Quotes by Orhan Pamuk - Page 5 | QuoteForever

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I believe in a world where there are no heroes, and I've read and know humanity a lot. There are moments that I admire in a person courage, intellect, hard work. These are the qualities I admire in an intellectual, in a writer, and there are so many people who have these things.
Orhan Pamuk / Novelist
Admire
Hard Work
Intellect
Qualities
So Many People
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We should not judge Islam by terrorists. All civilizations and cultures produce terrorists. Every time there is a flag-burning, killing, or provocative films, I'm worried, not because something radical will happen, and this time, some people are killed. We're very sorry for that.
Orhan Pamuk / Novelist
Islam
Provocative
Sorry
Worried
Time People Will
Civilizations
Cultures
Terrorists
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The image that I remember most of all is of the Fenerbahçe players storming into the stadium before kickoff. They were called the canaries because of their yellow jerseys. It was as if they, like canaries, were fluttering into the stadium out of a hole. I loved it. It was poetry.
Orhan Pamuk / Novelist
Jersey
Player
Yellow
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A letter doesn't communicate by words alone. A letter, just like a book, can be read by smelling it, touching it and fondling it. Thereby, intelligent folk will say, 'Go on then, read what the letter tells you!' whereas the dull-witted will say, 'Go on then, read what he's written!
Orhan Pamuk / Novelist
Book
Intelligent
Touching
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In his brilliant new book Pankaj Mishra reverses the long gaze of the West upon the East, showing modern history as it has been felt by the majority of the world's population from Turkey to China. These are the amazing stories of the grandfathers of today's angry Asians. Excellent!
Orhan Pamuk / Novelist
Book
Long
Turkeys
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Of course in Turkey I'm seen as being on the 'Western' side, criticised by the nationalists, criticised by the communitarians as not belonging. Even, sometimes, criticised for looking at my country through Western eyes. And in the Western media I'm portrayed as belonging to the East.
Orhan Pamuk / Novelist
Country
Eye
Media
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Novels are political because in them, we try to identify with people who are not like us. And, in that sense, I like the first-person singular because I have to imitate accurately the voice of someone who is not like me. The third-person singular gives me an authority over a character.
Orhan Pamuk / Novelist
Authority
First Person
Identify
Imitate
Novels
Singular
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Let us say in the pocket of one of my old coats I find a movie ticket from many years ago. Once I see the ticket, not only do I remember that I saw this movie, but also scenes from this movie, which I think I have entirely forgotten, come back to me. Objects have this power, and I like it.
Orhan Pamuk / Novelist
Coats
Forgotten
Objects
Scenes
Entirely
Let Us
Pocket
Ticket
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I wrote 'My Name is Red' just to remember painting, where the hand does it before the intellect. When I'm captive to it, I'm a happier person. Kierkegaard tells us that a happy person is someone who lives in the present; the unhappy person, someone who lives either in the past or the future.
Orhan Pamuk / Novelist
Happy Person
Intellect
Painting
Red
Unhappy
Future Past Remember
Name
Captive
Either
Happier
Hand
In The Past
Present
Tells
Wrote
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In Europe the rich are refined enough to act as if they're not wealthy. That is how civilized people behave. If you ask me, being cultured and civilized is not about everyone being free and equal; it's about everyone being refined enough to act as if they were. Then no one has to feel guilty.
Orhan Pamuk / Novelist
Being Free
Europe
People
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If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
Orhan Pamuk / Novelist
Rise
Craft
Slowly
Patiently
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I came across humanity in Istanbul, and all I know about life comes from Istanbul, and definitely, I am writing about Istanbul. I also love the city because I live there, it has formed me, and it's me. Of course it is natural. If somebody lived all his life in Delhi, he will write about Delhi.
Orhan Pamuk / Novelist
Delhi
Istanbul
Life Love Humanity
Formed
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The entire world was like a palace with countless rooms whose doors opened into one another. We were able to pass from one room to the next only by exercising our memories and imaginations, but most of us, in our laziness, rarely exercised these capacities, and forever remained in the same room.
Orhan Pamuk / Novelist
Doors
Exercise
Memories
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One side of me is very busy paying attention to the details of life, the humanity of people, catching the street voices, the middle-class, upper-middle-class secret lives of Turks. The other side is interested in history and class and gender, trying to get all of society in a very realistic way.
Orhan Pamuk / Novelist
Busy
Catching
Details
Gender
Realistic
Paying
Turks
Voices
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Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.
Orhan Pamuk / Novelist
Book
Different
Musical
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When Turkey began approaching the EU, I wasn't the only one who worried that the dark stain in Turkey's history - or rather the history of the Ottoman Empire - could become a problem one day. In other words, what happened to the Armenians in World War I. That's why I couldn't leave the issue untouched.
Orhan Pamuk / Novelist
War
Dark
Turkeys
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I write because I have an innate need to. I write because I can't do normal work. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it.
Orhan Pamuk / Novelist
Angry
Innate
Real Life
Life Love Work
All Day
Partake
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Culture is mix. Culture means a mix of things from other sources. And my town, Istanbul, was this kind of mix. Istanbul, in fact, and my work, is a testimony to the fact that East and West combine cultural gracefully, or sometimes in an anarchic way, came together, and that is what we should search for.
Orhan Pamuk / Novelist
East
Istanbul
Testimony
West
Anarchic
Combine
Cultural
Gracefully
In Fact
Mix
Town
Search
Sources
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Turkey, with its political intolerance, as I have described it, is prepared to march forward, to break with its taboo about the Armenians, and is making great strides with respect to human rights and freedom of speech so that it can join the European Union. This alone shows how powerful the European idea is.
Orhan Pamuk / Novelist
Powerful
Rights
Turkeys
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If I think back on the books to which I have devoted my entire life, I am most surprised by those moments when I have felt as if the sentences, dreams, and pages that have made me so ecstatically happy have not come from my own imagination - that another power has found them and generously presented them to me.
Orhan Pamuk / Novelist
Devoted
Pages
Sentences
Entire Life
Generously
Presented
Surprised
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If Turkey become a member of the EU, of course Turks would lose a part of this identity, just as Europe would lose a part of its own. It would also be a different Europe then. Accepting Turkey into the EU is an ambitious political endeavor of historical proportions. Europe would become a strong, multi-religious unit.
Orhan Pamuk / Novelist
Europe
Religious
Strong
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When I write, I feel that I'm writing with my intellect. When I paint, I think it's some other force making me paint. I - as I wrote in my novel 'My Name is Red' - watch with amazement what my hand is doing on the paper, what kind of line, what kind of strange, beautiful thing it's doing in spite of my will, so to speak.
Orhan Pamuk / Novelist
Amazement
Intellect
Paint
Spite
Beautiful Thing
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The bloody years of war and all the atrocities in European history have taught the Europeans that secular politics free of religious hatred is mainly a question of peace. This concept is not anchored in the same way in the consciousness of Turks, which has to do with the fact that the secular was forced upon us by the army.
Orhan Pamuk / Novelist
War
Army
Religious
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I don't look at emails, Internet or newspapers before 1 P.M. I wake at 7 A.M., eat fruit, drink tea or coffee, and read what I've achieved, or not achieved, the previous day. Then I take a shower and work on my next sentence until 1 P.M. After I've done emails and so on, I write again from 3 P.M. until 8 P.M.; then I socialise.
Orhan Pamuk / Novelist
Coffee
Fruit
Newspapers
Tea
Achieved
Emails
Previous
Sentence
Shower
Wake
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Time had not faded my memories (as I had prayed to God it might), nor had it healed my wounds as it is said always to do. I began each day with the hope that the next day would be better, my recollections a little less pointed, but I would awake to the same pain, as if a black lamp were burning eternally inside me, radiating darkness.
Orhan Pamuk / Novelist
Memories
Next Day
Pain
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I'm a relatively disciplined writer who composes the whole book before beginning to execute and write it. Of course, you can't hold - you cannot imagine a whole novel before you write it; there are limits to human memory and imagination. Lots of things come to your mind as you write a book, but again, I make a plan, chapter, know the plot.
Orhan Pamuk / Novelist
Book
Memories
Writing
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We had no desire to live in Istanbul, nor in Paris or New York. Let them have their discos and dollars, their skycrapers and supersonics transports. Let them have their radios and their color TV, hey, we have ours, don't we? But we have something they don't have. Heart. We have heart. Look, look how the light of life seeps into my very heart
Orhan Pamuk / Novelist
New York
Color
Heart
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Most of the time it's not the Europeans who belittle us. What happens when we look at them is that we belittle ourselves. When we undertake the pilgrimage, it's not just to escape the tyranny at home but also to reach to the depths of our souls. The day arrives when the guilty must return to save those who could not find the courage to leave.
Orhan Pamuk / Novelist
Home
Identity
Soul
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When you love a city and have explored it frequently on foot, your body, not to mention your soul, gets to know the streets so well after a number of years that in a fit of melancholy, perhaps stirred by a light snow falling ever so sorrowfully, you'll discover your legs carrying you of their own accord toward one of your favourite promontories
Orhan Pamuk / Novelist
Fall
Light
Years
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Nothing changed in my life since I work all the time," Pamuk said then. "I've spent 30 years writing fiction. For the first 10 years I worried about money and no one asked me how much money I made. The second decade I spent money and no one was asking me about that. And I've spent the last 10 years with everyone expecting to hear how I spend the money, which I will not do.
Orhan Pamuk / Novelist
Fiction
Writing
Years
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A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words.
Orhan Pamuk / Novelist
Mind
Writing
Years
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The sight of snow made her think how beautiful and short life is and how, in spite of all their enmities, people have so very much in common; measured against eternity and the greatness of creation, the world in which they lived was narrow. That's why snow drew people together. It was as if snow cast a veil over hatreds, greed, and wrath and made everyone feel close to one another. -- Snow pg 119
Orhan Pamuk / Novelist
Beautiful
Greatness
Short Life
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When two people love each other as we do, no one can come between them, no one," I said, amazed at the words I was uttering without preparation. "Lovers like us, because they know that nothing can destroy their love, even on the worst days, even when they are heedlessly hurting each other in the cruelest , most deceitful ways, still carry in their hearts a consolation that never abandons them." (p.191)
Orhan Pamuk / Novelist
Heart
Hurt
Two
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Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.
Orhan Pamuk / Novelist
Children
Color
Voice
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There are two kind of men,' said Ka, in a didatic voice. 'The first kind does not fall in love until he's seen how the girls eats a sandwich, how she combs her hair, what sort of nonsense she cares about, why she's angry at her father, and what sort of stories people tell about her. The second type of man -- and I am in this category -- can fall in love with a woman only if he knows next to nothing about her.
Orhan Pamuk / Novelist
Girl
Falling In Love
Father
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What is love?” “I don’t know.” “Love is the name given to the bond Kemal feels with Füsun whenever they travel along highways or sidewalks; visit houses, gardens, or rooms; or whenever he watches her sitting in tea gardens and restaurants, and at dinner tables.” “Hmmm … that’s a lovely answer,~ But isn’t love what you feel when you can’t see me?” “Under those circumstances, it becomes a terrible obsession, an illness.
Orhan Pamuk / Novelist
Garden
Love Is
Names
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Novels are political not because writers carry party cards -- some do, I do not -- but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist.
Orhan Pamuk / Novelist
Art
Eye
Lying
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I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.
Orhan Pamuk / Novelist
Pride
Real
Writing
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Listen to me: Life is not about principles; it`s about happiness.` `But if you don`t have any principles, and if you don`t have faith, you can`t be happy at all,` said Kadife. `That`s true. But in a brutal country like ours, where human life is cheap, it`s stupid to destroy yourself for the sake of your beliefs. Beliefs? High ideas? Only people in rich countries can enjoy such luxuries.` `Actually, it`s the other way round. In a poor country, people`s sole consolation comes from their beliefs.
Orhan Pamuk / Novelist
Country
Rich Countries
Stupid
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How much can we ever know about the love and pain in another's heart? How much can we hope to understand those who have suffered deeper anguish, greater deprivation, and more crushing disappointments than we ourselves have known? Even if the world's rich and powerful were to put themselves in the shoes of the rest, how much would they really understand the wretched millions suffering around them? So it is when Orhan the novelist peers into the dark corners of his poet friend's difficult and painful life: How much can he really see?
Orhan Pamuk / Novelist
Crush
Pain
Powerful
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When you look into the faces of these quiet creatures who don't know how to tell stories--who are mute, who can't make themselves heard, who fade into the woodwork, who only think of the perfect answer after the fact, after they're back at home, who can never think of a story that anyone else will find interesting--is there not more depth and more meaning in them? You can see every letter of every untold story swimming on their faces, and all the signs of silence, dejection, and even defeat. You can even imagine your own face in those faces, can't you?
Orhan Pamuk / Novelist
Home
Swimming
Thinking
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