Songs are about whatever you want them to be about. For me it might mean something completely different than what it means to you. So I'd say it's about whatever the listener thinks it's about.

I had success early on where I'm able to try to keep it fun, and I don't have to do things just for the sake of making a living, which a lot of my musician friends don't have that luxury of course.

On the first album I was saying, that's just one part of me. And then I was thinking, well, am I going to hide the rest of me now just because I'm afraid of something? No. I'm just going to be myself.

I remember early on, for instance, having to play wedding gigs, that I hated playing the music. Now I don't have to play music that I don't like. I only get to do what I enjoy, so that's pretty lucky.

It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat.

I don't think I'm a great songwriter, but I think I've learned a lot about it, and I don't think there's any one way to do it. I don't think I can control it at all. I can just kind of hope that it happens.

Breaking up is just hard, even if you're the one breaking up. It's not fun. It can be dramatic and complicated. And then you get a little distance and you think, why did it have to be so complicated and dramatic?

I love film, and I would love to be a part of something that people universally love as a piece of film. Sure. Of course I would. And I would love to take acting lessons, and see that side of it someday. But I'm a musician.

Nobody was listening when I learned how to play music. But there's something about being on stage, talking to the audience, looking at them and smiling, that's always been difficult for me. I'm a lot more comfortable now, but there are still moments of awkwardness.

I've learned now to talk, act or walk famous. I can still walk around New York, without being molested or bothered. I don't mind autographs - that's part of it. I just do not see the point of being "out there" or behaving outrageously. It will bring nothing but trouble.

The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.

What I was going for in the first two albums I didn't necessarily achieve. Because I was young and because it was my first time out. And the second album was such a 'quickie' sort of 'Let's just get it over with!' But the kind of music I make, there's a lot of subtlety in it. And I think it takes a couple of listens to actually really get it.

Come away with in the night Come away with me And I will sing you a song Come away with me on a bus Come away where they can't tempt us With there lies I want to walk with you On a cloudy day In fields where the yellow grass grows Knee-high So won't you try to come Come away with me and we'll kiss On a mountain top Come away with me And I'll never stop loving you And I want to wake up with the rain Falling on a tin roof While I'm safe there in your arms So all I ask is for you To come away with me in the night Come away with me.

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