Quotes of All Topics . Occasions . Authors
I try to do as many different roles as the system will allow me. That's the benefit of not being in a giant blockbuster where you're the lead and you get typecast in that kind of role. I am able to slip in or out of a lot of different parts.
Mike Nicholls saw me in the musical of The Full Monty and brought me in to audition for Angels in America for HBO. And that opened a lot of doors because you could go to LA and say: "Well, I'm starring opposite Al Pacino and Meryl Streep..."
The way you deal with a scare is the way you deal with a laugh. The timing has to be perfect. When you're dealing with fear or laughter - emotions that happen spontaneously - you hope it's working. But in the moment, you really have no idea.
If somebody wants to go to church because they like the ritual of it and want to sit in silence for a while one time a week, then that's great. If someone wants to go because they believe that God them and Jesus rose after three days, then that's great, too.
The blessing and the curse of not having a huge hit... you can go in and out of roles and some people know who you are and some people don't. I'd love for one of these movies to be super successful because then at least you're presented with more opportunities.
At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.
There are a lot of Christian fundamentalists; there are a lot of Muslim extremists. Every religion - Mormonism - has something way on the side that's completely using the religion as some weird backbone for their twisted faith. It has nothing to do with their religion.
I was convinced in middle school that I invented tight-rolling your pants, because I would get hand-me-downs from my brothers, and of course they were bell-bottoms from the '70s. So I would fold and fold over the bells. I like to think I started the trend. But I didn't.
You know when you see those guys and their sideburns are just a little too high? You don't need to have sideburns, but don't have to have them right above the ear. I knew a guy that did that in high school and I was like, 'What are you doing? Just let them down a little.'
I've always had good relationships with directors. I'm one of those people where, if there's a good idea coming from the sound guy, I'll take it. Filmmaking is a collaborative effort, whether it's a first-time director or it's Mike Nichols. I think that's the standard that the great ones set.
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
It's very hard to just break into movies. I always felt like it would be giving up a theatre career to go and try and be in movies. So, I thought I'd exhaust the theatre thing, go as far as I can, and originate roles, be on Broadway, maybe win some Tony Awards, and then hopefully some door would open. Luckily, it did.
When I met Harrison Ford I just kept thinking: "At what point do I break out my Star Wars memorabilia? When is it OK to have him sign something? Will he? And will I look like a total idiot!" The only time I ever got anything from another actor to sign was for my brother or my kids because both of my brothers are die-hard Star Wars fans.
When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.
When I went to LA I was almost 30, I'd been nominated for two Tony awards, and on the New York theatre scene I was pretty well known. I went out to LA to meet with casting people, and I remember walking into one meeting and saying: "Hey, how are you? I'm Patrick..." And they said: "I'm so sorry! I thought you were British!" When I asked why, she replied: "Because you're 30 and I've never heard of you!"
I remember seeing Extreme play with [Debra] Winger and Cinderella. Gary Cherone was wearing purple velvet overalls with no shirt and saddle oxfords.Afterward, I went home and told my mom, "I need to find saddle oxfords." And she said, "Like little girls wear?" Naturally, I couldn't find them in my size, so I went to a shoemaker and had him make me a pair. I wore them for a while, but they didn't seem as cool on me, because when your foot is size 12, they sort of look like clown shoes.
I knew I wanted to go to college and I wanted to study it acting, so I just looked for the best school that I could get into. Luckily, I had very supportive parents. I went to a conservatory that is basically drama school. You take one English class and one history class for four years but you don't take any other science or anything like that. It's strictly, from 7am until night, all acting. It's a lot. Some people find it too much, but for me I was preparing for a career and I never really looked back.
I always grew up around acting. I did commercials as a kid and all that kind of stuff and my oldest brother did theatre in High School. It's funny, when I was 15 I had a friend of mine who dragged me away to a camp at Boston University. It was the first time truthfully that acting didn't feel presentational; it felt very personal. I didn't just feel like I was singing and dancing for my friends in High School. It felt like I was doing a scene and all of a sudden I started to feeling something - I started to feel emotional.