thing.

Lucy in the Sky with Diamonds actually wasn't meant to say LSD It was a drawing that John's son brought home from school Lucy was a kid in his school.

There are two things John and I always do when we're going to sit down and write a song. First of all we sit down. Then we think about writing a song.

The long and winding road that leads to your door / Will never disappear, / I've seen that road before it always leads me here, / Leads me to your door.

You've got to believe in yourself. ..it really is true, because that's one thing about the Beatles...Man, we believed in ourselves. We knew we were good.

I support decriminalisation. People are smoking pot anyway and to make them into criminals is wrong. It's when you're in jail you really become a criminal.

I'm singing 'English Tea' from my new album 'Chaos and Creation in the Backyard.' I have a cup of tea in the morning, so it's something good to wake up to.

In Liverpool we'd only done one-hour sessions. In Hamburg we had to play for eight hours. We played very loud, bang, bang, all the time. The Germans loved it.

I'm a pretty hands-on dad and make the most of my custody. I take care of my little one whenever I can, and she determines what I can do and where I can do it.

If anyone had told me in the '60s that 20 years later we'd still be talking about whether pot was worse than this or that, I'd have said, Oh, come off it, boys.

All we ever got in those [early] days was "Where are you from? Liverpool? You'll have to be in London before you can do it. Nobody's ever done it from Liverpool.

The Stones also still have a huge following. Mick Jagger leaps around like a crazy dude. And Keith Richards, Ronnie Wood and Charlie Watts are playing great too.

We were pretty good mates until the Beatles started to split up and Yoko came into it. It was more like old army buddies splitting up on account of wedding bells.

People who paint, including myself, get to a point where a bit of angst comes in. If you're doing it for a living, it's worth it to suffer those slings and arrows.

I'm not a great practiser at all. We were never great practisers. The Beatles would come together for about a day before we had a tour, to make sure the amp worked.

To get a big hit single you've got to go a bit dance. You've got to go a bit Britney. I don't think I can do that - well, I could but it wouldn't look very seemly!.

When we were starting off as kids, just the idea of maybe going to do this as a living instead of getting what we thought was going to be a boring job, was exciting.

Somebody said to me, 'But the Beatles were anti-materialistic.' That's a huge myth. John and I literally used to sit down and say, 'Now, let's write a swimming pool.'

George wrote Taxman, and I played guitar on it. He wrote it in anger at finding out what the taxman did. He had never known before then what could happen to your money.

John's time and effort were, in the main, spent on pretty honorable stuff. As for the other side, well, nobody's perfect, nobody's Jesus. And look what they did to him.

George Harrison and John Lennon were the ones most against touring ... I'd been trying to say ..Ah, tourings good and it keeps us sharp .. but finally I agreed with them

When you get the money, you still need to keep going; you don't stop. There has to be something else. I think it's the freedom to do what you want and to live your dreams.

When I write, there are times -- not always -- when I hear John (Lennon) in my head, ... I'll think, OK, what would we have done here?, and I can hear him gripe or approve.

In some ways we live in a world where things appear to be very logical, very rational, and mechanical aspects of our world are rather scientific and rather straightforward.

I used to think that all my Wings stuff was second-rate stuff, but I began to meet younger kids, not kids from my Beatle generation, who would say, We really love this song.

Love Me Do, the first song we recorded, John was supposed to sing the lead, but they changed their minds and asked me to sing lead because they wanted John to play harmonica.

By the time we made "Abbey Road", John and I were openly critical of each other's music, and I felt John wasn't much interested in performing anything he hadn't written himself.

There was one moment where they were riding their little ponies in Scotland, and Stella said to me: 'Dad! You're Paul McCartney, aren't you?' 'Yes darling, but I'm Daddy really'.

Out of all those millions and millions of planets floating around there in space, this is our planet, this is our little one, so we just got to be aware of it and take care of it.

Sadness isn't sadness. It's happiness in a black jacket. Tears are not tears. They're balls of laughter dipped in salt. Death is not death. It's life that's jumped off a tall cliff.

Hamburg totally wrecked us. I remember getting home to England and my dad thought I was half-dead. I looked like a skeleton, I hadn't noticed the change, I'd been having such a ball!

Personally, I think you can put any interpretation you want on anything, but when someone suggests that Can't Buy Me Love is about a prostitute, I draw the line. That's going too far.

Share This Page