What we have as artists is the immortalization opportunity that others don't have, because our work is lasting; it's there forever to view.

I'm safe where I'm at just being the guy where people go, 'That's a really good actor. What's his name again?' I liked being at that place.

I think I'm an athlete who's trained as an actor, and when you smash it all together, you get whatever Omari is doing as a performer right now.

When it's all said and done, I am secure enough with my manhood to say to the world, 'I am a male actor, and its okay for me to play a gay man.'

When it's all said and done, I am secure enough with my manhood to say to the world, "I am a male actor, and its okay for me to play a gay man."

I kept on hearing the voice of God saying if you are going to be the minister that your mom mentioned... then you have to act. My pulpit is acting.

I didn't want to just do a show where my character stood out and other characters were flat or one-to-two-dimensional. I wanted everybody to have meat.

I think, by nature you know, I'm very attracted and I gravitate toward the very strong girl who can watch a ballgame, but who's also extremely feminine.

Like anybody who grew up in the Eighties, I cringe at the thought of these movies being remade, because of the corniness and cheesiness of the originals.

I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?

I've been described as a smart actor because I've attended college. Or I've been called an artsy jock. And I am thinking, 'So, are actors supposed to be dumb?'

I worked on the workshop of 'Topdog/Underdog' before it went to Broadway. My minor in school was theater, so I'm based in that, and then I moved to Los Angeles.

I would say that the woman's ability to multi-task and to be maternal in instinct, it fosters a different approach to the character that makes sense as an actor.

I really had a problem with being 'the man.' I'm past it now, but that was my insecurity. I ran from that. I was cool with being No. 3 on the call sheet or No. 2.

People are fond of that 'crabs in a barrel' mentality, and I'm like, 'No, there needs to be more so we can create more barrels; there doesn't need to be one barrel.'

It's really rare to come across a character, a show, or a movie that allows you to completely play four or five different characters within a season, let alone a week.

As an actor, I come to set, and I have already broken the character down by writing a poem about the character. I try to write in his voice, the way he would write it.

'Power' is a funny thing. Maybe it's a show that draws people in because they are watching people do things they secretly wish they could do or know they could get away with.

For me, I went from showering at the YMCA in L.A., eating chicken sandwiches and ramen noodles if lucky, and going from couch to couch. I'm a real story. I know the struggle.

For me, music was a cathartic way to free me from the nut of Ghost. After working on set for 'Power' for 14 hours, it allowed me to pour my sanity and insanity into the music.

Sometimes my schedule doesn't allow time to go to the hotel after I get off the plane, so I bring my Freebird boots or my old school Adidas shell-toes to throw on after I land.

You can't look at the dollar and say, 'I'm not what I dreamed of being unless I do this type of movie and it's a blockbuster that gives me this amount of dollars.' That's not good.

My priorities are leaning more towards family, and I credit my southern upbringing to that. I was raised in the church as well, and God plays a big role in my upbringing and my life.

I've been writing for years, you know, and when I get to a particular place, city, or different locale, I find myself first of all being challenged by those that love me to write more.

If I can just be thought of as Omari Hardwick who had a really, really solid career, and whose work is appreciated in its own right, I think that would be a great legacy to leave behind.

Know that the tattoos are all significant. They're all extremely insignificant. I can't break each one down, but it's 20 years. The first one was 21 years of age from a football teammate.

I'd say my artistic bent definitely came from my father, who was a trial lawyer. And if you're smart, you know that a trial lawyer isn't that different from an actor. He was a poet as well.

I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.

I grew up in Decatur, Georgia. We had three boys in the household; actually, it felt like four of us. My pops sort of raised my uncle, too. So, it was four boys and, later, a younger sister.

Life as a poet and actor truly became full circle as I stood on stage as host of 'Verses & Flow' and lived in both of these outfits. It was one of the best experiences of my professional life.

As an African-American male born with a couple of strikes against you because of your skin color, I think it's very, very important to have some positive role models around, especially male influences.

You know, I think anybody who has been in relationships has access to heartbreak - I don't think we have to go far to find it, whether we inflicted the heartbreak or whether we were the recipient of it.

I realized, 'Oh, it's easier to get what I want if I embrace the sex symbol thing.' Microphones are more in my face, and I can say things about the kids that I mentor and open more access to more doors.

Poetry has in a way been my bridge to my acting career. I had so many questions about my life, so I took to poetry to express my questions. I had questions about politics, family relationships, and more.

I'm such a carnivorous researcher as an actor - I chew it up like it's meat, and I really don't know how to do that without the people that are producing or creating or writing that which they want me to chew up.

If your character is just out there acting a fool, viewers are gonna say, 'Why am I watching this?' But if he's whispering, 'I don't really want to die,' there's a level of vulnerability cemented in these bad characters.

It's an interesting thing to play the heroes of our society, like cops and firefighters. They're the basic heroes that, as little boys and little girls, you look up to as the first heroes of your small, specific community.

You know how you can be romantic? You can be romantic by going to a beautiful setting, sitting on a park bench, and getting good ole-fashioned golden arches, a.k.a. McDonald's. That's probably the best I can do romantically.

The way the recession has affected Hollywood, a lot of actors that had robust opportunities before in film no longer have such plum options, so cable has done a good job of becoming a happy medium for artists deemed film actors.

I was at a ballpark as much as I was in school. I was on a basketball court or football field as much as I was in school, so I definitely was receiving mentorship when it came to coaches, my father, my grandfather, and my uncles.

As a poet, I would always hear emcees come up to me and say, 'Yo, you should rap,' and I was like, 'No.' You know, the label was tough for me. I'm a poet. I was proud of that distinction between the two, not wanting to be the other.

I'm a black Catholic raised in Decatur, Georgia, which was very gang-infested. Then, I went to an all-white private high school and excelled in sports and wrote poetry, then played football at the University of Georgia, minoring in drama.

My dad was really complex, and I was raised by that. My mom is really bright - very book bright - and so those things collide... I learned that I could put all of that stuff together in the world of acting, and I could make a dollar at it.

When you start out on a project as an actor, you know, you approach the character from the standpoint of maybe writing a list - even if it's a mental list that you make - of the adjectives that the character has or that character possesses.

For a long time, I had been very secretive about a lot of the things I'd been through personally, and a lot of that is purposeful. My fan base, for the large part, is the younger generation. They're like, 'I want to know everything! I want to know it all!'

Playing a cop goes a long way. I have a lot of friends who are working as actors, and as soon as I started playing military characters or cops, and not the actual criminal that we're chasing on this show, they all said, 'You actually can have a career now.'

I grew up in a two-parent household. We all played sports, all sports, which cost a lot of money. My pops was an attorney; he went to College of the Holy Cross with Clarence Thomas. My mom worked a bit, then gradually came home and took care of us full time.

I was raised looking at women who were strong, and they weren't really into playing race cards or playing gender cards. I didn't grow up around women who were like, 'Well, let the boys do that, and let the girls do that.' I didn't really see that in my house.

That point of life when I learned I could cook, that always made me understand what cooks felt like feeding other people. It's okay to receive, but it's really cool to give, so food is to me sexy because it's the fact that someone is giving it to someone else.

If you remain open to great directors who look like you, who know what they're doing and are making impactful films that are destroying these 'blockbuster films,' you can do okay, and everybody can get more of a piece of the pie. But you've got to be open and brave.

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