It could be hectic sometimes when you're being an artist and running a label at the same time. But there are times when you just have to say that this my time period to work on my stuff, and then you say this is the time to concentrate on my artists.

I know that some people shy away from what I say. They think it is too blunt, but when you don't give people that, they feel like you are being fake and you're not telling the truth. So it's like, you want me to tell the truth, but when I do, it's too much for you.

It's just that back then we didn't know that was considered being a coproducer. I would sit on the side and say what I wanted musically, but at the time we thought if you aren't the one playing it, you don't get the credit. Now you'll start seeing my name listed as producer.

There's that saying: 'God gave you talent, and if you don't use it He'll take it away from you.' And I always said, 'I don't want God to come down and take my talents away.' So, by using all these talents and being successful in all of them, I've always got something to fall back on.

I always have been an entertainer, whether it's been joking or performing for people. And I always thought I had a talent, because I could rap and I could sing, and I did write. And all the other kids were going to college, but I just felt like I had to do this first, and if it didn't work, then I would go to college.

Don Cornelius was a genius. He created a show where he was breaking artists' songs. If you were on his show, he made the consumer want to go out and purchase your music. He will be greatly missed. If they ever try to recreate what he did, it has to been done right, authentic and real with soul! That's what Don displayed.

If you believe a black cat is bad luck, people think you're crazy, but plenty of times, if I see a black cat down my street, I turn around and go the other way. Even if I'm late. I'll be late for the airport and be in a limo, and if I see a black cat, I'll be like, 'Sir, you have to turn around and go down the next street.'

If I'm paying people, and they're not handling my business right, I have to check them. 'Cause sometimes you're nice, and people don't jump on what they're supposed to do, but if you go in there screaming at everybody - 'Look, why aren't my posters up?' or 'Why wasn't my single out on this day?' - then they jump right on it.

When I'm in the studio, I like to be in there by myself because if I'm in the mike room, and I look out and see people talking, or they're not nodding their head or rocking to the music, it makes me feel like it don't sound good, or I'll be scared to really open up vocally because I might mess up, and they might be in there laughing.

Its funny, because for females in general - not just in music, but the corporate ladder as well - anything we do has always been harder for us. When it comes to music, the industry wants you to conform, to look like this and to sound like this and do this or that. It makes it harder. It's harder for us to come out and be bosses and lead the pack.

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