Quotes of All Topics . Occasions . Authors
I have a real dog-like mentality, in that it's like, 'Where is my next meal coming from? Am I ever gonna eat again? Will I ever write another song again? Will anyone show up for tour?' I think it comes from being really poor as a kid.
I think I've kind of been mistaken for somebody who's trying to be a spokesperson for animal rights, and the fact is I'm not qualified to be a spokesperson. I am passionate about it, but I'm not trying to make other people do what I do.
If I could ever be on a Missy Elliott record, I could then die. Missy Elliott, Mary J. Blige - I love hearing them interviewed, I love the way they talk about their art. They're very self-assured, they're funny, they're inviting. I love it.
I don't know anybody who doesn't hate being called alt.country. It just sounds like a website. I don't mind being called Americana, I don't mind being called country noir, or independent country is fine, but the words alt.country make me insane.
I try to think of the songs as little movies. They're always pretty visual to me. I can always sort of see them. I don't always know what the end result is going to be, and I don't know exactly what it's going to sound like, but I can kinda see them.
People get strange about whether you've written your own songs, which seems really stupid considering that, especially in Country Music, it's about oral tradition and passing things on and the songs weren't meant to be played by one person and then forgotten.
I want to get away from the social vampires in Tucson. The people who have no lives of their own and meet me and know who I am and feel entitled to say negative things. I have good friends here, especially in the bands. But a lot of it is just like high school.
A live show is one of the last holdouts of a thing that makes you feel a part of a community, where you'll go and maybe meet your future wife or boyfriend, or you're taking your sister to her first show. These are the things that you remember later in your life.
Sounds like to have space sometimes. It's good to give yourself a variety, or you just fatigue your ear. Like if somebody sings in the same register all the time, or if it's got the same feel the whole way through, I just find I get fatigued, so it's nice to break it up.
I once asked a studio guy in Toronto, "How many people don't use auto tune?" and he said, "You and Nelly Furtado are the only two people who've never used it in here." Even though I'm not into Nelly Furtado, it kind of made me respect her. It's cool that she has some integrity.
I really wanted to find a piano for the farm house. There were so many free pianos on Craigslist, I thought, 'Let's get as many free pianos as we can and stick them all in the barn.' I got eight in a short period of time, only six of which were tunable, but it's still quite funny.
Everybody in my band is married, pretty much, and have lives at home, and I don't want them to be away from their families so long that they just start to feel psychotic. You have to go home and stand around in your bathrobe doing your dishes to feel like a normal person sometimes.
I'm pretty self-conscious, so I tend to work in a way where I say what I need to say and get out rather than revisit things. It's kind of a collage style. I realized that it had more emotional weight that way. I'll always be in the developmental stages as far as being a songwriter.
The only ones that stand out to me are people like Jonathan Richman or Robyn Hitchcock, who can make you totally cry while their music is so funny and they're hilarious. They know they're great but they also don't think they're better than you and they really invite you into their show.
When you're making records, you develop, and so you hear the things you want to move away from. It stings a little, but you know, you gotta own it too. You've got to just go, "You know, I wasn't afraid to learn in front of people, so I give myself a little credit for not being afraid of anything."
I have a hard time taking myself seriously. My band the New Pornographers doesn't take me seriously, which is why I love them. We can't stand up there and pretend. What we're doing is really important to me and it's my job and I love it, but I can't just stand there unflinchingly noble in front of the audience.
Around 2010, I kind of looked up and said, I'm 40 years old. You know, I chose music. I don't have a husband. I don't have any kids. Like, I chose music. So, I had to make a decision. Like, do I want to do something else, or do I want to go from journeyman to master? And I realized, I want to be a really good musician.
There's not like a science to it, necessarily, but I'm also the kind of person who spends a long time in the studio. I will spend my entire advance just getting it done, which is probably stupid, but I don't have extravagant taste. I mean, I paid for it, so there you go. Why not? The recording process is also very fun.
Being in two full-time rock bands is pretty impossible. I love to tour but I have a dog and I want to see him. And, being a songwriter, you have to have experiences and do things. You can't just go on tour all the time, otherwise you get nothing to write about. It's finally at a point where the balance is perfectly right.
Dream dictionaries are so disappointing. They're so limited, and I think they're just total bullshit. I really do. I don't know much about the Freudian theory of dreams; it's probably more interesting than your average hippie dream dictionary, but it's got to be a lot deeper than that. It can't all be about sex all the time, so I don't know if Freud is right either.
I was raised to be modest to the point of fanaticism. In my family, we don't talk about ourselves to each other. Vanity is considered the worst possible sin. I've gotten better about having to describe things. If you're going to make a record and people are going to write about you, it's your responsibility to answer questions. It's validating - I'm just very clumsy.
There's no grand excellence to it. In my experience it was just almost the gulaggy boringness of it that'll kill you. You're just in this murk. And you're with other humans, but you lose all your human skills and it's just like you're in this plastic bag and you can't quite connect with people. You lose your ability to transmit electricity or something, and to receive it.
There are things about the production I'm not crazy about though. People mix records to be heard in cars and to have the bass incredibly loud so the vocals have to fight with everything so there's no dynamic left, and that's kind of a bummer. That may not be my taste but I'm not going to go, "Kanye's not very good," because he's pretty badass. It's a difference in taste, like the New Pornographers and myself have different taste in production as well but it all works out in the end.