Solitude is the profoundest fact of the human condition. Man is the only being who knows he is alone.

What characterizes a poem is its necessary dependence on words as much as its struggle to transcend them.

Any reflection about poetry should begin, or end, with this question: who and how many read poetry books?

Every view of the world that becomes extinct, every culture that disappears, diminishes a possibility of life

Art is an invention of aesthetics, which in turn is an invention of philosophers... What we call art is a game.

For a man of my generation, our century has been a long intellectual and political struggle in favor of freedom.

Tradition is no longer a continuity but a series of sharp breaks. The modern tradition is the tradition of revolt.

All poems say the same thing, and each poem is unique. Each part reproduces the others, and each part is different.

Poetry is the experience of liberty. The poet risks himself, chances all on the poem's all with each verse he writes.

Fixity is always momentary. But how can it always be so? If it were, it would not be momentary - or would not be fixity.

To the poet fated to be a poet, self-expression is as natural and as involuntary as breathing is to us ordinary mortals.

If each of my words were a drop of water, you would see through them and glimpse what I feel: gratitude, acknowledgement.

Poetry, whatever the manifest content of the poem, is always a violation of the rationalism and morality of bourgeois society.

The ideal of a single civilization for everyone, implicit in the cult of progress and technique, impoverishes and mutilates us

What sets worlds in motion is the interplay of differences, their attractions and repulsions; life is plurality, death is uniformity.

By suppressing differences and peculiarities, by eliminating different civilizations and cultures, progress weakens life and favors death

Man does not speak because he thinks; he thinks because he speaks. Or rather, speaking is no different than thinking: to speak is to think.

Wisdom lies neither in fixity nor in change, but in the dialectic between the two. A constant coming and going: wisdom lies in the momentary.

Power immobilizes; it freezes with a single gesture-grandiose, terrible, theatrical, or finally, simply monotonous-the variety which is life.

Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.

It is the Revolution, the magical word, the word that is going to change everything, that is going to bring us immense delight and a quick death.

I don't believe that there are dangerous writers: the danger of certain books is not in the books themselves but in the passions of their readers.

Changes are inseparable from democracy. To defend democracy is to defend the possibility of change; in turn, changes alone can strengthen democracy.

An unread author is an author who is a victim of the worst kind of censorship, indifference - a censorship more effective than the Ecclesiastical Index.

As it defines itself, every society defines other societies. That definition almost always takes the form of a condemnation: the 'other' is the barbarian.

In each verse, a decision awaits us, and we can't choose to close our eyes and let instinct work on its own. Poetic instinct consists of an alert tension.

Human writing reflects that of the universe; it is its translation, but also its metaphor: it says something totally different, and it says the same thing.

A society is defined as much by how it comes to terms with its past as by its attitude toward the future: its memories are no less revealing than its aims.

The whole motley confusion of acts, omissions, regrets and hopes which is the life of each one of us finds in death, not meaning or explanation, but an end.

Solitude lies at the lowest depth of the human condition. Man is the only being who feels himself to be alone and the only one who is searching for the Other.

One of the most notable traits of the Mexican's character is his willingness to contemplate horror: he is even familiar and complacent in his dealings with it.

When a society decays, it is language that is first to become gangrenous. As a result, social criticism begins with grammar and the re-establishing of meanings

The American: a titan enamored of progress, a fanatical giant who worships "getting things done" but never asks himself what he is doing nor why he is doing it.

The idea of modernity is beginning to lose its vitality. It is losing it because modernity is no longer a critical attitude but an accepted, codified convention.

The Mexican...is familiar with death. [He] jokes about it, caresses it, sleeps with it, celebrates it. It is one of his favorite toys and his most steadfast love.

There can be no society without poetry, but society can never be realized as poetry, it is never poetic. Sometimes the two terms seek to break apart. They cannot.

Walt Whitman is the only great modern poet who does not seem to experience discord when he faces his world. Not even solitude - his monologue is a universal chorus.

No one behind, no one ahead. The path the ancients cleared has closed. And the other path, everyone's path, easy and wide, goes nowhere. I am alone and find my way.

The object of poetic activity is essentially language: whatever his beliefs and convictions, the poet is more concerned with words than with what these words designate.

It has always surprised me that in a world of relations as hard as that of the United States, cordiality constantly springs out like water from an unstanchable fountain.

Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future.

Literatures, like trees and plants, are born of a land and in it flourish and die. But literatures, also like plants, may be carried abroad to take root in a foreign soil.

It is not proper to project our feelings onto things or to attribute our own sensations and passions to them. Can it also be improper to see in them a guide, a way of life?

Self-discovery is above all the realization that we are alone: it is the opening of an impalpable, transparent wall-that of our consciousness-between the world and ourselves.

The presence and the present of America are a future; our continent is, by its nature, the land which does not exist on its own, but as something which is created and invented.

In the works of Duchamp, space begins to walk and take on form; it becomes a machine that spins arguments and philosophizes; it resists movement with delay and delay with irony.

Poetry, in the past, was the center of our society, but with modernity it has retreated to the outskirts. I think the exile of poetry is also the exile of the best of humankind.

All of us, at some moment, have had a vision of our existence as something unique, untransferable and very precious. This revelation almost always takes place during adolescence.

Self-discovery is above all the realization that we are alone: it is the opening of an impalpable, transparent wall - that of our consciousness - between the world and ourselves.

Drugs are nihilistic: they undermine all values and radically overturn all our ideas about good and evil, what is just and what is unjust, what is permitted and what is forbidden.

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