Quotes of All Topics . Occasions . Authors
There are times when I consciously give the character something physical - a walk, the way he sits, how he talks, or his lack of physicality, which is like a physicality.
My limited theater experience was when I was a kid starting out: two or three plays. I was good in one and mediocre in the other. My problem is that I have other interests.
'Birdman' is a very risky movie. I knew I wanted to do it just from watching Alejandro's other work. I told a friend, 'I would have done it based on 'Amores Perros' alone.'
If you get a good comedy once a year, man, that's pretty good. I may be pickier than some, but still, there aren't that many movies that are really, truly, honestly that funny.
My first day in grade school, I was plain scared. I left the comfort of my run-down house, which I loved, and went to school where it was cold, it smelled, the lighting was bad.
My work is distinct and definitive and specific, and hopefully it is so that every single character is different, and they are - but there's probably an underlying element that's me.
When I was in improv workshops or doing stand-up or writing comedy with others, or just doing comedy, I just laughed. Funny was funny; I loved to laugh. I always liked people I found generally funny.
I've changed my diet a few times. Now I'm trying to eat more protein. I eat little meals throughout the day. I love food, so I still give myself great meals. Also, when I'm busy, it's easy to lose weight.
Leaving a lot of movie sets, I've gone home and said, 'How come my hands are clean?' I should finish something and go home with dirt in my fingernails, because then you really feel that you've done something.
I watch 'Morning Joe' occasionally. I used to watch a lot more than I do now, but I watched it, and all of a sudden, there was this love fest, for crying out loud - this inexplicable love fest one morning - for The Donald.
Unless you're flat out dead, you have to think of some other questions like: what's on the other side? It brings up issues of God, or no God. How does he play into this? Or he, or she, or it? How does it all play into this?
I find there are a few places where I like to meditate more than in other places. There's a little Catholic church that I go to, and there's another temple I go to - there are certain places where I just feel more comfortable.
My first manager, he had left Germany when he was five, but he would joke about the Nazis. And I'd laugh, but I'd look at him, and he was the first one who told me, 'You know, funny is a powerful thing; it's a wonderful weapon.'
The first feature film I did, when I did 'Night Shift,' I improvised quite a bit because I would improvise at the audition, so sometimes I would return to the original lines, and then when I was on set, I would improvise even more.
I read that John Hughes script for 'Mr. Mom,' and I thought, 'This guy is a funny writer.' I went: 'You ought to stick around and direct this thing.' But he didn't; he left, and look what he became. A really legendary comedy director.
High energy creates more energy, more energy, more energy. It kicks off synapses, I guess. It opens up your brain and you think of one thing after another thing, after another. You can really open yourself up comedically, which is fun.
I was never a huge 007 fan, but I sure liked Sean Connery. I'm sure Pierce Brosnan is good and has his moments, but I've not seen him; I've only seen bits and pieces on TV, so I can't really judge. Pierce looks very natural in the role.
I'm the seventh child of George and Leona Douglas, and I don't ever remember a time when my father didn't work two jobs. When my mother was going to the grocery, or going to Mass, or trying to take care of seven kids in a run-down farmhouse.
In the household in which I was raised, the themes were pretty simple. 'Work hard. Don't quit. Be appreciative, be thankful, be grateful, be respectful. Also, never whine, never complain. And always, for crying out loud, keep a sense of humor.'
I've proven I'm courageous. I'm gutsier than anybody; I've got a better imagination than anybody; I'm essentially more creative than any other actor I know, and I've proven I take risks. I don't think I need to prove anything to myself any more.
To make extra money, my parents would sell eggs and chickens. I was very little. I remember a chicken's head being chopped off with the chicken running around. I wasn't sure if my imagination was running away with me or if it really happened. It really happened.
Day to day and doing the work and getting to that honest point - that, for me, is always about - and always will be as long as I do this - refining and refining and refining and refining the truth... constantly being as truthful and honest and raw and real as you can be.
I grew up in rural Pennsylvania, in a really rundown old house. I'd stay out till 8:30, 9:00 at night. Just blow in. My mom and dad never really cared much. It was okay. We were pretty free to roam. I mean, I had no concept of stopping play. It just didn't occur to anyone.
We had four guys in the family, so somebody was always hitting somebody or chasing somebody or getting mad or fighting or wrestling - that was just what you did. So when you're the youngest, it's good for you. You figure out real early how to get out of headlocks and holds.
There comes a point in your life when you realize how quickly time goes by, and how quickly it has gone. Then it really speeds up exponentially. With that, I think you start to put a lot of things into context; you start to see how huge the world is, and really, the universe.
Westerns were always my favorite things when I was little. And it always bothered me when cowboys were too clean in movies, or when they wore their guns like they had an outfit on. It always worked better when a guy looked sweaty and smelly; I hadda believe, I hadda believe that.
I reached a point where I didn't think I was that great. I'm not being humble. I was looking at things and thinking: 'You're not really good in that'. I think I was becoming boring as well as bored. It was nobody's fault except mine - probably - and it might not even be my fault.
It's odd, how those things happen to actors. A thing where you think, "I have no idea how to do this," something will happen in your life comes up and you just get it. I don't know how you get it, but actors are pretty extraordinary, in that regard. I think it's fear that happens.
Over the years, I think, people - actors, writers, whatever - lose their frame of reference. Their frame of reference is based on somebody else who did this or did that. Performances. So it just becomes a reflection of what already works. Like a warm-up. And that's an invitation to be inauthentic.
From the time I was a kid, I was crazy about anything having to do with the West. I'd look at all of these photos of Montana, and they all seemed so magical and majestic. I just wanted to go west, and I finally did it when I was barely 21. I went off to volunteer at a Navajo reservation in New Mexico.
I'm just shocked and thankful that I've gotten away with everything - experimenting here, trying at this, failing at that, being good in some things, not so good in others. It's kind of amazing that people are still sticking by me. When they come up to me in the street, I just want to write them all cheques.
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, 'Don't back down a single inch, hang with these guys if you can.' If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
I played a lot of sports when I was a kid so I get in that ballgame mindset of being really, really respectful, but at same time saying to yourself, "Don't back down a single inch, hang with these guys if you can." If they throw it high and tight you have to stand in there, you can't take yourself out of that moment.
'Birdman' has kinda... changed things. I'm not saying you won't see traditionally made movies any more. But I've had meetings with directors, and they've said it makes them rethink everything. You can hate this movie, but you have to talk about it. It's going to go down as one of the most interesting movies ever made.
I remember my mom threatening me, half-serious: 'You know what? I should take you to Pittsburgh and put you in dance lessons just to keep you occupied.' Well, that brought everything to a screeching halt. 'Jeeze, dance lessons.' In retrospect, it would have been awesome, but then, 'Ugh, dancing - dancing's for sissies.'
Well, I think I'm not a non-believer, and I'm not a believer. But, on the other hand, I couldn't give you a good enough reason why EVP doesn't exist. I don't know enough about it, so how could I say it's not true. Plus, a person's reality is a person's reality so that's your belief system. It's all perception anyway, isn't it.
We know there's a clear gap in fairness. There just is in equity. In a lot of ways, economically, racially, blah, blah, blah. It just is. Not blaming anybody, it just is. So then you say, that can be interpreted and misinterpreted and used by a lot of different people. Some people run for office; some people try to gain influence. I generally believe all that's true. It's just, which one is the person who is accurately turning that dial and which one is using it as bullshit and lies? So, this is a tricky area to step into.