Quotes of All Topics . Occasions . Authors
The thing is that it's always a constant reminder of how violent this country has been, always has been, you know. I'm still frustrated with these conversations: [Barack] Obama is black so that means this, that things are better, or it means that you voted for him because he's black.
My British publisher has this independent press. It's pretty small; they actually won last year. And she's got this great energy, and she's fiercely independent, and you know this book was a hard sell. No one wanted to buy this book. But she did, and so it's paid off for her, I hope.
I had a student once come up to me and we were talking about this incident, and, of course, I never had the right thing to say. But later on, I realized I should have said: Don't write about trying to change the world, just write about a changed world or a world that's not changing. Let that do the work.
There are things I don't like, like sitting at the head of the class. It makes me uncomfortable. I'll do it in a seminar if I have to, but with a workshop, I try to put myself in the circle somewhere. Because that hopefully frees up some people by making somebody else sit at the nominal head of the table.
It makes me think about how you hear these young people say, "I see you, man." Or even if you go and watch some basketball game over the summer and the announcer goes, "I see you," and you see that player smile. You know what I mean? That thing of just being recognized, especially when you do a little subtle thing. I don't know.
I talk about folding it in often with Althea, my girlfriend. She's getting her doctoral degree at Berkeley and she talks about how even when writing these very academic, and, for the most part, serious papers there's just so much going on in her head and heart, and it's a reminder that there's a reason that she's studying these things.
There are many similarities between Germans and blacks. The nouns themselves are loaded with so much historical baggage it's impossible for anyone to be indifferent to the simple mention of either group. We're two insightful people looking for reasons to love ourselves; and let's not forget we both love pork and wear sandals with socks.
There are always so many things happening [to us] at one time. We read Isherwood's A Single Man in class, and we had to ask: How is he talking about all this stuff: teaching, being lonely, all his memories, all at the same time? He's telling us: This is where my head is at, let me be straightforward. And of course, try be artful about it.
It's weird because there is progress somehow. But there's so much that just feels the same. How important is that rank? How important is it that I am allowed to make these decisions? What does that really mean? What is progress? Is it progress that a black guy gets to push a button for the nuclear bomb? Is that progress? Maybe, I don't know.
Well, it's not all the same, but there are a lot of parallels. I'm not sure how to answer [on psychology background], but I think when I was studying psychology I had a professor and a friend who would talk about "process" all the time. Your process, his process, the group's process. There's some carryover from that discussion to my creative work.
In White Boy Shuffle, I combined my seventh-grade teacher, Mr. Takemoto, who really saved me - I don't think I've ever told anyone this - and my first basketball coach, Mr. Shimizu, into one character. Something about the way they talked about things, and their attitudes, had a huge impact on me. Not that I necessarily agreed with them. It was important to me to just put them there to stay grounded.
If I'm in LA, I'm close to home, and that just brings up all these other things, good and bad. There is a reason why I am not there. That's what I have to remind myself of. But I'm healthier in California, probably a little happier, maybe. I forget how beautiful and calm California is. It's not so much about the place, but also the age that I came to the place and, well, other things. New York is hard.
I'm not much of a self-promoter or anything. It's not something I feel comfortable doing. But sometimes I would get frustrated, I'd think, "You know, this is a good book, how come no one is paying attention to it?" So it's nice to have some recognition. I don't write to put it in a drawer, I hope that people see it. But what am I willing to do for that? I struggle with that a little bit. I try to be accommodating, but I'm pretty much a loner. I'll say this, and it'll sound like bullshit, but it's not: I don't really pay attention to this stuff very much.