When your so focused on what people say, how can your really be focused on the music? If you're concerned with what someone says, you aren't working on a real record. You're working on something that's just for now, to please people this very second... because you don't believe in yourself.

I want you to know who I am: what the streets taste like, feel like, smell like. What the cops talk like, walk like, think like. What crackheads do - I wanted you to smell it, feel it. It was important to me that I told the story that way because I thought that it wouldn't be told if I didn't tell it.

I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.

I don't respect killers, I respect O.G. knowledge, Codes of the streets got new rules, but no guidance. Lessons, detrimental to a young disciple; Folks, take care of your brothers, niggas do as I do. Keep your enemies close, where they can see you. It's not your enemy who get you, it's always your own people.

There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.

I definitely have plans to do more collaboration albums in the future. I'm a big fan of Common. I'm a big fan of Scarface; I'm a big fan of so many people, from Jeezy to... well, there are a lot of people's music that I respect. I don't know who I will collaborate with, but there's a great chance of something happening.

I didn't really do many business ventures throughout my career because I would have an idea and then before I'd have a chance to make something of it, I'd see someone else do it. I just liked to watch my fellow artists become entrepreneurs and be people who can inspire the next generation. I did that more with my songs.

The things that I have said when I was young and curious about whatever the subject matter was, I respect those - those are growing pains. Even if you make mistakes, I go back to those things, my not-so-great moments because those are my truest moments; those are my human moments. I'm not even mad at the things I said that were a little dicey.

Don't ever give up on yourself. Keep pushing because the change of guards is what life's all about. [...] You've always got to stick with whatever you're into because you're day is going to come. You're day is destined. If you walk away from that, whether it be from fear or whether you're just giving up. [...] The greatest sin is fear and giving up.

Anything that's really good, everybody wants to put their hands on. The multimedia puts their hands on it and everything happens that makes it global. Then people forget the roots of it and people forget why they care about it, and then it gets torn apart and turns so commercial that you don't even know what the essence of this art form is even about.

Hip hop started in NY so it's important that New Yorkers realise that to talk about NY music and its sound should not be a small-minded conversation. Music is supposed to evolve. It's supposed to be going through changes, it's not supposed to sound exactly the same as what it did when it started. NY hip hop has to be allowed to move on and grow and expand.

I think you gotta always do things that keep you excited in an [rap music] industry that's so bullshit. When you know that you have so much energy and so much to give, it would be a shame if the facilitators of that aren't enthusiastic about you doing it, because you've been doing it for so long. So you just gotta figure out ways in this insane business to keep it fresh.

Some people say I'm saying what they wanna say. Some people don't agree. Some people are outraged. Some people want to see what the album is about. To me, hip-hop's been dead for years. We all should know that, come on. With that being said, then, the object of the game now is to make money off of exploiting it. That's what it's all about - get this money. That's basically what I'm saying.

But whats it all worth, cant take it when you under this earth Rich men died and tried, but none of it worked They just rob your grave, Id rather be alive and paid Before my numbers called, historys made Somell fall, but I rise, thug or die Makin choices, that determine my future under the sky To rob steal or kill, Im wondering why Its a dirty game, is any man worthy of fame? Much to success to ya, even if you wish me the opposite Sooner or later we'll all see who the prophet is.

Hip-hop ain't died because of the South, that's retarded. When I named the album originally, I thought I bit off more than I could chew but you'd be an idiot to think I'm talking about how the South killed hip-hop or how New York isn't where it should be or where it once was. It was like, "Damn, I need to explain this?" But I thought, "Nah, the proof is right there. We should know what it is." I expect the hip-hop audience to be avant garde. I want them to be where I'm at or beyond where I'm at.

Mostly every form of American music is dead. It's been dead. R&B isn't really good. You got a handful of great guys - Ne-Yo, R. Kelly, Usher. You have a handful of great female artists. But for the most part the music world's changing and change is good. You have to make adjustments if you want to survive in that world. You start to thinking about creative moments - bliss. When everything was all good. You realize that in comparison to the way hip-hop started off, where we should be at right now is not there.

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