Quotes of All Topics . Occasions . Authors
I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.
I think it takes a lot of courage to be able to direct a film. If you have that courage and that vision together, and you pick the cast that you believe will achieve your vision, you win.
I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way.
Because we are a conglomerate of our experiences - you take away any experience and you take away a piece of identity. You take away a piece of identity and we don't really know who we are.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
Trying to convince someone that they are a racist or they have White Privilege - if it's in the air they breathe and the culture supports them, sometimes they never have to think about it at all.
I believe in hiring people to do their jobs.I want to hire an editor.They say you make a movie three times: when you write it, when you direct it, and when you edit it. So I have three shots to get it right!
I immediately felt the need, back when I was a managing tech engineer, to attach myself to Nat Turner. And to research him and learn about him and try to find ways into his life that I could apply to my life.
All I can do is seek the information that'll make me stronger, that'll help me overcome my toxic masculinity, my male privilege, because that's something you never think about. You don't think about other people.
Sadly, black people disassociate ourselves from the things which make us who we are, identifying them as lesser, or inferior. It's a form of self hate. So, with reckless abandon, we strive to be like the majority.
If a director, I believe, has vision and knows so clearly what they want, then you can have a film that can perform. Whereas you can have done 50 movies, but if you're unsure this time, your movie may not turn out.
Race I've been studying since I knew there was a problem with race and that I was Black and something was wrong. Gender, is very new to me. All I can say is this is something that I'm going to take hold of and pray about it.
Being a woman in 2016 if very different, imagine being a woman 20 years ago, and when we talk about consent, maybe 20 years from now we'll know things about consent and examine it from a different perspective than we are now.
I think there is having a behavior that is disrespectful to women that goes unchecked, where your manhood is defined by sexual conquests, where you trade stories with your friends and no one checks anyone. At 19, that was normal.
I want young people to ask me if I'm serious. Our young people have been lied to and misled for so long. When I stand on this soapbox, I want young people to ask me that because once they know I'm serious, they'll be willing to ride with me.
Self-esteem and identity are very fragile things. I think a lot of times, those are the motivations for why people do take their own lives - not being seen, not being recognized, not being loved, not feeling supported, not feeling understood.
You can be addicted to White Supremacy and all of the benefits, you can be addicted to male privilege and all of the benefits that comes from it. It's like someone pointing at you and you have a stain on your shirt and you don't even know it.
I was working in computers when this stranger approached me out of the blue, saying I should become an actor. I took it as a gift from God, because I had been praying for clarity about what He wanted me to do, since I wasn't happy in computers.
Any psychologist will tell you that healing comes from honest confrontation with our injury or with our past. Whatever that thing is that has hurt us or traumatized us, until we face it head on, we will have issues moving forward in a healthy way.
We have a tendency to sugar coat the Civil Rights movement by showing arm in arm and everyone singing 'Kumbaya'. We don't really always show the resistance from the government, the resistance from the status quo, from the majority to silence the movement.
It's therapy. [people] say true healing requires honest confrontation, and that can be seen on a macro scale with America and the things that have been swept under the rug, whether it be with the native Americans or slavery, or whatever holocaust that's happened on this soil.
I do believe, as a person of color, the disparities are great. A lot of the roles that were sent to me were 'Gangbanger No. 1.' And when a role did come up that I felt carried and represented my community in the best ways, I wasn't the only one that knew it existed. So I'd have to compete.
My father passed away when I was very young, so I was head of household for a very long time. Whether it came to cooking food or having to braid hair to get kids out of the door for school, I've been one that has - with the help of my mother - has been a father figure for a lot of young ladies.
A lot of those old ideas are dying with the people who created them, and there's this new generation of filmmaker that's saying, "We're in this together, these are issues that we all deal with, let's just present issues to screen without bias and figure out what the audience has to say about them."
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then all of sudden you have something to protect.
The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then, all of sudden, you have something to protect.
So if I'm 36, and I have my 19-year-old self, I'm pulling him to the side and saying, 'Listen bruh, throwing on your Timbs and your fitted hat and strolling campus trying to get a girl to say yes, or going to the club hoping you bring a girl home, that's not the way to go about healthy relationships. You need to step back.'
How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.
I walked around feeling, in a sense, that people of color, we began at the bottom of a slave ship. We were enslaved; we picked cotton. There was Honest Abe, who wore a top hat and was taller than anyone and who said, 'Enough is enough; slavery must end.' And then, black people could stand up again. But after that, we didn't catch up.
Far too often scripts are being written with race in mind, but the subject matter doesn't lend itself to any conversation on race. I applaud Jesse [Zwick] for having the courage to say, this [About Alex] just a story about friends, and they could be anyone. There's no specific color that forces a relationship to be discussed in any other manner.
Any movement that has been successful in this country for Black liberation has included old and young, men and women, and people not of color that understand their superiority complex, that understand White supremacy, and that internalize that, sort that out, and heal from that in order that they might help, because there are some people of color that are not on our side.
At 19, if a woman said no, no meant no. If she didn't say anything and she was open, and she was down, it was like how far can I go? If I touch her breast and she's down for me to touch her breast, cool. If I touch her lower, and she's down and she's not stopping me, cool. I'm going to kiss her or whatever. It was simply if a woman said no or pushed you away that was non-consent.
We have such a knee-jerk reaction to our young people, not recognizing our young people carry the torch. We condemn them for their hats worn a certain way or their hoodie worn a certain way, or their pants sagging a certain way, but the reality is, we need to meet them where they stand. We need to arm them with what they need to fight, and then we need to get the hell out the way and let them lead. That is something that is not happening in our communities.
If a person was accused of being a racist when he was young - he said some racially insensitive thing or someone had him on tape calling someone the n-word or whatever - and then you fast forward and he feels, Oh, back then I didn't say this or that. He's not thinking about the person that he hurt when he said what he said, or however it came out, or the effects that it could have had. He's not thinking about it. He's thinking about his own self and how he feels.
We kind of reduce our responsibility to not saying the N-word and to condemning the Klansmen, rather than saying many of our celebrated institutions are systemically racist. Many of our institutions that deal with law enforcement or controlling the bodies of Black people are systemically racist. Many of our educational institutions are systemically racist. Many of our corporate institutions are systemically racist. We don't have those conversations, so things don't change.