Quotes of All Topics . Occasions . Authors
My first song was 'So Sick,' which was my first number one as an artist, and I turned the mic around to the crowd, and they sang the whole song. Every lyric. That was my first experience with the power of music.
That has been everybody's challenge, above the dancing, the singing, the lines: getting into who these characters would be in 2015. Today's Tin Man is heartfelt, but he wouldn't be soft. Today's Dorothy would be sassy.
The name of the album is 'Non-Fiction'. And, I'm calling it that because the name of every song on this album is derived from a true story. Now, some of the stories are mine. Some of the stories belong to some of my fans.
I've spoken before on how the art of storytelling has been lost a bit. I definitely feel 'Empire' is helping to reprogram us back to that place where we pay attention and invest emotionally in the records and the artists.
I named my album Year of the Gentleman. Just looking at how the essence of what it is to be a gentleman is very much lacking nowadays. Someone said to me that chivalry is dead, and I hated to have to agree, but it's true.
I always refer back to the days of Frank Sinatra, Dean Martin, the Rat Pack. Back when everyone wore a suit because that's what it was to be an entertainer. You were stylish and you were fly, and it was an effortless fly.
There's no recreating what Michael Jackson and Diana Ross did in 'The Wiz'. We're trying to figure out who these characters are in 2015. How would these times change their motives, change the things they would say and do?
Everybody wants me to be the (guy) who's (sleeping with) every celebrity woman in the industry. Everybody wants me to be this (guy) in the club, popping 17 bottles just because. Everybody wants me to be Diddy, and that's not me.
I know everyone says attention spans are shorter now, and if you can't get them in the first 20 seconds, you lost them. But I honestly believe if you give someone something worth slowing down to really pay attention to, they will.
A lot of time we don't get into politics because we don't believe anything you're saying and we can't understand what you're saying because we ask you question and you tap dance around the issue so much that we forget what we asked.
I am blessed to be doing what I do. So if I have to be at a photo shoot, do an interview, or make a TV appearance, I am not going to sit around whining and complaining about how I don't want to get up early or I don't feel like talking.
I never really created a difference between Shaffer Smith, my actual name, and Ne-Yo. They are kind of one in the same. It's been a bit of a gift and a curse. As far as Shaffer Smith is concerned, I've never viewed myself as a celebrity.
One of the very few things that I actually read about myself on blogs that got to me was people saying, 'Ne-Yo doesn't do R&B music anymore.' Just because I stepped off the porch to explore doesn't mean I don't live in that house anymore.
I know the music industry is based on a lot of smoke and mirrors in a lot of cases, such as making things look like one thing versus what it actually is. I feel like I've been here long enough that I've surpassed the need for any of that.
Honestly, when I first heard that there were rumors out there about me being gay, I thought, 'Wow, someone must really hate me.' There's nothing wrong with being gay, but I just couldn't understand why someone would make up lies like that.
Michael Jackson will live forever through the thing that he put all of his life energy into: his music. I will do my part to keep the melody alive, to keep the energy forever changing form, but never ever dying!! Long live Michael Jackson.
I think people are getting into these 'Empire' songs because of the emotional investment they have in the characters. You kind of feel like you know the songs already because you just watched them play out in front of you with these characters.
I would love to be able to say that due to my experience in the music industry, when it comes to the songs, I'm killing it over anybody else, but that is not the case. Everybody in this thing is ridiculously talented to where I don't feel special.
I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.
'Madden' is the closest thing to actually being on the field yourself. It's so ridiculously realistic. Before I play it, I honestly didn't understand. 'What's all the hype? It's a video game'. Then I sat down and played it, and you feel like you're on the field.
Prince is the ultimate performer. Prince is that dude that's going to get on stage by himself, if he need to, but hold you in the palm of his hand. Like, you can't take your eyes off the man when he's on stage, and he could just be sitting there playing his guitar.
A man will talk all day about the woman he wants, but should he come across that woman, he'll do something stupid like cheat on her with the kind of woman he was trying to get away from in the first place. It's not a lot of second chances granted in the realm of that.
Sammy was the only one that looked like me, so I naturally gravitated to him. Sammy made it cool to be black at a time when, let's just say it, it wasn't very cool to be black. His name was on the front of the building in lights, and he had to go in the back. But you never saw him sweat.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
Who directed the video 'No More Drama' for Mary J. Blige. I was actually kickin' with J. Lo talking about some music that we're gonna put together, and we were talking about great directors. She said she really, really liked that video and was wondering who directed it, so yeah, I looked it up!
I wrote a song that basically turned into a public service announcement for the fellas out there, like, 'Should you run into this type of woman, run for your life!' So the name of the song is 'Run,' featuring the rapper ScHoolboy Q. It's one of the standouts on the album, in my personal opinion.
People are bringing a lot more of that funk element into their music, you know, with Bruno Mars and Mark Ronson - that's one that you never thought you would hear something like that on the radio again 'cause it just sounds so much like the Back Bay and what they were doing with music back then.
I'm trying to bring something new to the Tin Man. He may be the one without the heart, but he's the most heartfelt guy there. It's a more manly heartfelt, a 'don't feel sorry for me' - type of heartfelt. I don't want to say tougher, because that just sounds stupid. But the Tin Man is a man's man.
When 'Red Tails' came along, all I knew was that they were the first African-American fighter pilots in the U.S. Air Force. I had no idea how deep the story went or about all their amazing achievements. There were a few Tuskegee Airmen on the set to make sure everything was as authentic as possible.
There are different kinds of R&B happening today. There's the traditional, more soulful R&B that doesn't get the recognition that it deserves. Then there's the more hip-hop oriented stuff. You got your boy Ty Dolla $ign, people like that, who are bringing more hip-hop elements to R&B, which is cool.
There wasn't a lot of R&B cats doing songs at 120 beats per minute before 'Closer,' which I take full credit and responsibility for. That's all good, but it was an experiment. You experiment with something, if it goes good, cool, but you never forget where you come from and R&B is where I come from.
'Battle: Los Angeles' - I've got to say this was easily one of the most physically trying things that I've ever done in my life because I play a Marine in the film, and they had us training with real live Marines for, like, three weeks. It gave me a whole new respect for just the armed forces, period.
I needed to be sexier. I needed to be more hip. I needed to be more edgy and this and that. 'No, don't write that kind of song, write this type of song. No, don't work with that producer, work with this producer. No, don't wear those clothes, wear these clothes.' And I didn't want to be a puppet, you know?
Temptation is just that - she's the girl you claim you don't want, but in the moment, you have more drinks than you should in the club. One thing leads to another, and suddenly you've done something really stupid. You've jeopardized what could've potentially been a really great relationship, all due to temptation.
Guilty pleasure implies that it's something that I feel guilty for watching... people tell me I should feel guilty for watching because I'm too old to watch it, but I don't give a damn: I love everything on Cartoon Network from 'Adventure Time' to 'The Adventures of Gumball', 'Teen Titans'... all those shows that are for my kids, I like those!
I always tell the story of 'Irreplaceable.' I initially wrote 'Irreplaceable' with myself in mind, with plans of it being my record. I love that record; however, what I realised about that record was that though given the circumstances of that situation - men and women are not that different - when you sing about it, it changes things, you know?
As of right this second my main focus is my new album, it'll be out probably towards the summertime, predominately R&B this time. I had a little stint with the dance music and all of that, which I had a good time with- and I love the audience, I love them for accepting me doing it -but I had to go home on this one. Had to take it back to my roots, and not to say that there won't be one, maybe two songs on there that the dance crowd can get into, but the majority, the girth of the album, will be R&B.