The cartoonist’s task is not so much to be balanced as to give balance, particularly in situations of disproportionate power relationships such as we see in the Israeli-Palestinian conflict.

The human relationship to combustion is as mysterious as it is fraught with madness. From the candle flame to the nuclear blast, it has lit up the human imagination with fear and fascination.

As we grow, we lift our gaze higher and higher, and then sometimes we are brought to our knees, but all is not lost; what we find on the ground can be very valuable and precisely what we need.

In my adolescence, I think I felt very outcast; I felt lonely. I felt great loneliness, and sometimes I wouldn't partake in Christmas, and I would go off and wander in the streets of Melbourne.

All good art is seditious, but the people in authority can never recognise it. I think when you mention sedition, artists are the ones whose eyes light up thinking, 'Oh, yes, I want some of that!'

We may lose our memory as we get older, but this might not be such a bad thing - who wants to drag a mental junkyard around at a time of life when you're starting to grow interesting little wings?

Easter is reflecting upon suffering for one thing, but it also reflects upon Jesus and his non-compliance in the face of great authority where he holds to his truth - so there's two stories there.

Easter is reflecting upon suffering for one thing, but it also reflects upon Jesus and his non compliance in the face of great authority where he holds to his truth - so there's two stories there.

It is known that wildfires behave unpredictably - this is fundamental - but it is my experience that humans in the presence of wildfire are also likely to behave in aberrant and unpredictable ways.

Many people first encounter Jesus during childhood when they are suddenly confronted by a horrifying statue of a man nailed to a cross, and this is often a most unfortunate and repulsive beginning.

If you're becoming weary and disillusioned with Australian values, Judeo-Christian values or Western civilisation, I recommend strangers - they're such a glorious, redeeming wilderness to wander into.

So few humans seem to fully exist themselves that I wonder if all this endless speculation and haggling about God is really an exploration of a more interesting and embarrassing question about ourselves.

Try as I do to comprehend the human project and my part in it, I am further than ever from understanding the monstrous everyday things that seem like self-evident truths and existential necessities to so many.

All nations that throw their military weight around, occupying neighboring lands and treating the residents with callous and humiliating disregard, are already sliding towards the dark possibilities in human nature.

In contemporary art culture, where good looks and clever strategic planning of art careers have become a feature, professional practice may be taught in art schools like a branch of public relations or political science.

As a child, I dreamed that my bed could fly and glide and swoop and hover high over the countryside near my home while, snug and secure, I looked down in wonder at the great carpet of life that seemed so perfect beneath me.

I just happen to believe that what's at stake in the early child's development is so vital and so important, and I think it is founded in the main, in the broad cultural sense, on the relationship between the mother and child.

In some ways, calm bodily protest has a nakedness to it that may be deeply embarrassing for observers; an act not unlike the bare-faced Oliver Twist effrontery that stands vulnerably before authority, asking for more or better.

There is a central flaw in contemporary culture and a corresponding and related inability to address it. Society seems somehow unable to adequately help or protect itself. Normal citizens feel powerless, isolated and disturbed.

Citizens, regardless of their political inclinations, carry a devout sense of their shared culture and its temperament - and, having contributed to it all their lives, hold decent and reasonable hopes for its continued integrity.

I must warn you right here and now that I am a 'wet leftie,' a 'leftist' and also a member of the 'bleeding heart liberal left.' I had no say in it whatsoever. I woke up one morning, and these things were tattooed across my forehead.

There are only two feelings, Love and fear: There are only two languages, Love and fear: There are only two activities, Love and fear: There are only two motives, two procedures, two frameworks, two results, Love and fear, Love and fear.

A dear friend of my early childhood has worked as an anthropologist in Papua New Guinea for much of her life, and from the tiny island where her main work has been focused, she has brought me many funny and beautiful stories over the years.

As a child, I heard many warnings from teachers about the perils of talking with strangers. Yet now, fairly late in my life, I can think of not many things better than to talk with strangers. The idea of being a stranger is also very appealing.

The 'economy' became a god such as never before, and a happy, successful society was one that could please this god - sometimes by sacrificing beautiful things - to keep the deity from getting angry and harming the people by withdrawing favours.

What a magical thing is the bed, and what a vulnerable, innocent creature is the sleeping human - the human who never looks more truthful or pitiful or benign; the curled-up, childlike dreaming soul who has for a few hours become an angel adrift.

Practically every technology that is ever invented is touted as being the new savior, the thing that will bring peace and goodwill to the earth, but immediately it falls into other hands who see it as the opportunity to promote the very opposite.

God bless this tiny little boat, And me who travels in it. It stays afloat for years and years, And sinks within a minute. And so the soul in which we sail, Unknown by years of thinking, Is deeply felt and understood, The minute that it’s sinking.

An education system suits some more than others. It can lead you out into life or lead you on a wild goose chase. It can help to make you miserable, or dull and nasty and insipid, or profoundly stupid in the special way that 'brainy' people can be.

A good memory is surely a compost heap that converts experience to wisdom, creativity, or dottiness; not that these things are of much earthly value, but at least they may keep you amused when the world is keeping you locked away or shutting you out.

Where do I get my information from? Well, I get it from the radio, and I get it from the newspaper, and then I get it from my conversations, and I get it from the paddocks around the bush. I get it; it turns up. You'd be most surprised how it turns up.

I have sometimes done cartoons that are hurtful to people - immature, spiteful stuff. Some are so self-indulgent, and some have just failed. I look back and sometimes cringe. But one regret as I get older is that I haven't been radical and wild enough.

There are times when the art world seems like a religious empire. There are great cathedral galleries and pilgrimage sites where treasured art pieces are displayed like holy relics, and this can certainly be a great pleasure on a rainy Sunday afternoon.

Sweetheart,' 'darling,' 'luv.' I like these words; they fit me like a comfortable old pullover. I remember them from childhood; that's what innocent little boys were called by cheerful aunties back then, to make them feel welcome and secure in the world.

Ah, whimsical. It's terrible the way words get attached to you like barnacles. As is what I do is acting on a 'whim'. If only these were gifts from God when I get an idea, but everything I have done that I really love has had a lot of hard work behind it.

I am probably not alone in sensing above me the huge corporations and monstrous banks, science, politics and technologies, spy satellites and stock markets, military systems and massive wealth - forces and dynamics I don't understand or can hardly imagine.

Life seems sadly mishandled by humans, as if it's all too much for them - they spend so much time and energy hurting each other, making things worse, and fouling their own nest, all because they imagine things aren't good enough and should be made much better.

The creative act is also in a small way a suffering act - we start out with our ego, this hope of making this thing whatever it be, but so often it eludes us and it collapses and we kind of regress into this mental suffering, we can't find what we're looking for.

Perhaps life is actually more confusing and unknowable to an adult than a child, but grown-ups have learned to deceive themselves and act as if they understand what's going on; and some are elected to high office on the basis of their ability to create this impression.

I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction.

I increasingly wonder whether most humans are in a constant state of unconsciously fearing each other. Perhaps they fear how intimately different other people might be to them, and the problem is that there is no real way of finding out just how huge that difference might be.

Of all the seasons, winter is the most conducive to the great art of dormancy. This art requires an appreciation of semi-consciousness: the beautiful and necessary prelude to sleep - a special pleasure in itself that is all too often neglected, under-valued or looked down upon.

When the heart is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind from the good old sea blow in to bathe the wound with salt and let it sting. Let a stray dog lick it Let a bird fly in the hole and sing a simple song like a tiny bell and let it ring.

It's a consoling notion that death is a very tiny hole, and you need to make yourself very small to get through it. One obviously needs to lighten off, and a rucksack full of bricks or a mantelpiece full of trophies will certainly have to be abandoned - the sooner the better, I say.

Sadly, semi-consciousness, along with daydreaming, is a capacity that is actively discouraged among children in schools, and our society is much poorer and harsher as a consequence. The value of liminal space and transitional imagination remain personally and culturally undeveloped.

For me, spirit is the impulse towards life, the Eros in a person leaping forward, whereas soul refers to something possibly long.. suffering, where meanings are made, where there is a sense of this gathering of perceptions, that our death is not the most important thing, nor our life.

Like normal people, leftists now have to get up in the morning and earn a living, seeing as the fascists have come down so hard on social welfare fraud, and this is the cruel reality. The good old days are gone, and increasingly, leftists are to be found working in ordinary, proper jobs.

If the nose has become a deeply disillusioned and grief-stricken organ in the modern world, then what of the ear? The poor little ear - such an innocent, intelligent and sensitive creature; in these times of such flagrant sonic brutality, the sense within the ear has much to contend with.

While the world may feel entitled and have the power to pronounce an individual crazy, are there times when the innocent genius, the insightful individual or just the old grandmother may reasonably declare the world to be mad? Probably, but what hope or happiness would such an individual have?

I give thanks for the fact that I can get this stick with a bit of steel nib on the end, dip it in some black carbon stuff, and draw on paper. Now, people did it the same way 2,000 years ago. And there's something lovely about that play, and making mud pies and a mess. That's a lovely privilege.

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