Quotes of All Topics . Occasions . Authors
I'm not looking to be the King of Comedy, or the King of Hollywood. I just want to be able to keep making stuff that I'm into and have the opportunity to challenge myself with, wearing different hats.
Sometimes when you write something on the page, it can seem very funny, but when you act it out - and this happens to me a lot, actually - the melancholy of the situation becomes more front and center.
I feel like so much of my life is about a conversation I'm having with myself. I do interact with other people, but often I'm more interested in what I'm learning in the relationship I have with myself.
As an actor and a writer, the anxiety about doing TV is that you start to feel like you get married to one tone or one kind of idea and you feel like you want to be able to express a lot of different things.
People don't go to see things in the theater for the same reasons that I do. And movies are about mass audiences. And so moviegoers are going for a different kind of drug than for a certain kind of literary quality.
I just think there are certain men who feel like engaging in a story told from a female point of view is somehow a feminizing experience. And that itself is something that they're almost supposed to not want to engage.
I actually think it's helped me as a writer to have to act. It's only when you actually start putting yourself out that you appreciate the anxiety that comes with having to try to sell a line, or with trying to own a character.
The things that drive me crazy are coming from this place of people suffering because of people polluting into rivers or whatever. It's not simply just about systems; it's an emotional reaction to seeing animals or people suffering.
You watch stuff like 'The Real Housewives' and you start to think, 'We're all so vacuous! Is there any nobility to any of these people?' But then you look out into the world, and there are people who are doing cool stuff with their lives.
For me, writing is a solitary thing and a personal thing. And it's weird, because when you make something that requires money and collaborators, you have to talk about them. I don't enjoy that part of it. I still want to keep it to myself.
To me, this is from a Buddhist perspective or whatever, sometimes people who are working out their political beliefs, they can rage against the man, and yet at the same time can be oblivious to their own way of stepping on the foot of the person right next to them.
People who write books - they live in their own world as they're writing. But people who are doing shows or big movies - not only are you writing this world that you're living in, but you're also simultaneously running a circus, and you can kind of start losing your mind like that.
I'm not really a director or producer for hire. There's lots of big gigs out there, but I'm not looking to do that. Usually, when I'm directing or producing, I've written it myself. I'm not really trying to get on some big horse that's running through town. I just make my own stuff.
I started out writing when I was young; stuff about exposing the truth about how people are not what they appear, about how they are much more dysfunctional than they seem. Pulling back the curtain - that felt smart. But as I got older, exposing how frail people can be seems less and less deep.
I find as a viewer, when I go to see comedies, the strain to be funny throughout the whole thing. I start to lose my sense of reality, and it ends up feeling like an empty experience; there's funny stuff in it but I've lost the emotional connection to the characters because it's just so bananas.
If I have a male protagonist, it's a studio movie, and if it's a female protagonist, it's an indie movie. That's just how it is. It's not about the studios. It's about America and who goes to see movies. Women are interested in men and women, and men aren't interested in the woman's story. They just aren't.
I remember I grew up in Pasadena in a very, kind of, homogeneous, kind of, suburban existence and then I went to college at Wesleyan University in Connecticut. And there were all these, kind of, hipster New York kids who were so-called 'cultured' and had so much, you know, like knew all the references and, like, already had their look down.
I've never been to the Oscars, but if I was ever invited to the Oscars, I would have this weird paranoia of terrorism. It just feels like The Poseidon Adventure, everyone in their tuxes. Somehow, I feel like the whole time I would be looking for where the nearest exit was, and in a cold sweat about some kind of man-made disaster, like a terrorist strike or something. It seems like such a scary, claustrophobic proposition.