Quotes of All Topics . Occasions . Authors
It's heartening to return to live music, heartening for people like me in a band. It's a very traditional thing to return to. It re-validates the original form that we fell in love with.
I wasn't taking so many drugs that it was messing up my creative processes. It was a very good period, 1968 - there was a good feeling in the air. It was a very creative period for everyone.
I'm not the businessman. I don't deal with the business at all. Not anymore. Occasionally, every four years or five years, they tell me I've run out of money, I have to go and make some more.
I wasn't understanding enough about drug addition. No one seemed to know much about drug addiction. Things like LSD were all new. No one knew the harm. People thought cocaine was good for you.
In England they always try out new mobile phones in Isle of Man. They've got a captive society. So I said, you should try the legalization of all drugs on the Isle of Man and see what happens.
Killing for ideas is the most dangerous form of killing at all. Being willing to die for your ideas rather than your country is another concept, but dying for an idea, like in religion, is absurd.
I like to have a peek, see what the audience is doing during the opening act, because it gives you a clue and gives you a good feeling of where you are - the air can be different in different places.
I enjoy doing different kinds of things. I just enjoy being not tied too much. I feel that I'm tied to myself as a kind of traditional musician and a singer, and the history that I have ties me down.
Of course, I do occasionally arouse primeval instincts, but I mean, most men can do that. They can't do it to so many. I just happen to be able to do it to several thousand people. It's fun to do that.
Quite often when I record a song, writing it and making a demo is the big thing and, after that, I think, how do I actually translate this into real life? A lot of the time I think I can't be bothered.
Music should elevate you. You can be raised, or left stranded. You can't be raised all the time, in my experience. This might be a rare moment. You might just go up to that level but that's always good.
I don't believe in astrology. It's a lot of crap. I just think that's another thing you should throw out the window. Mysticism. Cheap. It's amazing that people still hang on to that after all these years.
It's a real buzz, even in front of 20 people, to make a complete fool of yourself. But people seemed to like it. And the thing is, if people started throwing tomatoes at me, I wouldn't have gone on with it.
I don't only like rock music. There are other forms of music that I find interesting. I would want to do everything, every kind of music. I wouldn't want to be limited to like playing heavy metal or whatever.
It's hard to believe that you did so many drugs for so long. That's what I find really hard. And didn't really consider it. It was eating and drinking and taking drugs and having sex. It was just part of life.
Everyone in the movie industry wants to win an Oscar. I don't think that's why you make movies. But winning an Oscar is not just about making a great movie, unfortunately. It's also having a good Oscar campaign.
Rock & roll mostly is a very butch thing, and it appeals to one hard side of the masculine character. But I don't think the Rolling Stones are only a rock band. They can be other things. They can be very feminine.
Rock has to absorb other rhythmic forms, because the underlying rhythm of music changes with fashion, and people like to move differently, and the underlying rhythms have to be the ones that people want to dance to.
The grown-up world was a very ordered society in the early '60s, and I was coming out of it. America was even more ordered than anywhere else. I found it was a very restrictive society in thought and behavior and dress.
I don't hate journalists. You can't hate a class of people. It's wrong to say that. But I do think they're a bit like poison. Never trust them. You can't trust them as a class of people. It's their job not to be trusted.
My father was furious with me, absolutely furious. I'm sure he wouldn't have been so mad if I'd have volunteered to join the army. Anything but this. He couldn't believe it. I agree with him: It wasn't a viable career opportunity.
I was never that interested in business, to be honest. I do the minimal amount of business as possible because I'm not actually interested in it as a thing. But some people are interested in it, and there's nothing wrong with that.
People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.
When Gimme Shelter was recorded, early '69 or something, it was a time of war and tension, so that's reflected in this tune. It's still wheeled out when big storms happen, as they did the other week. It's been used a lot to evoke natural disaster.
I was having a bit of trouble. I wasn't in a good relationship. Or I was in too many bad relationships. I had so many girlfriends at that point. None of them seemed to care they weren't pleasing me very much. I was obviously in with the wrong group.
I always think it's better to be not taking drugs or drinking or anything. That's not saying I've never done it because I have. But I sort of learned I think after a while there has been - it didn't take me that long to realize that it wasn't a good thing.
The music's rehearsed a lot. All people think about is, they think, in rock 'n' roll, they get the music off right and they think it's okay standing, looking macho. Well, it's not. That's boring. If you want to be a performer you've got to do a lot more work than that.
Samba rhythm is a great one to sing on, but it's also got some other suggestions in it, an undercurrent of being primitive - because it is a primitive African, South American, Afro-whatever-you-call-that rhythm. So to white people, it has a very sinister thing about it.
Starting off in music, the purpose of it was not to become like well known on the street and be famous. You know, I didn't even think about that part of being famous. Famous for making records, yes, but famous face in a woman's magazine, I never thought of that. I didn't want that.
I'm very ambivalent in my feelings about marriage. I think it promises a lot to people... sort of like saying, once you get married you are on the highway to heaven, and quite often it isn't that. I think marriage has always been based on a combination of religious and legal reasons.
We have a lot of secondary market problems in the U.K.; it's really bad there. And lots of artists are starting to participate in it, because they put the tickets up at a certain price, then the tickets get marked up by the secondary sellers, and someone else gets twice as much as you.
Thousands of years people have taken drugs, whether it's alcohol, which was invented about 5,000 years ago. People have been using that. And all kinds of marijuana and all these things, tobacco. So all these drugs have been - it seems to be the propensity of human beings to want to use them.
You know, being in a rock band, you can't overdo the costume changes too much because everyone thinks, oh, that's not a real rock band. Look how many times he changes costumes. That's not rock. Rock's about going on in a T-shirt and staying in it and getting it all dirty. But that's not really my approach.
Taking drugs on a recreation level is one thing. But taking them while you're working on a stage is, I don't think it was that great. It's the control factor. And the thing about being on stage, you really want to feel that you're sort of in control a lot. It's not a place where you want to be out of control.
They're so boring. They're so pathetic, all those journalists. Most of them are. Most of those kind that write gossip stuff, and most of it's gossip. Things are just invented about your personal life and you just have to take that. It's bullshit. People believe it, though. They just believe everything they read.
There is something I like about talking to journalists that really goes beyond promotion because you aren't just talking to the journalist, but you are talking through them to people who presumably are fans of the Rolling Stones. The interviews give you a chance to say a few things and maybe clear up some of the things people read about the band.
I would hate to say as a non-African-American person that it would be wrong for a black person to direct white people in a movie. Wouldn't that be awful of me to say that? The only sympathizing thing I might say for people that want to [grumble] is that a filmmaker should have an understanding for the place where the people you're portraying are coming from.
Writing a song is like - you're writing a song all the time. It's just when it pops out. It's been there all the time. It's not something that suddenly you do it. It's always there. Suddenly, it's in the right mixture inside you to come out. Usually when you're writing on the piano or a guitar, you don't write in lyrics, on their own. To me it's very boring.
I used to play Saturday night shows with different little groups. If I could get a show, I would do it. I used to do mad things - I used to go and do these shows and go on my knees and roll on the ground - when I was 15,16 years old. And my parents were extremely disapproving of it all. Because it was just not done. This was for very low-class people, remember. Rock & roll singers weren't educated people
Rock 'n' roll and playing live is very addictive. But you have to really be careful, because you don't want to do it all the time. It's like when you are young and you think if you are not having sex you're wasting your time. But as you get older you realise everything has its place. It's the same thing with performing.... Performing is a great thing to do but you don't want to have to be doing it every night.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
I liked John a lot. He was the one I really got on with the most. We weren't buddy-buddies but we were always friendly. But after the Beatles and the Stones stopped playing clubs, we didn't see each other that much until he separated from Yoko, around 1974. We got really friendly again. And when he went back with Yoko, he went into hibernation ... when I went to visit someone in the Dakota, I'd leave him a note saying: 'I live next door: I know you don't want to see anyone, but if you do, please call.' He never did.
I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this. You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests.
I suppose you do think about the time that's allotted to you more than when you were younger. The mortality thing obviously has a stronger pull for you. It's an imminent truth; it's not necessarily a bad thing. You realize - much earlier than my age now - that you won't be able to play for England's football team, just to take a really crass example. So you can't have that life again. Unless you believe in reincarnation or whatever. Reincarnation? That's a whole other question. I find people who talk about that sort of thing in interviews idiotic. And I don't want to go down with them.